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Author News Book News Last Week's Links Reading Writing

Literary Links

J.K. Rowling’s ‘Troubled Blood’ is her most ambitious Robert Galbraith novel yet — and likely the most divisive

cover: Troubled Blood by Robert Galbraith

I have liked J.K. Rowling’s mystery novels featuring Cormoran Strike—published under the pen name Robert Galbraith—very much. But Rowling herself has been criticized recently for transphobic remarks she made earlier this year. (This article contains a link to a related article.)

The fifth novel in the Cormoran Strike series, Troubled Blood, has recently been published. “In her new book, Rowling has created a creepy serial killer who dresses in women’s clothes to more easily reel in his female victims,” writes Bill Sheehan in this article in The Washington Post. Further:

A question quickly arises: Is the creation of such a character a legitimate aesthetic choice or is it an affront to the LGBTQ community? While I don’t pretend to know the author’s motivations, I lean toward the former interpretation. Many others will no doubt passionately disagree.

Sheehan’s appreciative review of the book is quite short, yet it has reopened the discussion about whether authors can or should be separated from their works. He ends the piece with “Let the arguments begin.”

And begin they have. There are already 734 comments. Read on.

The Era of Pandemic Literature Is Upon Us, and It’s Starting With Regina Porter’s ‘Daily Cleanse’

After six months, we’re far enough into the COVID-19 health crisis to begin to see what kind of literature will emerge from it. Adrienne Westenfeld, an assistant editor at Esquire, leads the way:

When truth is stranger than fiction, writers of fiction often make sense of reality on the page; yet in the unprecedented age of the coronavirus pandemic, many writers have reported feeling paralyzed by incessant despair, leaving them unable to create. But Regina Porter, the acclaimed author of 2019’s The Travelers, wasn’t paralyzed—instead, Porter found herself “compelled” to start a new novel at the height of the pandemic. In “Daily Cleanse,” a story adapted from that forthcoming novel-in-progress, tentatively titled The Rich People Have Gone Away, Porter introduces Theo Harper, a privileged New Yorker struggling to keep secrets from his pregnant wife, Darla, as life in the city grinds to a devastating halt due to the coronavirus. “Daily Cleanse” is at once an unsparing look into the discomforts of intimacy and a deeply felt portrait of a transformed city, one where, Porte

In this interview, “Porter spoke with Esquire about accessing her creativity against all odds, creating morally complicated characters, and employing fiction to investigate questions about race.”

Essay collection ‘Seismic’ reflects on Seattle’s status as a UNESCO City of Literature — and the power of storytelling

Nearly three years ago, Seattle’s literary reputation was solidified on the world stage with its designation as a UNESCO City of Literature. On Sept. 15, “Seismic — Seattle, City of Literature,” a collection of essays from Seattle-area writers like Timothy Egan, Claudia Castro Luna, Charles Johnson and more will be released — a series of reflections on what this status means for Seattle, and how art, literature and stories can be forces for change.

The Seattle Times offers the collection’s introductory chapter by editor Kristen Millares Young and the essay by Ken Workman (Duwamish, great-great-great-great-grandson of Chief Si’ahl), which Young describes as “canonical.”

Why Goodreads is bad for books

I use Goodreads, but only for a few particular aspects of my life. But I see a lot of references to how unhappy people are with Goodreads. Sarah Manavis fills in some of the blanks for me here; I don’t have most of the problems because I don’t use the features that people find problematic. But from her descriptions, I can tell that if I did use Goodreads for those purposes, I’d probably be unsatisfied with the platform’s functionality, too.

I found particularly interesting her description of The StoryGraph, a new service under development and scheduled for formal launch early next year.

What Made Black and Blue Pens Standard? A Colorful Look at Ink

set of 24 colored pens

When I was a kid, ballpoint pens—which we didn’t get to use in school until 4th grade—came only in blue, black, or red. By the time I started college, green ballpoints were available, which the rebel in me promptly adopted as my main writing implement.

In this article Yashvi Peeti delves into the history of ink and the psychology of color to help us choose among all the writing implements and colors now available.

© 2020 by Mary Daniels Brown

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Book Recommendations Fiction Last Week's Links Literature & Psychology Reading Writing

Literary Links

Many writers say they can actually hear the voices of their characters – here’s why

I don’t write fiction, but I read a lot about and talk with people who do. I’m always fascinated when fiction writers say that a character either appeared and demanded to be written about or appeared to object when the writer wrote the character in a particular way.

Here’s a fascinating look by John Foxwell, Postdoctoral Research Fellow in the Department of English at the U.K.’s Durham University, into how writers experience this phenomenon. Foxwell and colleagues surveyed 181 writers at the Edinburgh International Book Festival in 2014 and 2018.

“. . . the more researchers delve into thought and imagination, the more difficult it is to say exactly how much control over our thoughts and actions any of us actually have – and to what extent the control we feel we have is an illusion.”

How Phillis Wheatley Was Recovered Through History

“For decades, a white woman’s memoir shaped our understanding of America’s first Black poet. Does a new book change the story?”

Elizabeth Winkler reports on the life of Black poet Phillis Wheatley and examines a new book, The Age of Phillis, by poet and professor Honorée Fanonne Jeffers. In her book Jeffers attempts to understand the only version of Phillis Wheatley’s life, written 50 years after the poet’s death, by Margaretta Matilda Odell, a white woman who claimed to be a “collateral descendant” of Susanna Wheatley of Boston, owner of slave Phillis.

In turbulent times, culling my book collection gave me the illusion of control. Then the dilemmas began multiplying.

Michael Dirda writes that over the past two months “I’ve been sorting and culling the vast number of books I’ve accumulated in a lifetime of reading and collecting.” The COVID-19 pandemic has produced a “persistent feeling of helplessness, frustration, anger and mild despair,” but he hoped that going through 300 boxes of books and deciding which to keep and which to part ways with would give him a feeling of control. 

“However, making these decisions has turned out to be harder than I expected.” 

Read some of the dilemmas he faces in deciding which one of multiple copies of the same book he should keep.

A Novel Way to Think About Literary Categories

Here’s a big topic I’m still trying to get my head around: Tim Parks sets out to answer the question “Why do we categorize novels?” In the article linked here he explains how he found similarities between a number of authors, all of whose works center around the question of belonging to a particular group.

But this is only the first article. There are three more articles in the series, each dealing with another such category. (This introductory article contains a link to the entire series.) Parks constitutes his categories as “clearly defined hierarchies of value, or centers of interest, generating distinct, or at least recognizable, types of plot and character interaction.”

Over the course of the four articles Parks arrives at four fictional categories, or fiction that centers around one of these four “distinct value systems”:

  1. stories focused on the characters’ relations to the community (belonging)
  2. around conflicts between indulgence and renunciation (goodness)
  3. around a tension between the craving to be free and a need to feel protected (liberty)
  4. those related to winning and losing: confidence and inadequacy, strength and weakness, complacency and resentment, envy and emulation, seducing and succumbing, jubilation, but also wise resignation (power)

So if you’re spending some of your pandemic downtime categorizing and rearranging your book shelves, why not give Parks’s system a try?

15 Extraordinary Books You Can Read in One Sitting

“The one-sitting novel isn’t just something you can read in one afternoon—it’s something you should read in one afternoon. The one-sitting novel is perfectly structured to be consumed as a complete, transporting experience, whether that’s a breakneck ride through a thrilling narrative, or a slow, dreamy fog that envelops your mind as you page through,” writes Adrienne Westenfeld for Esquire.

I was attracted to this list mainly because my ability to focus over extended periods of time has been hampered by the uncertainties of the COVID-19 world. Westenfeld says the upper limit of her choices here is 250 pages, which seems appropriate for a book to be read in one day.

How to Show Kids the Joy of Reading

If you need a truly feel-good story—and who doesn’t need one of those right now?—read about how one teacher in Tennessee helped pilot a project that has boosted primary students’ reading comprehension and made them eager and excited about reading.

© 2020 by Mary Daniels Brown

Categories
Personal Reading Writing

Reading & Blogging in the Time of COVID-19

2020 Discussion Challenge

Thanks to these two bloggers for sponsoring the 2020 Blog Discussion Challenge:

You can join the discussion challenge at any time during 2020 by clicking on either link above.


Related Posts:

fancy scroll

All of my recent posts have been lists of COVID-19—related links. I just kept collecting these links, almost obsessively. Now that we’re approaching the end of our third week of self-isolation and social distancing here in Washington State, I’m finally beginning to understand why.

When we first started this virus-induced cocooning, I was excited. As an introvert who likes nothing better than to kick back with a good book, I’ve been practicing for this my whole life. Bring it on, I thought. I’m going to get a whole lot of books read.

However, I wasn’t prepared for the emotional onslaught that accompanies this medical emergency.

And so I began curating those lists of links. For about 10 days I spent most of my time reading article after article about what was happening here at home and around the world. Every time I thought that I should start reading a book, I felt completely overwhelmed. I have so many books on my TBR shelves that I got flustered wondering which one to pick up. The more I thought about which book to select, the antsier I got.

I couldn’t concentrate, couldn’t focus on any one thing, so I just kept going from one article to another about the advance of COVID-19. Reading individual news stories and articles didn’t require the extended attention necessary for reading a book.

So I thought that, if I wasn’t going to read books, I should write. How silly that thought turned out to be, since writing anything more than the occasional Facebook post requires even more focused attention than reading a novel. For about a week and a half I did nothing but make those lists and wonder what was happening to me.

woman writing in notebook

My life has been a series of research projects.

Ever since I was a child, my way of dealing with anything new and different—and therefore confusing—has been to read up on it. If I learn all about whatever it is, I can deal with it. In the past, knowing about something meant that I had some personal control over it, or at least how it affected me. 

But of course there’s no controlling this virus. No matter how much I learn about it, it is still in control. And nobody knows how all this is going to turn out. We’re experiencing anxiety at a whole new level. In fact, anxiety doesn’t seem like the right word to use here. This situation requires a much stronger term.

I came across an article byScott Berinato in the Harvard Business Review called “That Discomfort You’re Feeling Is Grief.” I found especially enlightening his concept of anticipatory grief, that is, grief in anticipation of how different our lives are going to be in the future than they were in the past because of this pandemic. There is definitely a grief component to what I’m feeling.

“There is something powerful about naming this as grief. It helps us feel what’s inside of us,” Berinato writes. But while I agree that just naming something helps us deal with it, I don’t think that grief quite tells the whole story by itself.

So for now I’m calling it generalized dread

I did finally manage to break out of my reading slump, although whether the naming process or simply the passage of time is responsible I’m not sure. Probably both contributed. The book that rescued me is Long Bright River by Liz Moore. I hope to write a review of it soon, although I fear the ability to concentrate enough to do much writing is still a little way off.

I hope you are all staying healthy and dealing with this new reality. I’d love to hear how you’re coping.

© 2020 by Mary Daniels Brown

Categories
Author News Fiction Last Week's Links Nonfiction Publishing Television Writing

Literary Links

“What Do I Know To Be True?”: Emma Copley Eisenberg on Truth in Nonfiction, Writing Trauma, and The Dead Girl Newsroom

Jacqueline Alnes talks with Emma Copley Eisenberg, author of true-crime book The Third Rainbow Girl, “about what it means to seek truth in nonfiction, and how writing the personal can allow for more complicated realities to emerge; how undermining conventions of genre can impact the way a book is both marketed and read; and what it means to find clarity — or at least community — while writing into murky, and often traumatizing subject matter.”

Questions of “the boundaries between subject and writer, research and lived experience, and how we classify it all” are significant in journalism and in nonfiction writing. In the book, Alnes writes, “Eisenberg undermines many features of the subgenre by centering place as a major subject.” According to Alnes, Eisenberg inserts herself into the narrative as someone who cares about the region where the crime occurred and can therefore discuss some of the expectations and stereotypes of the people who live there.  “In prose that brims with empathy, and through research that illuminates narratives that have long been hidden by problematic representation, Eisenberg exposes the kinds of fictions we tell ourselves often enough that we believe them to be true.”

I called out American Dirt’s racism. I won’t be silenced.

Myriam Gurba was among the first to call out the novel American Dirt, published in January 2020, as “a novel filled with stereotypes of Mexicans.” She is one of the founding members of Dignidad Literaria, a group that arose out of the American Dirt controversy to demand more representation of people of color in publishing. 

Here she explains, “As I’ve learned again and again, if you speak out against racism, there are risks you must take on.”

The First Novelist Accused of Cultural Appropriation

“Reflections on my father’s novels The Confessions of Nat Turner and Sophie’s Choice, in the age of American Dirt”

Alexandra Styron, daughter of William Styron, writes, “With the possible exception of Harriet Beecher Stowe, my father was the first novelist in modern history to be accused of cultural appropriation.”

And, she continues, “That experience, and what he made of it, reflects complicated truths about mid-century American culture, and maybe offers some guidance for our own contentious times.”

These Powerful Women Are Changing The Literary Landscape

Despite the publishing industry’s continuing dominancy by white men, Kristin Iversen finds some reasons for hope:

While it’s still hard to say what will or won’t be a best-seller, there are a couple of things that are promising when it comes to publishing’s future: One is that most of the last decade’s best-selling books were written by women, and another is that the majority of the people reading multiple books each year are also women. And so it follows that if there’s one prevailing theme in the literary world right now, it’s that the industry’s most influential members — from behind-the-scenes publicity powerhouses to the biggest authors to prominent critics to podcast hosts to, you know, supermodels — are overwhelmingly women.

Read here about the women Iversen sees as the sources of these hopes.

From ‘The Outsider’ to ‘It,’ the joys — and challenges — of adapting Stephen King

Travis M. Andrews discusses the recent HBO adaptation of King’s The Outsider by focusing on “one of the primary challenges in adapting King’s work: taking something so interior (in this case, doubt) and making it visual.”

Joanna Trollope on families, fiction and feminism: ‘Society still expects women to do all the caring’

Joanna “Trollope is the queen of contemporary women’s fiction and seems to be wired to the anxieties of a devoted, predominantly female, readership. The complexities of life and love cascade through novels that have confronted lust, adoption, divorce, infidelity and the changing nature of the modern family.” 

In this piece for the Guardian Claire Armitstead weaves together a short biography, references to Trollope’s novels, and an interview with the author. 

Here’s my favorite quotation from Trollope: fiction “can be a physical confessional: when you’re within the covers of a book, you can admit to all kinds of things that you can’t otherwise. It’s also where you learn about the rest of human life and where you get your most profound experience of life – except from actually living it.”


© 2020 by Mary Daniels Brown

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Challenge Discussion Writing

2020 Book Blog Discussion Challenge Sign-Up

In an effort to motivate myself to produce more substantive posts next year, I’ve decided to sign up for the 2020 Book Blog Discussion Challenge.

2020 Discussion Challenge

This challenge is hosted by two book bloggers:

Thanks to Nicole and Shannon for running this annual challenge, which they’ve been doing for several years now.

My goal for the challenge is to write at least one discussion post a month.

I look forward to reading everyone else’s posts. I expect to come across a whole lot of interesting topics that I haven’t thought of yet but will enjoy thinking about next year!

© 2019 by Mary Daniels Brown

Categories
Fiction Last Week's Links Literary Criticism Literary History Writing

Literary Links

The first fairytales were feminist critiques of patriarchy. We need to revive their legacy

Melissa Ashley finds the origin of fairytales to “a coterie of 17th century French female writers known as the conteuses, or storytellers.” Fairytales “crystallised as a genre” in this time when women, sometimes as young as 15, were married off—often to men many years older than themselves—to protect family property. Women could not divorce, work, or control their inheritances. The conteuses’ stories “invited women to imagine greater freedom in their lives, to be their own authors of the most fundamental of all human endeavours – to be able to choose whom to love.”

THE LAST UNPROBLEMATIC OLD WHITE MALE AUTHORS (WE THINK)

In this age of #MeToo and disparagement of the Western literary canon as outmoded products from the minds of dead white guys, Dylan Brown argues that “there are, by my count, at least three old white guys (all of whom are alive!) who are still ‘safe’ to read.” Read why he finds the work of these three men “stands the test of time — even in these times. It is, in other words, enlightened despite their era”: Charles Portis (True Grit), Nicholson Baker (A Box of Matches), and Steven Millhauser (Martin Dressler).

WHEN YOU WRITE YOUR WORST FEARS IN YOUR NOVEL—AND THEN THEY COME TRUE

Six days before the publication of her first novel, Amber Cowie’s brother died. When she visited the room he had last inhabited, she sickeningly realized “the space was nearly identical to a scene I had written in my book.” Cowie found help in understanding her situation by examining the lives of writers Lois Duncan, who wrote about her daughter’s murder, and Shirley Jackson, whose last diary entries before her sudden death suggest she felt “a portending sense of loss and mystery.” 

Jackson, Duncan and I created stories that both reflected and predicted the things that scared us the most.

From Iliad to Inspiration: How Homer’s Epic Inspired My Debut Novel

Probably the question writers hear most often is “Where do you get your ideas?” Here Shannon Price describes how Homer’s Iliad, required reading in a required college course, inspired her first novel.

How Literary Translation Can Shift the Tides of Power

Whether it came from a news report, travel blog, film or work of fiction, our understanding of these far-flung countries [China, Japan, Korea] is limited by what gets translated into our language. But who and what determines which voices and whose stories we get to hear? Whose voices are we not hearing?

Jen Wei Ting explains the responsibilities she feels as a translator.

The Disappearance of John M. Ford

When a friend insisted he read The Dragon Waiting by John M. Ford, Isaac Butler was dazzled by the book:

The Dragon Waiting is an unfolding cabinet of wonders. Over a decade before George R.R. Martin wrote A Song of Ice and Fire, Ford created an alternate-history retelling of the Wars of the Roses, filled with palace intrigue, dark magic, and more Shakespeare references than are dreamt of in our philosophy. The Dragon Waiting provokes that rare thrill that one gets from the work of Gene Wolfe, or John Crowley, or Ursula Le Guin. A dazzling intellect ensorcells the reader, entertaining with one hand, opening new doors with another.

Yet when Butler tried to buy more of Ford’s works, he found they were out of print and mostly not available even in used copies. He set out to discover how Ford had written such amazing books and why he was so unknown today. Butler’s investigation into Ford and his works makes for fascinating reading. Best of all, his work resulted in an agreement to republish Ford’s work, beginning in 2020.

© 2019 by Mary Daniels Brown

Categories
Quotation Story Writing

Quotation: Elena Ferrante: Storytelling as Power

There is one form of power that has fascinated me ever since I was a girl, even though it has been widely colonized by men: the power of storytelling. Telling stories really is a kind of power, and not an insignificant one. Stories give shape to experience, sometimes by accommodating traditional literary forms, sometimes by turning them upside down, sometimes by reorganizing them. Stories draw readers into their web, and engage them by putting them to work, body and soul, so that they can transform the black thread of writing into people, ideas, feelings, actions, cities, worlds, humanity, life. Storytelling, in other words, gives us the power to bring order to the chaos of the real under our own sign, and in this it isn’t very far from political power.

Elena Ferrante: A Power of Our Own
Categories
Fiction How Fiction Works Reading Uncategorized Writing

5 Irresistible Introductions in Fiction

Tips for Writers and Readers

Last night I dreamed I went to Manderley again.

Rebecca by Daphne du Maurier

Read that sentence, one of the most famous first sentences in literature, aloud. Notice its cadence. The rhythm lulls you toward sleepiness—appropriate for a dream. And the rest of the book hinges on that final word, again. “Why again?” we wonder. “What happened during the other time or times at Manderley?” “Is Manderley only a dream now, and, if so, why?”

A good introduction piques readers’ interest and compels them to keep reading.

Charles Dickens was a master of grand openings:

A Tale of Two Cities:

It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us …

David Copperfield:

Whether I shall turn out to be the hero of my own life, or whether that station will be held by anybody else, these pages must show. To begin my life with the beginning of my life, I record that I was born (as I have been informed and believe) on a Friday, at twelve o’clock at night.

A Christmas Carol:

Marley was dead, to begin with. There is no doubt whatever about that.

Most readers say that they evaluate whether to read a book by looking at the first sentence. Writers have maybe five seconds to capture potential readers’ attention. If the opening sentence doesn’t somehow do that, readers will put that book back on the shelf and pick up another one.

Good introductions grab readers immediately by involving them in the story. Effective introductions make readers ask questions and keep turning the pages to find out the answers. There is no formula for an irresistible introduction, but readers know one when they encounter it.

Here are five more examples of introductions that grabbed me and refused to let me go.

Emma by Jane Austen

Emma Woodhouse, handsome, clever, and rich, with a comfortable home and happy disposition, seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her.

Like the opening of Rebecca, the soothing poetic meter of the first part of this introduction draws readers in and underscores the harmony of Emma Woodhouse’s life. However, the second part suggests that changes are coming. I need to keep reading to see what will happen to distress or vex Emma.

The Brass Verdict by Michael Connelly

Everybody lies.

Cops lie. Lawyers lie. Witnesses lie. The victims lie.

A trial is a contest of lies. And everybody in the courtroom knows this.

In my heart I know that even the most honest person will lie under certain circumstances. But this opening turns upside down my expectation that justice involves a trial in which witnesses vow to tell “the truth, the whole truth, and nothing but the truth.” I must see how how everyone in this case is going to lie and how a trial in which everybody lies will turn out.

Mind Prey by John Sandford

The storm blew up late in the afternoon, tight, gray clouds hustling over the lake like dirty, balled-up sweat socks spilling from a basket.

Here weather imagery sets the mood: threatening weather suggests ominous happenings coming up. And when the conditions smell like “dirty, balled-up sweat socks,” I know that nothing good can possibly happen.

Behind the Scenes at the Museum by Kate Atkinson

I EXIST! I am conceived to the chimes of midnight on the clock on the mantelpiece in the room across the hall.

A first-person narrator who observes her own conception can only take me to dizzying places. I want to continue reading to see what else she has in store for me.

The Book of Ruth by Jane Hamilton

What it begins with, I know finally, is the kernel of meanness in people’s hearts. I don’t know exactly how or why it gets inside us; that’s one of the mysteries I haven’t solved yet.

Not only do I want to learn about “the kernel of meanness in people’s hearts,” but I want to hear the story of how the narrator discovers this truth that he or she finally knows. Maybe what I learn here will teach me about human nature, or “exactly how or why [the kernel of meanness] gets inside us.”

© 2017 by Mary Daniels Brown

Categories
Author News Book Recommendations Fiction Last Week's Links List Writing

Last Week’s Literary Links

10 Best Whodunits

I love a good mystery! Here mystery novelist John Verdon (his latest book is Wolf Lake, featuring NYPD homicide detective Dave Gurney) offers a list of “ten remarkable works, each of which has a special appeal to my whodunit mentality”:Cover: The Crossing by Michael Connelly

  1. Oedipus Rex by Sophocles
  2. Hamlet by William Shakespeare
  3. The Hound of the Baskervilles by Arthur Conan Doyle
  4. The Galton Case by Ross Macdonald
  5. On Beulah Height by Reginald Hill
  6. Tinker, Tailor, Soldier, Spy by John le Carré
  7. Gorky Park by Martin Cruz Smith
  8. Red Dragon by Thomas Harris
  9. Hypothermia by Arnaldur Indridason
  10. The Crossing by Michael Connelly

I love that he has included literary classics as well as classic mysteries. And since I’ve only read four of these books (numbers 1,2, 8, and 10), I have yet some more titles to add to my TBR list.

Where Lit-Fic and Horror Converge: Ten Literary Chillers

While researching horror literature I came across this article by writer Christopher Shultz. Shultz addresses the snobbish discrimination between literary fiction and genre fiction (such as horror) to end up with a chronological list of 10 novels and short stories that use horror elements (dark subject matter, entities of a sinister and often supernatural nature, a sense of dread and terror) while also achieving standard criteria of literary fiction (complex characters, existential questions, and elegant prose):

  1. ‘Frankenstein, Or The Modern Prometheus’ by Mary Shelley
  2. “The Raven” by Edgar Allan Poe
  3. “The Demon Lover” by Elizabeth Bowen
  4. “The Lottery” by Shirley Jackson
  5. “Where Are You Going, Where Have You Been?” by Joyce Carol Oates
  6. ‘Rosemary’s Baby’ by Ira Levin
  7. “The Companion” by Ramsey Campbell
  8. “The Paperhanger” by William Gay
  9. ‘Black Moon’ by Kenneth Calhoun
  10. ‘The Fever’ by Megan Abbot

I usually avoid horror, so I’ve only read three of these (numbers 1,2, and 4; and I’ve seen the film Rosemary’s Baby, if that counts). From Shultz’s descriptions I’m also thinking of adding numbers 5 and 10 to my TBR list.

SIX WRITERS ON THE GENIUS OF MARCEL PROUST

In honor of Marcel Proust’s 145th birthday on July 10, six current authors comment on why his work remains so important today. Contributing authors are Siri Hustvedt, Francine Prose, Edmund White, André Aciman, Aleksandar Hemon, and Daniel Mendelsohn.

The Failure of Language and A Dream of the West: An Interview with Bonnie Nadzam

Bryan Hurt interviews his friend Bonnie Nadzam, whom he describes as “someone who felt a dis-ease with conventional fiction and who sought to experiment and push against the boundaries of expectation and form.”

Nadzam is the author of two novels, Lamb (2011) and Lions (2016). Here are some of her statements about how and why she writes:

knowing a character is as complex a process as knowing myself. Both seem to involve a process of patience and observation, and of allowing space for unexpected things/motivations/behaviors to arise.

with Lions in particular, I did try to make the reader a character in this story, to the extent that the reader is tracking signs and assembling and telling stories alongside everyone else in the book. And everyone is mistaken; and also, by the end, everyone is also peculiarly exactly right.

I can’t just write fiction as though language were functioning and reliable. I also, however, don’t want to write heady philosophical fiction. So that means experimenting to find ways to drop into stories that are as unreliable as the language in which they’re written.

I suppose when I write fiction, it’s because there’s something I feel the need to express that I can’t get at intellectually.

 

© 2016 by Mary Daniels Brown

Categories
Personal Writing

Annual Blog Report

Even though it’s not quite the end of the year yet, the blogging stat monkeys have delivered their report on how things went here at the Notes in the Margin blog during 2015. I’ll have my own, more detailed report ready early next month, but for now I offer you the stat monkeys’ findings.

“In 2015, there were 121 new posts, growing the total archive of this blog to 830 posts.”

Of the five most viewed posts this year, only two of them were written in 2015:

Cover: The Girl on the Train
Cover: The Girl on the Train

(1) Review: “The Girl on the Train,” Paula Hawkins, from January

(4) “Books fall open, you fall in.” —David McCord, also from January

The other three most viewed posts were all from 2014:

(2) “The Door,” E.B. White, a Literature & Psychology post

(3) Gothic Elements in Shirley Jackson’s “We Have Always Lived in the Castle”, a Classics Club post

(5) Joseph Campbell and the Hero’s Journey, a Literature & Psychology post

These were some of my favorite posts to write during 2015:

(1) Getting Lost in a Good Book

(2) Reading in Flow

(3) “Go Set a Watchman”: A Lesson in Writing & Reading Fiction

I hope you’ve enjoyed reading this blog as much as I’ve enjoyed writing it.