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More Arts-Related Pandemic News

More Book-Related Pandemic News

Luckily, books still exist, and can be their own vehicle for connection. And what better reading material for right now than books where the characters are, in some way, alone? None of these are dystopian (at least not in the traditional sense), but are instead characterized by protagonists with complex interior lives who are either isolated (in some way that’s not about a contagion) or fiercely independent, or both.

Feeling overwhelmed? How art can help in an emergency by Olivia Laing

During this febrile period, I’ve found myself longing for a different kind of timeframe, in which it would be possible both to feel and to think, to process the intense impact of the news and perhaps even to imagine other ways of being. The stopped time of a painting, say, or the dilations of the novel, in which it is possible to see patterns and consequences that are otherwise invisible. Art has begun to feel not like a respite or an escape, but a formidable tool for gaining perspective on what are increasingly troubled times.

America Infected: The Social (Distance) Catastrophe

In the Paris Review, J. Hoberman looks at cinematic representations of plagues, including The Plague by Albert Camus and Contagion by Steven Soderbergh.

Pandemics from Homer to Stephen King: what we can learn from literary history

From Homer’s Iliad and Boccaccio’s Decameron to Stephen King’s The Stand and Ling Ma’s Severance, stories about pandemics have – over the history of Western literature such as it is – offered much in the way of catharsis, ways of processing strong emotion, and political commentary on how human beings respond to public health crises.

So We’re Working From Home. Can the Internet Handle It?

I live in the greater metropolitan Seattle area, which was the first site of infection of COVID-19 in the United States. This was therefore one of the first areas to cancel in-person classes and move to online education and to encourage remote working for non-essential employees. 

With all these additional people online during the day, I’ve noticed a significant increase in the length of time web pages take to load. Of course things were worse back in the first days of modems and dial-up internet, but still . . . . The New York Times reports on this issue with a more national focus.

IT’S THE RIGHT TIME TO READ CRIME NOVELS

Molly Odintz, senior editor for CrimeReads, explains why she’s taking refuge in reading Scandinavian thrillers:

Not because thrillers are low-brow. They take immense thought to create. But they don’t—and this is key—take commensurate mental energy to consume. They are the kindest art form, because they do the work for the consumer, allowing us a break from fretting about our very real woes so that we can worry, safely, for the fates of fictional characters instead.

20 MUST-READ FEEL-GOOD FANTASIES

If fantasy is more your choice for light reading, Nicole Hill has you covered with this list.

The Best of Speculative Fiction

More suggestions, these from Ken Liu, winner of the Nebula, Hugo, and World Fantasy awards.

How you can support bookstores during the coronavirus pandemic

Jonny Diamond reports on how to support local bookstores, which are suffering from lack of sales while people aren’t going out shopping. (See my article Life in an Independent Bookstore Near Seattle.)

The World of Books Braces for a Newly Ominous Future

“Publishers, bookstores and authors are struggling to confront and limit the financial fallout from the unfolding coronavirus crisis.”

15 Books and Authors Hurt by the Coronavirus

Novelists Ignite A Mighty Blaze in Response to Extinguished Book Tours

two novelists, Caroline Leavitt and Jenna Blum, are promoting their colleagues with an ambitious initiative called A Mighty Blaze. Anyone can participate in the conversations on A Mighty Blaze on Facebook, Twitter, and Instagram about new releases, but for authors wanting their books to be signal boosted on these platforms, there are a few requirements: the book has to be traditionally published for adult readers, and the author’s book tour has to have been canceled.

Without Places to Gather, Debut Novelists Reimagine Book Promotion

Canada’s book publishers scramble to cope with the impact of coronavirus

As New York’s Indie Bookstores Close Their Doors, They Search for Community Online

Sales Skyrocket at Libro.fm and Bookshop.org

“As a result of the new coronavirus crisis, sales at downloadable audiobookstore Libro.fm and online Bookshop.org have soared. Both digital stores collaborate with independent booksellers and return a share of the sales back to them.”

Tolstoy Together

“Read and discuss War and Peace with Yiyun Li and A Public Space. Starting March 18, join us for a free virtual book club—a moment each day when we can gather together as a community. #TolstoyTogether.”

How To Take Your Book Club Online While Practicing Social Distancing

11 authors, from Laila Lalami to Jonathan Lethem, on the books they might finally read in quarantine

8 Books to Crack Open While Society Closes Down Because of Coronavirus

This list is from Teen Vogue, but the books are decidedly grown-up (for example, Steinbeck’s East of Eden).

Penguin Random House Open License Online Story Time and Classroom Read-Aloud Videos and Live Events

In order to encourage reading and classroom read-aloud experiences, and to support schools and public libraries forced to close by the escalating COVID-19 outbreak, Penguin Random House is permitting teachers, librarians and booksellers to create and share story time and read-aloud videos and live events, according to the following guidelines:

Since such presentations normally violate copyright law, Ron Charles of the Washington Post calls this “a generous offer.” If you plan to take advantage of the offer, be sure to read all the guidelines, including the one about later removing the presentation from the social platform’s archives.

Art Galleries Respond to Virus Outbreak With Online Viewing Rooms

Prolonged travel restrictions and venue closings leave some people craving artistic and cultural stimulation. Many organizations are satisfying those desires.

12 World-Class Museums You Can Visit Online

This article is from 2016, but the links still work.

No travel required: 10 iconic museums you can tour online

Met Museum Prepares for $100 Million Loss and Closure Till July

“The Met’s executives say the coronavirus outbreak makes painful layoffs likely for every cultural institution.”

Melbourne Symphony Orchestra will live stream performances in lieu of cancelled concerts

Met to launch “Nightly Met Opera Streams,” a free series of encore Live in HD presentations streamed on the company website during the coronavirus closure

Hollywood production has shut down. Why thousands of workers are feeling the pain

As film crews have quickly shut down in an effort to slow the spread of the coronavirus, a domino effect has befallen Hollywood’s working class. A range of people from actors to lighting directors, drivers and grips to administrators, painters, hair stylists and caterers, now suddenly find themselves out of work.

What to Stream: Classics for Comfort

From film critic Richard Brody:

I’m picking up on a search for substance, for movies that have the settled and solid quality of classics (despite the narrow assumptions on which such classicism is based)—movies serious enough for the mood, compelling enough to provide ready distraction, and confident enough to look beyond the troubles that they evoke. Here are some of the movies that I’ve been grateful to watch in the past few stressful days.

What to Watch, Listen to, and Read While Coronavirus Self-Quarantining

“Here are some suggestions from New Yorker writers and artists to ease the stress of isolation.”

Recommendations for TV, movies, podcasts, books, and streaming content to keep yourself occupied.

The Fever Room: Epidemics and Social Distancing in “Bleak House” and “Jane Eyre”

A look at how quarantine helped prevent disease in these 19th century novels, when there were no other options for handling epidemics.

The first lines of 10 classic novels, rewritten for social distancing

Because sometimes all you can do is laugh. Example:

Pride and Prejudice

It is a truth universally acknowledged, that a single man in possession of a good fortune, must be hoarding toilet paper.


© 2020 by Mary Daniels Brown

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Book Recommendations Fiction Last Week's Links Publishing

Literary Links

I’m Not Feeling Good at All

“The perplexingly alienated women of recent American fiction”

Jess Bergman writes, “the new heroines of contemporary fiction possess a kind of anhedonic equanimity, more numb than overwhelmed.”

Doing No Harm: A Look at Writing Suicide and Self-Harm in Fiction

Alice Nuttall makes the case that “Suicide and self-harm are serious topics, and ones that are absolutely necessary for literature to tackle – but carefully, thoughtfully, and in a way that avoids harming any vulnerable readers.” 

The article provides several links to further discussions of this topic.

A Close Reading of the Chilling Prologue of Donna Tartt’s The Secret History

I’m a fan of close reading. Here Emily Temple offers a close reading of the prologue of a big and very complex book.

Why Emma Is Still Jane Austen’s Most Pleasurable Heroine

With the recent release of the new film Emma, Hillary Kelly explains why Austen’s novel is “not a story of a young woman who makes her way up in the world through a lucky combination of strong character, bright intellect, and an estate-owning love match, but one of a bored 20-year-old sprite whose family ‘has no equals’ in the town of Highbury, but whose days have little to fill them.”

Woody Allen’s book could signal a new era in the publishing industry

According to Maris Kreizman:

The book publishing industry last week learned the potency of pushback — that bad business decisions have consequences and that lower-level employees have more power than for which they’d previously been given credit.

The Best of Speculative Fiction

The term speculative fiction means different things to different people. Here’s science fiction and fantasy writer Ken Liu’s definition:

to me, speculative fiction is generally the type of fiction that uses the technique of literalizing some aspect of reality that we usually speak of as metaphorical. By making that aspect literally true—by making that metaphor literally true—we are able to gain a different perspective and understanding of reality.

Here he recommends five works of this type.


© 2020 by Mary Daniels Brown

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Book News Personal Publishing

Book-Related News for Self-Isolation and Social Distancing

B&N, BAM Remain Open

Publishers Weekly reports that Barnes & Noble and Books-A-Million are currently staying open. I would imagine, though, that this situation could change at any time, so you’d probably want to check with your local store.

A dystopian reading list: books to enjoy while in quarantine

The U.K.’s Guardian advises that, in addition to all the pandemic novels everyone is talking about, you might also want to read “some novels about being alone. You should also add some comfort reads, and poetry, and books about people being thoughtful and useful and kind.”

KIDLIT AUTHORS STEPPING UP DURING THE COVID-19 CRISIS AND QUARANTINE

Ashlie Swicker writes, “Around the country, people who care about children are coming together and using their considerable talents to provide entertainment and education for the masses who are out of school and in need of stimulation.”

Here she offers links (current as of Monday, March 16) to several such resources.

How to Support Authors Whose Book Tours Have Been Canceled

Bookshop, “an online bookstore with a mission to financially support independent bookstores and give back to the book community,” offers a list of authors whose book tours have been canceled because of the epidemic. Since book tours can be crucial for sales, buying these writers’ books can help them weather the storm.

What It’s Like to Promote a Book in the Middle of a Pandemic

Amy Klein, author of The Trying Game: Get Through Fertility Treatment and Get Pregnant Without Losing Your Mind (Penguin/Random House), explains, “Canceling events and shutting down tours is crucial for public health—but it could tank my career.” 

“People like me—writers with books that are scheduled to come out or have just come out—are almost as worried about our book babies as we are about our personal health.” 

Lawrence Wright’s New Pandemic Novel Wasn’t Supposed to Be Prophetic

“Pandemics — like wars and economic depressions, with which they often coincide — leave scars on the body of history,” writes Lawrence Wright, author of the novel The End of October, scheduled for publication next month (April 2020). 

In fact, this is the second time he has written a novel that was published around the same time as an eerily similar historical event. “What may seem like prophecy is actually the fruit of research,” he explains. Read about how he researched and created these fictional narratives.


© 2020 by Mary Daniels Brown

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Author News Fiction Last Week's Links Nonfiction Publishing Television Writing

Literary Links

“What Do I Know To Be True?”: Emma Copley Eisenberg on Truth in Nonfiction, Writing Trauma, and The Dead Girl Newsroom

Jacqueline Alnes talks with Emma Copley Eisenberg, author of true-crime book The Third Rainbow Girl, “about what it means to seek truth in nonfiction, and how writing the personal can allow for more complicated realities to emerge; how undermining conventions of genre can impact the way a book is both marketed and read; and what it means to find clarity — or at least community — while writing into murky, and often traumatizing subject matter.”

Questions of “the boundaries between subject and writer, research and lived experience, and how we classify it all” are significant in journalism and in nonfiction writing. In the book, Alnes writes, “Eisenberg undermines many features of the subgenre by centering place as a major subject.” According to Alnes, Eisenberg inserts herself into the narrative as someone who cares about the region where the crime occurred and can therefore discuss some of the expectations and stereotypes of the people who live there.  “In prose that brims with empathy, and through research that illuminates narratives that have long been hidden by problematic representation, Eisenberg exposes the kinds of fictions we tell ourselves often enough that we believe them to be true.”

I called out American Dirt’s racism. I won’t be silenced.

Myriam Gurba was among the first to call out the novel American Dirt, published in January 2020, as “a novel filled with stereotypes of Mexicans.” She is one of the founding members of Dignidad Literaria, a group that arose out of the American Dirt controversy to demand more representation of people of color in publishing. 

Here she explains, “As I’ve learned again and again, if you speak out against racism, there are risks you must take on.”

The First Novelist Accused of Cultural Appropriation

“Reflections on my father’s novels The Confessions of Nat Turner and Sophie’s Choice, in the age of American Dirt”

Alexandra Styron, daughter of William Styron, writes, “With the possible exception of Harriet Beecher Stowe, my father was the first novelist in modern history to be accused of cultural appropriation.”

And, she continues, “That experience, and what he made of it, reflects complicated truths about mid-century American culture, and maybe offers some guidance for our own contentious times.”

These Powerful Women Are Changing The Literary Landscape

Despite the publishing industry’s continuing dominancy by white men, Kristin Iversen finds some reasons for hope:

While it’s still hard to say what will or won’t be a best-seller, there are a couple of things that are promising when it comes to publishing’s future: One is that most of the last decade’s best-selling books were written by women, and another is that the majority of the people reading multiple books each year are also women. And so it follows that if there’s one prevailing theme in the literary world right now, it’s that the industry’s most influential members — from behind-the-scenes publicity powerhouses to the biggest authors to prominent critics to podcast hosts to, you know, supermodels — are overwhelmingly women.

Read here about the women Iversen sees as the sources of these hopes.

From ‘The Outsider’ to ‘It,’ the joys — and challenges — of adapting Stephen King

Travis M. Andrews discusses the recent HBO adaptation of King’s The Outsider by focusing on “one of the primary challenges in adapting King’s work: taking something so interior (in this case, doubt) and making it visual.”

Joanna Trollope on families, fiction and feminism: ‘Society still expects women to do all the caring’

Joanna “Trollope is the queen of contemporary women’s fiction and seems to be wired to the anxieties of a devoted, predominantly female, readership. The complexities of life and love cascade through novels that have confronted lust, adoption, divorce, infidelity and the changing nature of the modern family.” 

In this piece for the Guardian Claire Armitstead weaves together a short biography, references to Trollope’s novels, and an interview with the author. 

Here’s my favorite quotation from Trollope: fiction “can be a physical confessional: when you’re within the covers of a book, you can admit to all kinds of things that you can’t otherwise. It’s also where you learn about the rest of human life and where you get your most profound experience of life – except from actually living it.”


© 2020 by Mary Daniels Brown

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Author News Book News Fiction Last Week's Links Publishing Television

Literary Links

American Dirt Starts An Important Conversation But Not The One Author Intended

I avoided the recent brouhaha over Jeanine Cummins’ novel American Dirt while it was developing, but most of the dust seems to have settled now. If you looking for a summary of the situation, this article provides a good overview. It also contains a lot of links, so you can go as far down the internet rabbit hole as you like.

What You Miss When You Snub “Chick Lit”

Mandy Shunnarah of Off the Beaten Shelf compares the novels The Female Persuasion by Meg Wolitzer, marketed as literary fiction, and Mrs. Everything by Jennifer Weiner, whose works are usually described as chick lit.

Here’s the thing, though: I thought The Female Persuasion was good, but I think Mrs. Everything is truly excellent. It’s about as perfect of a novel as I’ve read.

Shunnarah wonders how many other great novels she’s missed because of the way a “publisher has historically pigeonholed” the books’ (usually female) author.

Bingeing on Cop Propaganda

Nick Martin, writing in The New Republic, argues that:

beyond the familiar tropes, every episode of Law & Order: SVU or NCIS mindlessly consumed after work or on a weekend afternoon is also a vehicle for a particular understanding of law enforcement: a police-know-best mind-set that takes all of the mess and violence of our criminal legal system and packages it for tidy consumption. Given the ubiquity of these shows, it’s jarring to consider the scale of it.

His conclusion:

it’s clear the market and appetite for these shows means something and that the model works for a reason. So the next time you’re hit with the “Are you still watching?” message after the fourth straight episode of white victimhood and cop ass-kicking, it might be worth thinking about why shows like this have become a kind of comfort food.

JOANNA RUSS, THE SCIENCE-FICTION WRITER WHO SAID NO

The New Yorker profiles science fiction writer Joanna Russ, who died in 2011:

she was brilliant in a way that couldn’t be denied, even by those who hated her. Her writing was at once arch and serious; she issued her judgments with supreme confidence, even when they were issued against herself. She was here to imagine, to invent wildly, and to undo the process, as one of her heroines puts it, of “learning to despise one’s self.” But she was going to have a lot of fun doing it. And, if you were doing anything else, you were not really, to her mind, writing science fiction.

Five Fun Forensic Facts 4 Fiction!

Forensic pathologist Dr. Judy Melinek and her husband, writer T.J. Mitchell, have written the nonfiction book Working Stiff: Two Years, 262 Bodies, and the Making of a Medical Examiner and often blog about forensics as presented on television. Here they present “the 5 most common forensics errors that crime writers make.” 

These five points will change the way you watch TV crime shows and read crime fiction.

10 Dual Timeline Novels with Plots You’ll Be Desperate to Unravel

I love novels with unusual narrative structures.

That’s probably why I’ve read six of the 10 novels that Sarah Walsh presents here, “books that traipse between different timelines—the nonsequential events of the past and present forming one intriguing narrative spread throughout time.”

When well done—and the six I’ve read of the 10 mentioned here are all very well done—novels with more than one time line can be enormously satisfying to read.

© 2020 by Mary Daniels Brown

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Author News Publishing

Remembering Those We Lost in 2019

The literary world lost many in 2019, including those listed here (with date of death and link to obituary, where available.

Francine du Plessix Gray, 1/13

Mary Oliver, 1/17

Russell Baker, 1/21

Diana Athill, 1/23

Jan Wahl, 1/29

Edith Iglauer, 2/13

Andrea Levy, 2/14

Gillian Freeman, 2/23

Marjorie Weinman Sharmat, 3/12

W.S. Merwin, 3/15

Jonathan Baumbach, 3/28

Vonda N. McIntyre, 4/1

Lorraine Branham, 4/2

Stanley Plumly, 4/11

Gene Wolfe, 4/14

Warren Adler, 4/15 

John L’Heureux, 4/22 

Patricia Battin, 4/22

Chris Albertson, 4/24

Wayson Choy, 4/28 

Les Murray, 4/29

Art Kunkin, 4/30 

Chuck Kinder, 5/3 

Rachel Held Evans, 5/4

John Lukacs, 5/6

Alvin Sargent, 5/9 

Herman Wouk, 5/17

Binyavanga Wainaina, 5/21

Judith Kerr, 5/22

Edmund Morris, 5/24

Tony Horwitz, 5/27

Anthony Price, 5/30

Susannah Hunnewell, 6/15

Judith Krantz, 6/22

Marie Ponsot, 7/5

Andrea Camilleri, 7/17

George Hodgman, 7/20

Brigitte Kronauer

Lois Wille, 7/23

Martin Mayer, 7/31

Toni Morrison, 8/5

Lee Bennett Hopkins, 8/8

Paule Marshall, 8/12

Terrance Dicks, 8/29

Dorothea Benton Frank, 9/2

James Atlas, 9/4

Kiran Nagarkar, 9/5

Peter Nichols, 9/7

Anne Rivers Siddons, 9/11

Cokie Roberts, 9/17

Günter Kunert, 9/21

Al Alvarez, 9/23

Elaine Feinstein, 9/23

Sol Stein, 9/26

Richard Jackson, 10/2

Ciaran Carson, 10/6

Kate Braverman, 10/12

Harold Bloom, 10/14

Johanna Lindsey, 10/27

William B. Branch, 11/3

Ernest J. Gaines, 11/5

Stephen Dixon, 11/6

Walter J. Minton, 11/19

Clive James, 11/24

Howard Cruse, 11/26

Andrew Clements, 11/28

Kate Figes, 12/7

Larry Heinemann, 12/11

Elisabeth Sifton, 12/13

Ward Just, 12/19

Elizabeth Spencer, 12/22

Karl E. Meyer, 12/22

Sonny Mehta, 12/30


© 2019 by Mary Daniels Brown

Categories
Author News Fiction Last Week's Links Literary History Memoir Publishing

Literary Links

CANDID PORTRAITS OR GHOSTWRITTEN FLUFF: THE HISTORY OF THE CELEBRITY BOOK

Jeffrey Davies looks at the history of the celebrity book, whether it be “a memoir, an essay collection, a cookbook, a book of poetry, or a self-help book.” He discusses the rise of the ghostwriter, what happens when celebrity culture and science clash (for example, Gwyneth Paltrow’s cookbooks and health books), and whether celebrity books make it harder for other books to get published.

Reflecting on the memoirs of 2019 and the elasticity of the genre

From the Chicago Tribune:

The memoir, at once literary and fact-based, js a shape-shifter, a container for a diverse array of voices, stories and narrative techniques. A sampling of this year’s entries exemplify the genre’s elasticity. In eclectic formats, they speak of trauma and healing, family dysfunction, the limitations of medical science, and the forging of identity in the face of social and cultural obstacles.

A year of literary prizes and surprises in 2019

In an article summarizing the ups and downs of this past year’s literary prizes worldwide, Somak Ghoshal concludes:

The reality of judging a prize is complicated by a multitude of conflicting factors. The impulse to do right by being aware of the conditions in which a writer or an artist produces their work often clashes with the duty to uphold aesthetic merit above all else. But these days, the solution seems to come from the contenders themselves. In August, writer Olivia Laing shared the James Tait Black prize for fiction with her fellow nominees because “competition has no place in art”. More recently, the four shortlisted artists for the Turner Prize, one of Britain’s most prestigious awards for the arts, requested the jury to divide the prize equally among them. If this trend continues, it will soon become unfashionable to run for competitions, or to win any.

The Classics That Invented These Thriller Tropes

I read a lot of mysteries and thrillers, and I often talk about the use of genre tropes in these books. Here Diane Zhang describes several of those tropes and discusses both the origin and recent examples of each.

Peter Pan’s dark side emerges with release of original manuscript

This article in The Guardian examines how J.M. Barrie “toned down Peter Pan’s character to suit audiences in 1911” as he edited his manuscript for publication. 

Barrie’s original manuscript, entitled Peter Pan and Wendy, was published earlier this month. 

© 2019 by Mary Daniels Brown

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Last Week's Links Publishing Reading

Literary Links

Romance Is a Billion-Dollar Literary Industry. So Why Is It Still So Overlooked?

Samantha Leach writes in Glamour that romance novels have evolved from the steamy bodice-rippers of the early 1970s to mid 1980s into works that deal meaningfully with “whatever is happening to women or marginalized people.”

ON FAILING THE GOODREADS CHALLENGE

P.N. Hinton discusses 2017, the year she failed miserably in meeting her Goodreads Challenge number of books. She concludes, “When you make reading a task that you have to do, then it stops being fun. And when it stops being fun, you don’t do it at all anymore.”

 Out of Bethlehem: The radicalization of Joan Didion.

Louis Menand writes in The New Yorker:

Didion interprets the political text of American life according to a set of beliefs about disparities of wealth and class. She arrived at those assumptions worthily: by analyzing her own education and experience. And that’s what she sees when she reads the newspaper or follows a campaign. She is never less than amazed by the willingness of everyone in the press to pretend, in the name of keeping the show going, that American life is really not about money and power.

How William Gibson Keeps His Science Fiction Real

In apparent support of the assertion that science fiction is not about the future but the present, Joshua Rothman profiles William Gibson, “the writer who, for four decades, has imagined the near future more convincingly than anyone else.”

The unreliable narrator is the biggest book trend of the decade

From Leah Greenblatt for Entertainment Weekly. Here are some of the books she references: Sharp Objects by Gillian Flynn, The Girl on the Train by Paula Hawkins, The Woman in the Window by A.J. Finn, The Wife Between Us by Greer Hendricks and Sarah Pekkanen, The Silent Patient by Alex Michaelides, Gone Girl by Gillian Flynn. 

These books—and their narrators—Greenblatt writes, “open a Pandora’s box too long unexplored — a well of real and sometimes deeply ugly feelings that are no less universal for coming in the inconvenient or uncomfortable form of xx chromosomes.”

THE ELEMENTS OF THE HAUNTED HOUSE: A PRIMER

Mystery novelist Emily Littlejohn describes the basic elements of a haunted-house thriller and offers a list of enticing examples.

© 2019 by Mary Daniels Brown

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Author News Fiction Last Week's Links Literary History Literature & Psychology Publishing Reading Television

Literary Links

Learning to Write Mysteries the Mystic River Way

Angie Kim’s recently published debut novel Miracle Creek is one of the best books I’ve read in a long time. Dennis Lehane’s 2001 book Mystic River is a novel I still remember well even after all these years. Coming across this article, in which Angie Kim explains teaching herself how to structure the novel she wanted to write by rereading Mystic River multiple times, felt like a reunion with two old friends.

Kim writes that she also studied novels by Kate Atkinson, Laura Lippman, Tana French, and Chris Bohjalian: “I loved how [these novels] used the mystery frame to immediately pull their readers into the narrative and propel them forward, but how they forced us to slow way down as we went deep into the psyche of the narrators.” She wanted to create in her novel the same degree of immersiveness she found in those models. Her success in doing so is what makes Miracle Creek such a powerful novel.

HOW TO DETERMINE THE READING LEVEL OF A BOOK

For parents wondering how to choose books appropriate for their children, Katherine Willoughby takes a look at “all of the various ways educators, librarians, and book publishers level and categorize books for young readers.”

WHY FICTION IS THE PERFECT TROJAN HORSE TO DISCUSS ETHICAL DILEMMAS

Kira Peikoff explains one of the benefits of reading fiction:

we need fictional outlets like television, movies, and books. Far from being superficial add-ons to life, they help us to live life. Storytelling is the oldest form of virtual reality. Through the safe haven of fiction, as we watch characters go through their own turmoil, we may encounter our own deepest fears and flaws, our highest hopes and strongest convictions. We may find inspiration, learn profound lessons, and gain the strength to overcome our own conflicts. In rare cases, we may even find ourselves rethinking our entire perspective.

‘All crime writers are asking is for a little respect’

Bert Wright, writing for The Irish Times, tackles the question of why crime fiction is so often spoken of as inferior to literary fiction. “All crime writers are asking is for a little respect but too often it is not forthcoming.”

“Whatever the truth of the matter, crime fiction is on an irresistible roll and no amount of splenetic wind-baggery can make the slightest dent in crime fiction’s hard-earned self-esteem.”

CAROLYN KEENE AND THE MYSTERY OF THE REAL NANCY DREW AUTHOR

You may have heard that Carolyn Keene was the original Nancy Drew author and that Harriet Stratemeyer Adams later wrote additional novels published under Keene’s name. But Annika Barranti Klein explains that the real story isn’t quite that simple. Read the complex story of who really wrote and published all the novels in this popular series.

 The Talented Patricia Highsmith’s Private Diaries Are Going Public

Now this news is worth waiting for: Liveright Publishing plans to publish hundreds of pages from Patricia Highsmith’s personal diaries as a single volume in 2021. This article describes Highsmith as:

a literary figure whose sharply observed psychological thrillers, including “Strangers on a Train” and “The Talented Mr. Ripley,” became cultural touchstones. She was a secretive, often prickly woman who remained a cipher even to her friends and lovers, and a trailblazer who wrote one of the first mainstream novels depicting two women in love. But she could be blinded by her own bigotry and espoused racist and anti-Semitic views.

The diaries—“56 spiral-bound notebooks, totaling some 8,000 pages”—were discovered after Highsmith’s death in 1995, tucked behind sheets and towels in a linen closet of her house in Switzerland.

© 2019 by Mary Daniels Brown

Categories
Book Groups Fiction Last Week's Links Publishing Reading

Literary Links

Why Some People Become Lifelong Readers

Joe Pinsker looks at the question of “why some people grow up to derive great pleasure from reading, while others don’t.” Here’s no surprise: “a chief factor seems to be the household one is born into, and the culture of reading that parents create within it.”

How Reese Witherspoon became the new high priestess of book clubs

“Since Reese’s Book Club launched in 2017 in partnership with the actress’s media company, Hello Sunshine, it has become an industry phenomenon with the power to catapult titles to the top of the bestseller lists.” According to the article, “Reese really picks the books.”

The Loser-Spy Novelist for Our Times

James Parker, a staff writer for The Atlantic, praises English novelist Mick Herron on the publication of his latest novel, Joe Country. “Mick Herron writes about the broken spies sworn to protect today’s broken England,” the article’s subtitle proclaims.

“Like John le Carré—with whom he has been much compared—Herron is obsessed with that area of human experience, that area of the human brain, where paranoia overlaps with an essential, feral vigilance.”

Read Editor Carmen Maria Machado’s Intro to The Best American Science Fiction and Fantasy 2019

cover: he Best American Science Fiction and Fantasy 2019

Here’s another look at the age-old, ever-recurring question of the distinction between literary fiction and genre fiction.

This omnivorous selection of stories chosen by series editor John Joseph Adams and World Fantasy Award finalist Machado is a display of the most boundary-pushing, genre-blurring, stylistically singular science fiction and fantasy stories published in the last year. By sending us to alternate universes and chronicling ordinary magic, introducing us to mythical beasts and talking animals, and engaging with a wide spectrum of emotion from tenderness to fear, each of these stories challenge the way we see our place in the cosmos.

Orphans and their quests

Harvard Ph.D. candidate Manvir Singh discusses what he calls the sympathetic plot, which pervades world literature and controls how we respond to stories. One common trope of the sympathetic plot is the story of orphans, “parentless protagonists [that] are everywhere.”

© 2019 by Mary Daniels Brown