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Reading, That Strange and Uniquely Human Thing

“How we evolved to read is a story of one creative species.”

young girl reading

Lydia Wilson explains how writing developed from a system to record the ownership of particular goods to one capable of creating great works of literature.

Turning the Page on the Year

“If ever there were a new year that called for a new notebook, this would be it.”

Dr. Perri Klass admits that she loves notebooks even if she’s not as diligent in writing in them as she’d like to be. I used to write in a journal just about every day, but for about two years, when we were traveling extensively in early retirement (and hopefully we’ll be able to do that again some time), I let myself fall out of the habit. (Yes, it’s much easier to let a habit lapse than to build a habit in the first place.)

But I’ve been building up the old habit over the last couple of months and intend to do much better this year.

Memorial by Bryan Washington review – a masterclass in empathy

I include this review because Memorial is one of the novels on my TBR shelf that I’m determined to read soon.

a shelf filled with upright hardcover books
See Memorial over there on the end on the right?

Notable Novels of Spring 2021

“We continue to experience a publishing pile-up, as books postponed from 2020 spill over into the new year’s catalogue. As a result, this season offers an embarrassment of riches for the reader of novels,” writes Cal Flyn, deputy editor of Five Books. Although this article follows the traditional Five-Books approach of featuring five covers, Flyn discusses additional titles in the discussion.

Top 10 most dislikable characters in fiction

The question of fictional characters’ likability comes up often. (See Must We Like Fictional Characters? and Why I Don’t Need to Like Fictional Characters.)

Here novelist Louise Candlish puts a particular spin on the discussion: “dislikable is not the same as irredeemable, and for this reason, there is no place on my list for any love-to-hate Tom Ripleys or morbidly mesmerising Humbert Humberts.”

Here she explains why she dislikes these 10 irredeemable characters. Because this list is in The Guardian, her emphasis is decidedly British. But #9 is the product of an American author, and #10 is from a very recent novel.

Ray Bradbury at 100: A Conversation Between Sam Weller and Dana Gioia

“Ray Bradbury is one of the most important American writers of the mid-20th century. He transformed science fiction’s position in American literature during the 1950s. There were other fine sci-fi writers, but Ray was the one who first engaged the mainstream audience. He had a huge impact on both American literature and popular culture.”

The Villainous White Mother Was All Over the Domestic Novel This Year

In this article, which came out at the end of December, Kelly Coyne writes, “It is often in the home where the plainest expressions of politics appear. This year, you could see it everywhere in the domestic novel.”

Coyne reflects on recent novels that “thrust white liberal parents into a harsh light” in the ways in which they interact with domestic workers.

© 2021 by Mary Daniels Brown

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On Novels and Novelists

10 Famous Authors’ Favorite TV Shows

In an era when it’s impossible to open a web browser without stumbling across another “Is television the new novel?” piece, we couldn’t help but wonder, Carrie Bradshaw-style, just what our favorite writers watch in their spare time.

See what shows the following authors like:

  • Zadie Smith
  • S.E. Hinton
  • Lorrie Moore
  • Stephen King
  • Bret Easton Ellis
  • Salman Rushdie
  • Roxane Gay
  • Neil Gaiman
  • Margaret Atwood
  • Joyce Carol Oates

And since not all of these writers are from the U.S., here’s an opportunity to learn about some television shows you may not know.

What Ray Bradbury’s FBI File Teaches Us About Science Fiction’s Latest Controversies

Separate FOIA [Freedom of Information Act] requests by the Daily Beast and MuckRock unearthed Bradbury’s files in 2012. Though they received some coverage at the time, Boing Boing, the Register, and MuckRock have discussed the documents this week, focusing to their charming anachronisms and other period peculiarities. Ultimately, however, those documents stand out most for what they reveal about the state of science fiction today.

Jacob Brogan here takes a quick look at what informants had to tell the FBI about Bradbury and his writings back in the 1950s and 1960s. Despite fears that science fiction might become “a lucrative field for the introduction of Communist ideologies,” Brogan asserts that Bradbury’s popular success was not driven by any ideology, “a communist one least of all.” Instead, Brogan writes, science fiction has always been about looking at what’s wrong with the world and imagining how to make it better.

“Science fiction’s latest controversies” referred to in the article’s title involve division in the ranks of science fiction writers and award judges, some of whom see “an elitist wave of liberal propaganda” overtaking the genre. This article includes lots of links to more material about these controversies on the web for those who wish to delve further into the issues.

But, Brogan reminds us, the FBI documents pertaining to Ray Bradbury are

important reminders that science fiction invites us to see and think in new ways. It’s not always ideologically inclined, but it has rarely strayed far from the political.

Ursula K. Le Guin on myths, Modernism and why “I’m a little bit suspicious of the MFA program”

Here Scott Timberg talks with Le Guin, a grand dame of both science fiction and fantasy, about her newly issued book on writing, Steering the Craft: A 21st Century Guide to Sailing the Sea of Story. A significantly revised version of a work originally published in 1998, this book, Timberg says, “is not something any aspiring fiction writer should ignore.”

Steering the Craft originated in a workshop about the nuts and bolts of writing that Le Guin conducted for writers in the 1990s. She said that a lot of writers didn’t “have the vocabulary of the very elements of [their] work – which is how the English language is put together, and what constitutes a sentence and a non-sentence and so on.”

Read the rest of the interview—it’s short—to find out why she thinks writers should read the work of Virginia Woolf and why she is “a little bit suspicious of the MFA program” as a way for writers to practice their craft.

Why Knopf Editor in Chief Sonny Mehta Still Has the “Best Job in the World”

OK, Sonny Mehta is not a novelist, but as editor in chief of the Knopf publishing house, he’s deep into the world of books and writers.

In this short piece Dave Eggers profiles Mehta, for whom “the unique delight in discovering a great unpublished work hasn’t diminished.”