Categories
Big Books Book Recommendations Fiction Last Week's Links

Literary Links

French serial-killer expert admits serial lies, including murder of imaginary wife

Another author debunked: “Stéphane Bourgoin, whose books about murderers have sold millions, says he invented much of his experience, including training with FBI.”

85 years ago, FDR saved American writers. Could it ever happen again?

David Kipen writes in the Los Angeles Times that Franklin Roosevelt’s creation of the Works Progress Administration and the Federal Writers Project introduced “Americans to their multifarious, astonishing, broken country.” Could a similar program help pull the U.S. out of the coronavirus crisis?

To put it gently, 2020 is not 1935. The notion that a consortium of individuals can coordinate on anything like the level that a strong, organized federal government seems difficult to imagine. The sense of shared national endeavor that midwifed the Writers Project feels like a relic from another millennium.

The Sociopath in Black and White: A Reading List

Psychologist Dr. Martha Stout, author of The Sociopath Next Door, reflects upon society’s sociopaths, the people with “absolutely no conscience.” About “1 in 25 people, 4 percent of us, are sociopaths,” she writes. 

Here she examines how sociopaths “appear in literature, where unimaginable things are vividly imagined and portrayed.”

15 epic books you may finally have time to read now

This isn’t the first list like this I’ve seen, but, just in case you need a good Big Book, here’s CNN’s “list of suggested epic reads. They’re all widely acclaimed as classics (or future classics) by readers or critics. And they’re all big, honking doorstops — most of them more than 1,000 pages — that ought to keep you busy for a while.”

The 50 Best Contemporary Novels Under 200 Pages

While some people need a long book to occupy themselves during self-isolation, others have trouble concentrating and focusing for extended periods. For them, there are shorter books like those listed here.

Why it’s so hard to read a book right now, explained by a neuroscientist

If you’re one of the people having trouble concentrating long enough to read effectively, take heart: You’re not alone. Here Constance Grady interviews Oliver J. Robinson, a neuroscientist and psychologist based at the Institute of Cognitive Neuroscience at University College London.

I Wrote A Gothic Novel — Now Life Feels Like It Is One

Elisabeth Thomas, author of the recently published gothic thriller Catherine House, writes:

As a little girl, I dreamed of being trapped in a gothic castle; well, here I am, trapped. I’ve been ordered to shelter in place, so I’m sheltering in place. I live in a small apartment with warm yellow walls and African violets on the sill — hardly a romantic gothic manor. But somehow this apartment has become a haunted house, and I am the ghost.


© 2020 by Mary Daniels Brown

Categories
Author News Book Recommendations Fiction Last Week's Links

Literary Links

The Economics of Coronavirus: A Reading List

I’ve been thinking a lot about what the world will look like once the COVID-19 pandemic is over, but my speculations are mostly social and political. I know absolutely nothing about economics beyond balancing my checkbook, which is why I took particular notice of this article from Five Books.

As we deal with the economic fallout of coronavirus, what lessons can economic theory and economic history teach us as we navigate the months ahead? Ricardo Reis, professor of economics at the London School of Economics—and consultant to both the Bank of England and the Federal Reserve—recommends four books and one article to help us think through the economic challenges posed by Covid-19.

The Essential Stephen King

“If you’ve never read his books, here’s where to start.”

Because I abhor horror, I avoided Stephen King’s books for a long time. I did once decide (in my early 30s) that I should probably give him a try and read The Tommyknockers, an experience that validated my assessment.

However, both Stephen King and I have changed in the intervening years. I still avoid straight horror, but I have enjoyed several of King’s not-so-horror works, e.g. Hearts in Atlantis, Bag of Bones, Misery, The Girl Who Loved Tom Gordon, Mr. Mercedes, and 11/22/63.

If you’ve never read Stephen King’s works or have read only a few, here’s a list of suggestions to get you started in the following categories:

  • “I Want to Read a King Classic”
  • “I Want to Drive Into the Skid”
  • “I’m a Scaredy-Cat, OK?”
  • “Actually, I’m Not a Scaredy-Cat, OK?”
  • “I Have Time to Begin an Epic Journey”
  • “I Want Pure Suspense”
  • “I’m Looking For a Big Fat Read”
  • “I Want a Great Crime Novel”
  • “I Want a Deep Cut”

I especially appreciated the entry under “I’m a Scaredy-Cat, OK?”:

It’s fine to not like scary things! That doesn’t mean you can’t read some Stephen King. Though he’s most famous for his horror novels and stories, at this point he has written a significant amount outside of the genre. Early in his career — less than a decade after the publication of his debut novel “Carrie” — King released “Different Seasons,” a collection of four novellas. Three of them have nothing to do with the supernatural. Two of them were adapted into top-tier King movies: “Rita Hayworth and Shawshank Redemption” became, well, you know, and “The Body” was filmed as “Stand By Me.” Both are set in Maine in the early 1960s, and both give a sense of how lovingly King can draw his characters

In addition to his skill at characterization, King is also a master of description. If you’re an aspiring writer looking to write great description, check out King’s The Girl Who Loved Tom Gordon.

 On Isolation and Literature

“Isolation is one of the fundamental themes of literature, the kiln of experience whereby a human is able to discover certain aspects of character, personality, and existence through journeying to the center of their being (though results are certainly varied),” writes Ed Simon in this survey.

the isolation of crafting literature, even if done in a crowded room, is such that any writer (and reader) must be by definition solitary, even while entire swaths of existence are contained inside one human skull. . . . Beyond the relatively prosaic fact that there have been reclusive writers and secluded characters, isolation is also the fundamental medium of both reading and writing. . . 

Covering works by early religious writers through authors such as Thoreau and Emily Dickinson to Virginia Woolf, Thomas Pynchon, and J.D. Salinger, Simon writes, “Isolation is not a medium for literature, nor is it a method of creating literature; it is the very substance of literature itself.” He associates this principle with the rise of the novel as a literary form that allows readers to live temporarily within interior space, the worlds a particular text creates within their heads.

The Coronavirus Is Rewriting Our Imaginations

Science fiction author Kim Stanley Robinson writes:

In mid-March, in a prior age, I spent a week rafting down the Grand Canyon. When I left for the trip, the United States was still beginning to grapple with the reality of the coronavirus pandemic. Italy was suffering; the N.B.A. had just suspended its season; Tom Hanks had been reported ill. When I hiked back up, on March 19th, it was into a different world. I’ve spent my life writing science-fiction novels that try to convey some of the strangeness of the future. But I was still shocked by how much had changed, and how quickly.

“The virus is rewriting our imaginations,” he writes, because it has awakened our realization of the significance of our place in history. “We realize that what we do now, well or badly, will be remembered later on. This sense of enacting history matters.”

The Haunting of Shirley Jackson

“Since novels like [The Haunting of] Hill House and We Have Always Lived in the Castle and short stories like “The Lottery” made Jackson one of America’s most famous horror authors, critics and Hollywood have tried to get to the heart of what makes Jackson’s work so enduringly scary,” writes Emily Alford. 

Alford examines both the works themselves and film adaptations to arrive at her answer: “her work’s simplest theme: madness is born of too much time alone.”

© 2020 by Mary Daniels Brown

Categories
Book Recommendations Last Week's Links Publishing Reading

Literary Links

On Friday afternoon, Governor Jay Inslee announced an extension of his stay-at-home order through May 31 for residents of Washington State, USA. I totally agree with this decision. I’d rather continue self-isolating now than have to start all over again by opening everything up too soon and letting the virus overwhelm us again.

I do hope that all of you are staying healthy and finding solace in activities that soothe and comfort you. 

fancy scroll

What Can Your Book’s Copyright Page Tell You?

If you’re like me, you probably skip right over the copyright page when you open up a book to settle down and read. But here’s what we’re missing when we do that: “there’s a lot you can learn from all that tiny text. For instance, do you love that book cover? You can find out who designed it. Want to know what font the book is using?”

Two Paths for the Comic Novel (and the Funniest Books to Read in Quarantine)

Are you finding yourself wishing for comic novels to read during self-isolation? Muse along with New Yorker’s Katy Waldman:

Comic fiction sometimes seems less like a genre than like the treatment of a question: What is our disposition toward a fickle universe? Do we claim agency through humor? Or strive for a jolly and wide-eyed surrender? From an aesthetic perspective, one vision—pessimistic or optimistic, active or passive—isn’t better, or funnier, than another. But there’s a larger truth here. Before the shelter-in-place orders, I was not seeking out the books that made me laugh as a kid. Now I am. This fact somehow seems to get at the essence of comedy—an art that becomes more real, more fully itself, within a shared, tragic frame. With that in mind, here are some honorable mentions for the funniest books to read in quarantine . . .

How Pop Culture Got It Wrong with Dissociative Identity Disorder

Psychoanalytic psychotherapist and writer Maxine Mei-Fung Chung writes here about “Searching for accurate portrayals of a complex disease in an age of exploitative media.”

Here she examines “the portrayal of mental illness and personality disorders in literature, TV shows and movies—and the conflicting forces of entertainment versus a better understanding of the human condition.”

Her focus here is on dissociative identity disorder (DID), formerly called multiple personality disorder: “Perhaps if we are to better understand the condition we need to cease portraying those living with the disorder as psychopaths or wall-crawling lunatics.”

Male Leads in Fiction Sell 10 Million More Books on Average Than Female Leads

Kelly Jensen reports: “A new study by SuperSummary, a company which provides study guides for fiction and nonfiction, explored gender bias in their latest study ‘Strong Man; Beautiful Woman.’”

Jensen takes a pretty deep dive into the procedure and results of this research and offers some informative infographics to illustrate her examination. Here’s her conclusion:

despite women “dominating” publishing, their stories sell far less than those by male peers, are told far less frequently by men, and don’t permit them the same opportunities to be rich and powerful.

© 2020 by Mary Daniels Brown

Categories
Last Week's Links Literary History Literature & Psychology

Literary Links

The Case for Teaching Depressing Books

High school English teacher Sahar Mustafah writes that her students often ask when they’re going to read happy books.

Young people, quite naturally, equate “happy” with a safe, uneventful existence. Genocide, sexual assault, poverty, racism, climate change—it’s hard to find any reason to be excited about reading these subjects as a plot line. And the experience can be just as hard for a teacher to present to students.

“But I pose that books containing difficult issues or trauma are good for our youth. In fact, they’re downright essential,” Mustafeh counters. Her reasoning?

literature can increasingly shape empathetic, socially-conscious individuals. Shielding students from challenging texts because “there’s so much bad stuff already going on” only seeks to reinforce systems of power and inequity.

Why We Turn to Jane Austen in Dark Times

Jane Hadlow:

I’d argue that her power to connect with us in hard times arises not because her retired life shielded her from grief, pain, and fear—but because she knew very well what it was like to feel vulnerable, exposed, and anxious about the well-being of those she cared about. 

Hadlow concludes: “What Austen really prizes is resilience” and “the self-discipline she insists upon as a means to survive” during hard times.

Why Anxious Readers Under Quarantine Turn to “Mrs. Dalloway”

Perhaps you prefer Virginia Woolf to Jane Austen. Evan Kindley, a senior editor at the Los Angeles Review of Books and a visiting assistant professor at Pomona College, discusses Woolf’s novel Mrs. Dalloway, “set in 1923, five years on from the global influenza pandemic that killed somewhere between fifty and a hundred million people.”

Woolf’s vivid description of a crowded metropolis right now, when our own cities’ streets lie empty, feels like something out of a fantasy novel. Yet Clarissa’s joie de vivre is mixed with a sense of latent dread: “she always had the feeling that it was very, very dangerous to live even one day.”

Dispatches from a Pandemic

This is the landing page for a series of several articles from many authors commenting on the current health pandemic. The articles are from the April 13, 2020, print issue of The New Yorker.

The Best Australian Crime Fiction, recommended by Emma Viskic

I’m including this article not just because it recommends five books. Novelist Emma Viskic and interviewer Cal Flyn also discuss the significance of crime fiction and the specious distinctions between crime fiction and literary fiction.

What Is the Great American Novel?

“What is the Great American Novel? Its existence as a singular volume is surely a myth, but what is the concept of the Great American Novel?” Annika Barranti Klein examines the history of the concept of the Great American Novel and tries to figure out what the term actually means.


© 2020 by Mary Daniels Brown

Categories
Big Books Book Recommendations Fiction Last Week's Links Reading

Literary Links

I hope that you are all staying healthy and finding solace in activities that comfort you.

Book sales surge as self-isolating readers stock up on ‘bucket list’ novels

cover: The Goldfinch by Donna Tartt

From the U.K. comes news that “Book sales have leapt across the country as readers find they have extra time on their hands, with bookshops reporting a significant increase in sales of longer novels and classic fiction.” Sales are also up for longer books such as Hilary Mantel’s recently released The Mirror and the Light as well as older long books, including The Goldfinch and The Secret History by Donna Tartt, Infinite Jest by David Foster Wallace, and A Little Life by Hanya Yanagihara.

When we were initially introduced to the idea of staying home, I thought this sounded like a good opportunity to tackle some of the longer works on my TBR shelf, like Middlemarch by George Eliot (794 pages, exclusive of endnotes), Anna Karenina by Leo Tolstoy (817 pages, exclusive of notes), Ulysses by James Joyce (732 pages), and The Golden Notebook by Doris Lessing (568 pages). But that plan didn’t turn out very well.

After about a week and a half of being unable to read anything other than news stories, I was finally able to read books once again. But I’ve been sticking with my backlog of mysteries and thrillers, as I still don’t have the ability to focus on something more demanding for a long time. So all of those Big Books will still be on my shelves waiting for me long after the current health emergency has passed.

However, I can also see the appeal of something long by less demanding than Ulysses. I’ve heard several people mention rereading the Harry Potter series or The Lord of the Rings, both of which sound like excellent choices for these unsettled times. But I won’t be going there until I’ve made a lot more progress on my backlog of Book of the Month goodies.

The Girl in the Title of the Crime Novel: The Great Crime Fiction Disambiguation Project

cover: Final Girls by Riley Sager

Over the past several years there’s been a lot of discussion about the number of books with the word girl in the title:

Girl is the perfect word for inspiring curiosity and fear in psychological thrillers: since the Bible, or the Greek myths, the protection of girls has been paramount to holding a society together. Girls, after all, become women, and women birth and raise the next generation, keeping civilization going. So the question here is not why did girl instantly become so popular, but how it reflects on our cultural preoccupation with keeping women—made even more impotent and infantilized by being labeled girls—under patriarchal control.

Here Lisa Levy discusses eight such books, with particular emphasis on how these books and their characters reflect the effects of patriarchy and misogyny.

Our Obsession with Beautiful Dead Girls Is Keeping Us from Addressing Domestic Violence

Here Jessica Moor addresses the same general topic but with a more focused emphasis: how the normalization of the violent man coexists with another standard trope, the beautiful dead girl.

Her conclusion:

no matter how fascinating the machinations of a random killer seem, they cannot be more chilling than the reality that, for women, the most dangerous place in the world is not a bar or a dark alleyway or a deserted forest. It’s their own home.

The Best Books for Distancing Yourself From Reality Right Now

Esquire has some suggestions of “literature for an escape from the ails of restlessness and anxiety.” The list comprises mostly fiction, but there’s a wide enough range that everyone can probably find at least one or two appealing books.

How a Chinese-American Novelist Wrote Herself Into the Wild West

“C Pam Zhang’s debut, “How Much of These Hills Is Gold,” is one of several new or forthcoming books by Asian-American writers set in a period that historically hasn’t recognized them.”

Never mind the Brits, here are five American novels perfect for ‘Masterpiece’ treatment

Why does PBS outsource almost all of its costume dramas to the Brits, in some cases simply importing and screening BBC productions as Masterpiece series? Why not look to the American canon for worthy novels in which men sport top hats, women get laced into corsets and carriages make their gravel-crunching way to glittering receptions or illicit assignations?

Dennis Drabelle has some suggestions for how PBS can provide U.S. audiences some dramas from their own literary heritage.


© 2020 by Mary Daniels Brown

Categories
Big Books Book Recommendations Fiction Last Week's Links Publishing Reading

Literary Links

Penguin Classics and Others Work to Diversify Offerings From the Canon

“Across the industry, publishers are releasing titles by authors who were previously marginalized or entirely lost to history.”

The critical and commercial success of these titles is a result of a combination of factors: initiative on the part of writers’ families or estates; changing leadership within the publishing industry; and a willingness among modern readers to engage with unknown texts.

After a Husband’s Betrayal, Turning to Mystery Novels

The whole point of a mystery is to create a plot so suspenseful that the reader can’t put it down—which is exactly what I needed, to get back into reading. A terrible crime has been committed (usually a murder) and a detective or amateur sleuth then applies logic to figure out who did it, what happened and why until the perpetrator is brought to justice.

Laura Hilgers turned to mysteries for comfort after her divorce.

I, fortunately, do not have the same reason for liking mysteries. See 5 Examples of Why I Like Mysteries.

Will the coronavirus outbreak lead to new L.A. crime fiction? The jury is out

Los Angeles has been the locus of crime fiction for nearly 100 years. Here’s a discussion of some of the novels, characters, and authors LA has produced as well as speculation about what kinds of novels the current health crisis will give rise to.

Genre Primer: Short Story Examples in (Almost) Every Genre

If you want to use your time at home to broaden your literary horizons, let Annika Barranti Klein be your guide. She offers links to free online stories, plus the names of a novel or two, in the following categories:

  • science fiction
  • steampunk
  • low fantasy
  • second world/high fantasy
  • portal fantasy
  • fairytale
  • myth
  • eldritch
  • magical realism
  • paranormal
  • mystery
  • thriller/suspense
  • noir
  • historical
  • western
  • romance
  • horror
  • gothic
  • literary

And yes, she includes definitions in case you don’t know, as I didn’t, what some of these terms mean (e.g., eldritch, low fantasy, second world/high fantasy, portal fantasy).

Ann Patchett on Why We Need Life-Changing Books Right Now

Ann Patchett on what she learned by reading the books of middle-grade novelist Kate DiCamillo. Patchett began with The Miraculous Journey of Edward Tulane, which, she says, changed her life.

9 Great Books With Lonely Protagonists

According to Hillary Kelly:

there’s a certain kind of isolation that makes for a vivid reading experience — when the protagonist is quite literally all alone, whether by circumstance or choice, either struggling to be seen or hoping to disappear even further. The novel, after all, is the perfect medium for that message, the only art form in which an interior monologue doesn’t regularly come off as hokey. If you’re into that kind of thing, and want to grapple a little harder with the bizarre swaddling effect that COVID-19 has had on our ability to simply stand close to another human, here are nine books that offer insights into the wild terrain of the isolated mind.

14 Enormous Crime Books for the Long Days Ahead

“. . . we are stuck at home, and perhaps now is the time to rediscover the lengthy novel,” writes Molly Odintz.

mug that says "I like big books and I cannot lie"

If you follow this blog, you know I love Big Books. Here’s Odintz’s list of 14 crime novels, all of which meet the Big Book definition of 500 or more pages. 


© 2020 by Mary Daniels Brown

Categories
Audiobooks Author News Fiction Last Week's Links

Literary Links

The Curious Creation of Anna Kavan

Although I’ve heard of Anna Kavan—mostly through occasional references to her works—I know nothing about her. But I’ll have to change that, after reading this profile in the New Yorker. She examined the nature of identity, both in her writing and in her personal life.

Not long after being discharged from a Swiss sanitarium, in 1938, the English writer Helen Edmonds, who was born Helen Woods and had published six novels as Helen Ferguson, replaced her long brown locks with a neat blond bob and started calling herself Anna Kavan. The name was borrowed from the protagonist of her most autobiographical novels, “Let Me Alone” (1930) and “A Stranger Still” (1935), and chosen, at least in part, because it echoed the name of the writer who inspired the shifts in literary approach that accompanied her change of identity: Franz Kafka. It was in this new guise—born-again avant-gardist—and under this new name that she became known to the Home Office (as a registered heroin addict); to her most important publisher, Peter Owen; and to a small but avid readership.

How to Start a Love Affair with Audiobooks

I have carried on a 30+-year love affair with audiobooks, but I know many people who still either don’t like listening or insist that listening isn’t the same as reading. Here author Victoria Helen Stone explains how, after a rocky start, she came to appreciate audiobooks after learning how to listen to podcasts.

Fragmented Narratives Are Broken, Independent, and Honest

Sinéad Gleeson, author of the essay collection Constellations, discusses the nature of this collection, a series of essays that each stands on its own but that also work together to create a whole:

You can pick up an essay collection, read one, and then ditch the whole thing. It can be read in any order, anti-chronologically, and still fit together. The book’s title—Constellations—happened for a couple of reasons. I began thinking of objects that are whole but comprised of several distinct things. Each essay is a unit. They are autonomous entities in their own right, but are part of a larger framework. A constellation seemed like an obvious choice—especially because I loved astronomy as a kid, and spent a lot of timing seeking out Orion, Cassiopeia, The Big Dipper.

How to Help Librarians and Archivists From Your Living Room

If you’re looking for something constructive to occupy all this time you’re spending at home, Atlas Obscura has some suggestions:

IF TIME AT HOME HAS you missing life in the stacks or sifting through old papers in search of pieces of the past, fear not: You can do the same thing online. Slews of institutions are in the market for armchair archivists—volunteers who can generate knowledge by clicking through digitized resources, deciphering handwriting, tagging photos, and more.

What Our Contagion Fables Are Really About

“In the literature of pestilence, the greatest threat isn’t the loss of human life but the loss of what makes us human.”

the existence of books, no matter how grim the tale, is itself a sign, evidence that humanity endures, in the very contagion of reading. Reading may be an infection, the mind of the writer seeping, unstoppable, into the mind of the reader. And yet it is also—in its bidden intimacy, an intimacy in all other ways banned in times of plague—an antidote, proven, unfailing, and exquisite.

Jill Lepore burrows into plague literature over the centuries.

Returning Once More to a “Little House in the Big Woods”

Soon after I read about a librarian who had settled her fourth-grade son on the couch with a copy of Little House in the Big Woods, I came across this article in which Rebecca Mead hails the book as “a manual for self-sufficient social isolation.”


© 2020 by Mary Daniels Brown

Categories
Book Recommendations Fiction Last Week's Links Publishing

Literary Links

I’m Not Feeling Good at All

“The perplexingly alienated women of recent American fiction”

Jess Bergman writes, “the new heroines of contemporary fiction possess a kind of anhedonic equanimity, more numb than overwhelmed.”

Doing No Harm: A Look at Writing Suicide and Self-Harm in Fiction

Alice Nuttall makes the case that “Suicide and self-harm are serious topics, and ones that are absolutely necessary for literature to tackle – but carefully, thoughtfully, and in a way that avoids harming any vulnerable readers.” 

The article provides several links to further discussions of this topic.

A Close Reading of the Chilling Prologue of Donna Tartt’s The Secret History

I’m a fan of close reading. Here Emily Temple offers a close reading of the prologue of a big and very complex book.

Why Emma Is Still Jane Austen’s Most Pleasurable Heroine

With the recent release of the new film Emma, Hillary Kelly explains why Austen’s novel is “not a story of a young woman who makes her way up in the world through a lucky combination of strong character, bright intellect, and an estate-owning love match, but one of a bored 20-year-old sprite whose family ‘has no equals’ in the town of Highbury, but whose days have little to fill them.”

Woody Allen’s book could signal a new era in the publishing industry

According to Maris Kreizman:

The book publishing industry last week learned the potency of pushback — that bad business decisions have consequences and that lower-level employees have more power than for which they’d previously been given credit.

The Best of Speculative Fiction

The term speculative fiction means different things to different people. Here’s science fiction and fantasy writer Ken Liu’s definition:

to me, speculative fiction is generally the type of fiction that uses the technique of literalizing some aspect of reality that we usually speak of as metaphorical. By making that aspect literally true—by making that metaphor literally true—we are able to gain a different perspective and understanding of reality.

Here he recommends five works of this type.


© 2020 by Mary Daniels Brown

Categories
Author News Fiction Last Week's Links Nonfiction Publishing Television Writing

Literary Links

“What Do I Know To Be True?”: Emma Copley Eisenberg on Truth in Nonfiction, Writing Trauma, and The Dead Girl Newsroom

Jacqueline Alnes talks with Emma Copley Eisenberg, author of true-crime book The Third Rainbow Girl, “about what it means to seek truth in nonfiction, and how writing the personal can allow for more complicated realities to emerge; how undermining conventions of genre can impact the way a book is both marketed and read; and what it means to find clarity — or at least community — while writing into murky, and often traumatizing subject matter.”

Questions of “the boundaries between subject and writer, research and lived experience, and how we classify it all” are significant in journalism and in nonfiction writing. In the book, Alnes writes, “Eisenberg undermines many features of the subgenre by centering place as a major subject.” According to Alnes, Eisenberg inserts herself into the narrative as someone who cares about the region where the crime occurred and can therefore discuss some of the expectations and stereotypes of the people who live there.  “In prose that brims with empathy, and through research that illuminates narratives that have long been hidden by problematic representation, Eisenberg exposes the kinds of fictions we tell ourselves often enough that we believe them to be true.”

I called out American Dirt’s racism. I won’t be silenced.

Myriam Gurba was among the first to call out the novel American Dirt, published in January 2020, as “a novel filled with stereotypes of Mexicans.” She is one of the founding members of Dignidad Literaria, a group that arose out of the American Dirt controversy to demand more representation of people of color in publishing. 

Here she explains, “As I’ve learned again and again, if you speak out against racism, there are risks you must take on.”

The First Novelist Accused of Cultural Appropriation

“Reflections on my father’s novels The Confessions of Nat Turner and Sophie’s Choice, in the age of American Dirt”

Alexandra Styron, daughter of William Styron, writes, “With the possible exception of Harriet Beecher Stowe, my father was the first novelist in modern history to be accused of cultural appropriation.”

And, she continues, “That experience, and what he made of it, reflects complicated truths about mid-century American culture, and maybe offers some guidance for our own contentious times.”

These Powerful Women Are Changing The Literary Landscape

Despite the publishing industry’s continuing dominancy by white men, Kristin Iversen finds some reasons for hope:

While it’s still hard to say what will or won’t be a best-seller, there are a couple of things that are promising when it comes to publishing’s future: One is that most of the last decade’s best-selling books were written by women, and another is that the majority of the people reading multiple books each year are also women. And so it follows that if there’s one prevailing theme in the literary world right now, it’s that the industry’s most influential members — from behind-the-scenes publicity powerhouses to the biggest authors to prominent critics to podcast hosts to, you know, supermodels — are overwhelmingly women.

Read here about the women Iversen sees as the sources of these hopes.

From ‘The Outsider’ to ‘It,’ the joys — and challenges — of adapting Stephen King

Travis M. Andrews discusses the recent HBO adaptation of King’s The Outsider by focusing on “one of the primary challenges in adapting King’s work: taking something so interior (in this case, doubt) and making it visual.”

Joanna Trollope on families, fiction and feminism: ‘Society still expects women to do all the caring’

Joanna “Trollope is the queen of contemporary women’s fiction and seems to be wired to the anxieties of a devoted, predominantly female, readership. The complexities of life and love cascade through novels that have confronted lust, adoption, divorce, infidelity and the changing nature of the modern family.” 

In this piece for the Guardian Claire Armitstead weaves together a short biography, references to Trollope’s novels, and an interview with the author. 

Here’s my favorite quotation from Trollope: fiction “can be a physical confessional: when you’re within the covers of a book, you can admit to all kinds of things that you can’t otherwise. It’s also where you learn about the rest of human life and where you get your most profound experience of life – except from actually living it.”


© 2020 by Mary Daniels Brown

Categories
Last Week's Links Literary History Literature & Psychology Reading

Literary Links

My mistress Melancholy

Mary Ann Lund, associate professor in Renaissance English literature at the University of Leicester in the UK, discusses Robert Burton (1577-1640) and his The Anatomy of Melancholy, “the most pervasive and elusive of Renaissance diseases.”

“One of the great achievements of The Anatomy of Melancholy is to draw together the collective wisdom of nearly two millennia on a condition that was alluring and dangerous in equal measure.” Lund writes “melancholy came to be seen as a European epidemic” during the 16th and 17th centuries.

I READ MY WAY OUT: MY YEAR OF READING COPIOUSLY AND THERAPEUTICALLY

2018 was “a rough year” for college professor and academician Carole Bell. She made several significant life changes during 2019 to help herself overcome isolation, depression, and anxiety, and one of those changes involved “reading intentionally and reading as self-medicating and self-soothing.”

In the end, I read 403 books in 2019, not counting the few I abandoned or partial reads of the academic books I read select chapters from for research. I also wrote 50 book reviews, sent one to a popular blog and had it accepted it for publication. The bottom line: I had been in a funk, and I read my way out. Reading is no substitute for therapy. And I did some other things along the way like find a critique partner and a writing coach, train for a half marathon, and run my best time. But as it had on other occasions before, the biggest internal change began with books.

Coronavirus feels like something out of a sci-fi novel. Here’s how writers have imagined similar scenarios

“The coronavirus outbreak feels like something out of a science fiction — or horror — novel. Indeed, novelists have been imagining scenarios like this for centuries,” write Silvia Moreno-Garcia and Lavie Tidhar in The Washington Post. Read their discussion of several pandemic novels that may offer readers “a fascinating what-if thought experiment.”

Why Tales of Female Trios Are Newly Relevant

In literature and pop culture, women often come in threes, deriving power from solidarity even as they work to forge their own paths.

How Reading Into The Setting Enhances A Book

I don’t emphasize often enough the importance of close reading for fully understanding and appreciating works of fiction. Here Yash Raaj explains how he uses outside resources to understand fully a novel’s setting—both time and place—and how the setting “interacts with characters.” This approach to reading literature allowed him to see “how literature branched into history, sociology, etc., connecting these disciplines in one text.”

Moreover, this habit has brought out a new side to me as a reader. I have learned how to arm myself with information, which is highly necessary in an era of social media activism. Careful reading certainly adds an edge and displays a streak of awareness accumulated through literature.

© 2020 by Mary Daniels Brown