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Why a Campaign to ‘Reclaim’ Women Writers’ Names Is So Controversial

“Critics say Reclaim Her Name fails to reflect the array of reasons authors chose to publish under male pseudonyms”

Nora McGreevy reports in Smithsonian Magazine about the Reclaim Her Name project recently launched by the Women’s Prize for Fiction in conjunction with Baileys (of Irish cream liqueur fame).

More about the project in a minute. But first, a personal digression. When I click on the link for the Reclaim Her Name project given in the opening paragraph of this article, I get sent to a page with this URL: https://www.baileys.com/en-gb/reclaim-her-name-campaign . OK, since Baileys is a sponsor. But there’s an overlay on the page that requires me to submit my birthday: “Can we see some ID please? It’s part of our commitment to responsible drinking.” I can’t get into the site without giving them my birthdate. An ID to read about books? I don’t think so. Consequently, I can only report on McGreevy’s article, not on the Reclaim Her Name project itself.

According to McGreevy, the Reclaim Her Name project, “a joint initiative honoring the literary award’s 25th anniversary,” focuses on “25 classic and lesser-known works by authors who historically wrote under male pseudonyms.”  The Reclaim Her Name collection comprises free ebooks that feature the writers’ actual names on the covers.

But, McGreevy writes, “Despite its arguably well-intentioned aims, Reclaim Her Name quickly attracted criticism from scholars and authors, many of whom cited a number of historical inaccuracies embedded in the project.” Most complaints, many of which this article links to, involve a general disregard for the reasons why individual authors chose to publish these works under pseudonyms.

Are Little Free Libraries helping locals survive COVID? L.A. weighs in

This article from the Los Angeles Times delves into the history of the Little Free Library movement as well as the benefits and problems of unmonitored distribution of books during a health epidemic.

The Ox-Bow Incident: William Wellman’s stunning Western illuminates how righteous cowboys can become a mob of vigilantes

The Ox-Bow Incident is one of the best novels to illustrate how a writer can use language to convey a character’s state of mind. In this essay for the Library of America, Michael Sragow argues that the 1943 film version of The Ox-Bow Incident “generates a visceral and emotional force that equals or surpasses the power of Walter Van Tilburg Clark’s ruminative, soul-quaking 1940 novel.”

“Lolita” Belongs to the Girls Who Lived It

cover: Being Lolita by Alisson Wood

Lilly Dancyger looks at Alisson Wood’s memoir Being Lolita, which Cancyger calls “a fearless interrogation of her own experience being groomed and manipulated by an older man—and a reclaiming of the narrative of Lolita, reminding readers that the cultural understanding of the novel still tends to favor the predator’s perspective, and that teenage girls need support, not objectification.”

Has Self-Awareness Gone Too Far in Fiction?

Katy Waldman addresses what she calls the reflexivity trap in fiction:

This is the implicit, and sometimes explicit, idea that professing awareness of a fault absolves you of that fault—that lip service equals resistance. The problem with such signalling is that it rarely resolves the anxieties that seem to prompt it. Mocking your emotions, or expressing doubt or shame about them, doesn’t negate those emotions; castigating yourself for hypocrisy, cowardice, or racism won’t necessarily make you less hypocritical, cowardly, or racist. As the cracks in our systems become increasingly visible, the reflexivity trap casts self-awareness as a finish line, not a starting point. To the extent that this discourages further action, oblivion might be preferable.

Caroline Leavitt on Writing the Disconnected Self

“How Life’s Shifting Identities Filter Into the Work of a Novelist”

Novelist Caroline Leavitt discusses how personality changes can occur and how she explored their significance in writing her books:

I realize that the only thing any of us—including my characters—can know is that everything you thought you knew about yourself or others can derail. But unexpected transformation can also revive, burnishing new possibilities you never expected, and that new person you might become can actually turn out to be your truest self of all.

7 Best Mystery Books (According to Mystery Experts)

I love mysteries and thrillers, and I’ve read a lot of them. 

This list of reading recommendations, by the PBS show MASTERPIECE Mystery!, comes from the creators and writers of the program Grantchester as well as “ a selection of mystery insiders.” The list includes works by the following authors:

  • Louise Penny
  • Nicholas Blake
  • Kate Griffin
  • Thomas H. Cook
  • Eva Dolan
  • Margaret Millar
  • Anthony Oliver

© 2020 by Mary Daniels Brown

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Book Recommendations Fiction Last Week's Links Literature & Psychology Reading Writing

Literary Links

Many writers say they can actually hear the voices of their characters – here’s why

I don’t write fiction, but I read a lot about and talk with people who do. I’m always fascinated when fiction writers say that a character either appeared and demanded to be written about or appeared to object when the writer wrote the character in a particular way.

Here’s a fascinating look by John Foxwell, Postdoctoral Research Fellow in the Department of English at the U.K.’s Durham University, into how writers experience this phenomenon. Foxwell and colleagues surveyed 181 writers at the Edinburgh International Book Festival in 2014 and 2018.

“. . . the more researchers delve into thought and imagination, the more difficult it is to say exactly how much control over our thoughts and actions any of us actually have – and to what extent the control we feel we have is an illusion.”

How Phillis Wheatley Was Recovered Through History

“For decades, a white woman’s memoir shaped our understanding of America’s first Black poet. Does a new book change the story?”

Elizabeth Winkler reports on the life of Black poet Phillis Wheatley and examines a new book, The Age of Phillis, by poet and professor Honorée Fanonne Jeffers. In her book Jeffers attempts to understand the only version of Phillis Wheatley’s life, written 50 years after the poet’s death, by Margaretta Matilda Odell, a white woman who claimed to be a “collateral descendant” of Susanna Wheatley of Boston, owner of slave Phillis.

In turbulent times, culling my book collection gave me the illusion of control. Then the dilemmas began multiplying.

Michael Dirda writes that over the past two months “I’ve been sorting and culling the vast number of books I’ve accumulated in a lifetime of reading and collecting.” The COVID-19 pandemic has produced a “persistent feeling of helplessness, frustration, anger and mild despair,” but he hoped that going through 300 boxes of books and deciding which to keep and which to part ways with would give him a feeling of control. 

“However, making these decisions has turned out to be harder than I expected.” 

Read some of the dilemmas he faces in deciding which one of multiple copies of the same book he should keep.

A Novel Way to Think About Literary Categories

Here’s a big topic I’m still trying to get my head around: Tim Parks sets out to answer the question “Why do we categorize novels?” In the article linked here he explains how he found similarities between a number of authors, all of whose works center around the question of belonging to a particular group.

But this is only the first article. There are three more articles in the series, each dealing with another such category. (This introductory article contains a link to the entire series.) Parks constitutes his categories as “clearly defined hierarchies of value, or centers of interest, generating distinct, or at least recognizable, types of plot and character interaction.”

Over the course of the four articles Parks arrives at four fictional categories, or fiction that centers around one of these four “distinct value systems”:

  1. stories focused on the characters’ relations to the community (belonging)
  2. around conflicts between indulgence and renunciation (goodness)
  3. around a tension between the craving to be free and a need to feel protected (liberty)
  4. those related to winning and losing: confidence and inadequacy, strength and weakness, complacency and resentment, envy and emulation, seducing and succumbing, jubilation, but also wise resignation (power)

So if you’re spending some of your pandemic downtime categorizing and rearranging your book shelves, why not give Parks’s system a try?

15 Extraordinary Books You Can Read in One Sitting

“The one-sitting novel isn’t just something you can read in one afternoon—it’s something you should read in one afternoon. The one-sitting novel is perfectly structured to be consumed as a complete, transporting experience, whether that’s a breakneck ride through a thrilling narrative, or a slow, dreamy fog that envelops your mind as you page through,” writes Adrienne Westenfeld for Esquire.

I was attracted to this list mainly because my ability to focus over extended periods of time has been hampered by the uncertainties of the COVID-19 world. Westenfeld says the upper limit of her choices here is 250 pages, which seems appropriate for a book to be read in one day.

How to Show Kids the Joy of Reading

If you need a truly feel-good story—and who doesn’t need one of those right now?—read about how one teacher in Tennessee helped pilot a project that has boosted primary students’ reading comprehension and made them eager and excited about reading.

© 2020 by Mary Daniels Brown

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Time Is Not Real: Books That Play with the Art of Time

Vivienne Woodward looks at some books that manipulate our sense of time. The inspiration for this essay is the way COVID-19 lockdown has affected her perception of time:

One of the things reading fiction makes clear is how many ways there are to use and manipulate time. This period of quarantine has made me think about the art of time in my own life in a new way; it has forced me to wake up every day and make more deliberate choices about how I will spend it. Perhaps the way we experience reality is not so different from the way writers construct narrative. Joan Didion famously said that “we tell ourselves stories in order to live.” If we take her word on that, then let’s make better study of one of the most malleable narrative elements we have: time.

There Are So, So Many Crime Novels with ‘Girl’ in the Title

This is the fifth installment in Lisa Levy’s examination of why so many crime novels feature the word girl: “Girls are the easiest characters to put into peril and the ones with whom the audience is most likely to sympathize.”

There are links to the first four installments near the beginning of the article. 

‘I don’t like Jack Reacher that much’: Lee Child and fellow crime writers on their creations

The title of this article comes from a comment writer Lee Child made when he recently turned over the writing of the Jack Reacher series to his brother Andrew Grant.

“Creating a long-running series featuring a much-loved character can be both a blessing and a curse,” Alison Flood says here. Read how some authors, including Sara Paretsky, Attica Locke, Val McDermid, Ann Cleeves, and Michael Connelly, have dealt with their long-term relationships with their fictional creations.

On Owning Many Books

If you follow the topic “reading” on any social media platform, you’ve undoubtedly seen the statement “It’s not hoarding if it’s books.” Here Mik Awake declares, “Book-hoarding is less cute if you think of it as book-privatizing.”

As far back as the novels in Oates’s Wonderland Quartet, such as “Expensive People” (1968) and “them” (1969), which received the National Book Award fifty years ago this fall, Oates has deployed her zeal for revision to forge a style of rousing roughness. Her dozens of novels and hundreds of short stories, many of them set in western New York, forgo an air of cool mastery in favor of a kind of cultivated vulnerability, an openness to engulfment.

The Best Psychological Thrillers

Because I like mysteries and thrillers, I’m always interested in any article that includes them in its title. Here Tammy Cohen, author of six psychological thrillers, lists five of her favorites by other authors.

Cohen also offers an inclusive definition of the genre psychological thriller:

The psychological thriller explores our internal state, our internal fears, our relationships, the way we see ourselves in our domestic world, in our small world, interacting with the people around us. And it plays on our fears about things that could go wrong within that sphere. It doesn’t have to be domestic, but it usually takes place within a small group, which gives it that claustrophobic feeling.

Her definition well explains why I find that such novels explore most fully the darkest depths of the human heart and mind.

© 2020 by Mary Daniels Brown

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Murder, He Wrote

When Charles Dickens dropped dead on 9 June 1850, he was hard at work on his latest novel, The Mystery of Edwin Drood. Readers who had already devoured the first three instalments of the story were left to solve its central mystery without the author’s help. On the 150th anniversary of Dickens’s death, Frances Wilson looks back on his final months. What lay behind Dickens’s turn to crime fiction? What were the real-life inspirations for this new novel? And, most importantly, who killed Edwin Drood?

The Lockdown Lessons of “Crime and Punishment”

“A college class weathering the pandemic finds Dostoyevsky’s savage inwardness and apocalyptic feverishness uncomfortably resonant.”

This is a fascinating account of David Denby’s experience of enrolling in the course Literary Humanities at Columbia University in New York City at the age of 76, then having the class moved online with the onset of COVID-19. Read how the pandemic-induced isolation affected students’ reactions to Dostoyevsky’s Crime and Punishment.

Denby, a Columbia graduate, first took this course as an undergraduate at the university. He enrolled in the course again at age 48 to re-examine the “great books” that traditionally have made up the Western literary canon but more recently have come under fire as too limited to represent world culture. The result of that experience was his 1996 book The Great Books.

This current article recounts his third time through the same two-semester course, begun in fall 2019.

 Natural attenuation as a decontamination approach for SARS-CoV-2 on five library materials

Don’t let that dull and formal-sounding title scare you off. Now that we’re beginning to have hope that libraries will be able to reopen, this report from the Institute of Museum and Library Services (IMLS) offers encouraging news—or, as it describes itself, “science-based information designed to reduce the risk of transmission of COVID-19 to staff and visitors who are engaging in the delivery or use of museum, library, and archival services.”

To sum up: “Results show that the SARS-CoV-2 virus was not detectable on the materials after three days of quarantine.

You should take a look at the report yourself to find out exactly what materials they tested and what procedures they used.

You’re not alone: Thrillers and mysteries that also feature characters stuck in isolation

“Sheltering in place doesn’t mean you can’t go visiting. You can drop in on fictional characters trapped in isolated houses in out-of-the-way places. No social distancing is required, and you’ll sympathize when they feel the walls closing in.”

Carol Memmott, a writer from Austin, Texas, describes five mysteries, some of which are variations on the traditional locked-room mystery.

Parental Fear and Cultural Erasure: The Logic Behind Banning Books

Because I’m very openly against censorship, I approached this article with interest. Nancy Snyder here asks, “Have you ever considered what lies beneath the vitriolic fury within the parents screaming at the school board meetings in favor of banning children’s and YA books?”

I ended up quite disappointed in this article because it didn’t teach me anything I didn’t already know. Here’s the conclusion:

For anyone who respects the First Amendment and the free exchange of ideas, book banning is an exercise in repression and ignorance. Removing controversial content does nothing but have the young reader want to read the book that has been banned from them. Too often, these banned book titles are the exact books young people need to read: banned books are effective in helping children develop their own values and moral convictions.

© 2020 by Mary Daniels Brown

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‘Killing People in Fiction Was Fun’: Mysteries That Have Stood the Test of Time

Like many of us, Sarah Weinman initially thought that the coronavirus lockdown would allow her to read, read, read. And also like many of us, she soon discovered that “Focus has evaporated. The cognitive load of living through the coronavirus has gone straight for my literary jugular.”

Her antidote for this condition has been a return to “much-loved classic crime fiction.” With the help of audiobooks, Weinman has enjoyed books by Dorothy L. Sayers, Agatha Christie, Raymond Chandler, Patricia Highsmith, and Margaret Millar.

The Erosion of Deep Literacy

Here’s an article you might want to bookmark for reading after we emerge from the current coronavirus lockdown. The article deals with how modern technology is causing us to lose the ability for “deep literacy” or “deep reading”:

In her 2018 book, Reader, Come Home, [Maryanne] Wolf uses cognitive neuroscience and developmental psycholinguistics to study the reading brain and literacy development, and in doing so, helps identify what is being lost. According to Wolf, we are losing what she calls “deep literacy” or “deep reading.” This does not include decoding written symbols, writing one’s name, or making lists. Deep literacy is what happens when a reader engages with an extended piece of writing in such a way as to anticipate an author’s direction and meaning, and engages what one already knows in a dialectical process with the text. The result, with any luck, is a fusion of writer and reader, with the potential to bear original insight

The loss of this ability may be crucial for future human development because “Deep reading has in large part informed our development as humans, in ways both physiological and cultural.”

With its emphasis on brain evolution, this article goes well beyond the common laments on how technology is making us stupid.

This is a long and complex piece, the kind of thing that I’m having difficulty focusing on enough to comprehend and to, well, think deeply about. So I have put it away to look at again in the future. 

Not everyone hates being stuck at home. Some people are thriving

Molly Creeden writes in the Los Angeles Times, “the unusual circumstances of being cloistered at home have proved a welcome change of pace, if not wholly enjoyable. And while no one is happy about the reasons we find ourselves in this abbreviated style of living, those well-suited to it are thriving.”

Read some of the explanations by people who appreciate the changes the current situation has brought to their lives and who hope to carry over some of those changes when the isolation restrictions ease.

Top 10 Scottish crime novels

Craig Robertson writes, “I’m not a big fan of tartan noir as a label for Scottish crime fiction. It works as an advertising slogan but doesn’t capture what the broad church of Scottish crime fiction is all about. There are so many fine novels within the canon that are either not tartan – with the archaic and cliched connotations that word can offer – or aren’t noir.” 

Here he offers a list of novels that “fit into a tradition of Scottish crime novels driven by issues of duality, redemption, the nature of good and evil, and a dark, dark, humour” by authors including William McIlvanney, Denise Mina, Ian Rankin, and Val McDermid.

Lionel Shriver Is Looking for Trouble

Ariel Levy writes in The New Yorker about author Lionel Shriver, “Shriver has often been convinced that we are freaking out about the wrong things—focussing on climate change, for instance, instead of contemplating the population explosion that fuels it. The coronavirus, she believes, will ultimately prove less destructive than the international fiscal contraction that it has provoked.”

Shriver’s breakout novel, We Need to Talk About Kevin, featured a mother facing the fact that her son had committed mass murder at school. Levy writes, “her novels tend to explore almost perversely unappealing issues.”

7 Pieces of Reading Advice From History’s Greatest Minds

Ellen Gutoskey offers “seven pieces of reading advice to help you build an impressive to-be-read (TBR) pile.”

My own favorite is this one:

7. “You get to make the final decision on how, what, and when to read.” Theodore Roosevelt

© 2020 by Mary Daniels Brown

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French serial-killer expert admits serial lies, including murder of imaginary wife

Another author debunked: “Stéphane Bourgoin, whose books about murderers have sold millions, says he invented much of his experience, including training with FBI.”

85 years ago, FDR saved American writers. Could it ever happen again?

David Kipen writes in the Los Angeles Times that Franklin Roosevelt’s creation of the Works Progress Administration and the Federal Writers Project introduced “Americans to their multifarious, astonishing, broken country.” Could a similar program help pull the U.S. out of the coronavirus crisis?

To put it gently, 2020 is not 1935. The notion that a consortium of individuals can coordinate on anything like the level that a strong, organized federal government seems difficult to imagine. The sense of shared national endeavor that midwifed the Writers Project feels like a relic from another millennium.

The Sociopath in Black and White: A Reading List

Psychologist Dr. Martha Stout, author of The Sociopath Next Door, reflects upon society’s sociopaths, the people with “absolutely no conscience.” About “1 in 25 people, 4 percent of us, are sociopaths,” she writes. 

Here she examines how sociopaths “appear in literature, where unimaginable things are vividly imagined and portrayed.”

15 epic books you may finally have time to read now

This isn’t the first list like this I’ve seen, but, just in case you need a good Big Book, here’s CNN’s “list of suggested epic reads. They’re all widely acclaimed as classics (or future classics) by readers or critics. And they’re all big, honking doorstops — most of them more than 1,000 pages — that ought to keep you busy for a while.”

The 50 Best Contemporary Novels Under 200 Pages

While some people need a long book to occupy themselves during self-isolation, others have trouble concentrating and focusing for extended periods. For them, there are shorter books like those listed here.

Why it’s so hard to read a book right now, explained by a neuroscientist

If you’re one of the people having trouble concentrating long enough to read effectively, take heart: You’re not alone. Here Constance Grady interviews Oliver J. Robinson, a neuroscientist and psychologist based at the Institute of Cognitive Neuroscience at University College London.

I Wrote A Gothic Novel — Now Life Feels Like It Is One

Elisabeth Thomas, author of the recently published gothic thriller Catherine House, writes:

As a little girl, I dreamed of being trapped in a gothic castle; well, here I am, trapped. I’ve been ordered to shelter in place, so I’m sheltering in place. I live in a small apartment with warm yellow walls and African violets on the sill — hardly a romantic gothic manor. But somehow this apartment has become a haunted house, and I am the ghost.


© 2020 by Mary Daniels Brown

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The Economics of Coronavirus: A Reading List

I’ve been thinking a lot about what the world will look like once the COVID-19 pandemic is over, but my speculations are mostly social and political. I know absolutely nothing about economics beyond balancing my checkbook, which is why I took particular notice of this article from Five Books.

As we deal with the economic fallout of coronavirus, what lessons can economic theory and economic history teach us as we navigate the months ahead? Ricardo Reis, professor of economics at the London School of Economics—and consultant to both the Bank of England and the Federal Reserve—recommends four books and one article to help us think through the economic challenges posed by Covid-19.

The Essential Stephen King

“If you’ve never read his books, here’s where to start.”

Because I abhor horror, I avoided Stephen King’s books for a long time. I did once decide (in my early 30s) that I should probably give him a try and read The Tommyknockers, an experience that validated my assessment.

However, both Stephen King and I have changed in the intervening years. I still avoid straight horror, but I have enjoyed several of King’s not-so-horror works, e.g. Hearts in Atlantis, Bag of Bones, Misery, The Girl Who Loved Tom Gordon, Mr. Mercedes, and 11/22/63.

If you’ve never read Stephen King’s works or have read only a few, here’s a list of suggestions to get you started in the following categories:

  • “I Want to Read a King Classic”
  • “I Want to Drive Into the Skid”
  • “I’m a Scaredy-Cat, OK?”
  • “Actually, I’m Not a Scaredy-Cat, OK?”
  • “I Have Time to Begin an Epic Journey”
  • “I Want Pure Suspense”
  • “I’m Looking For a Big Fat Read”
  • “I Want a Great Crime Novel”
  • “I Want a Deep Cut”

I especially appreciated the entry under “I’m a Scaredy-Cat, OK?”:

It’s fine to not like scary things! That doesn’t mean you can’t read some Stephen King. Though he’s most famous for his horror novels and stories, at this point he has written a significant amount outside of the genre. Early in his career — less than a decade after the publication of his debut novel “Carrie” — King released “Different Seasons,” a collection of four novellas. Three of them have nothing to do with the supernatural. Two of them were adapted into top-tier King movies: “Rita Hayworth and Shawshank Redemption” became, well, you know, and “The Body” was filmed as “Stand By Me.” Both are set in Maine in the early 1960s, and both give a sense of how lovingly King can draw his characters

In addition to his skill at characterization, King is also a master of description. If you’re an aspiring writer looking to write great description, check out King’s The Girl Who Loved Tom Gordon.

 On Isolation and Literature

“Isolation is one of the fundamental themes of literature, the kiln of experience whereby a human is able to discover certain aspects of character, personality, and existence through journeying to the center of their being (though results are certainly varied),” writes Ed Simon in this survey.

the isolation of crafting literature, even if done in a crowded room, is such that any writer (and reader) must be by definition solitary, even while entire swaths of existence are contained inside one human skull. . . . Beyond the relatively prosaic fact that there have been reclusive writers and secluded characters, isolation is also the fundamental medium of both reading and writing. . . 

Covering works by early religious writers through authors such as Thoreau and Emily Dickinson to Virginia Woolf, Thomas Pynchon, and J.D. Salinger, Simon writes, “Isolation is not a medium for literature, nor is it a method of creating literature; it is the very substance of literature itself.” He associates this principle with the rise of the novel as a literary form that allows readers to live temporarily within interior space, the worlds a particular text creates within their heads.

The Coronavirus Is Rewriting Our Imaginations

Science fiction author Kim Stanley Robinson writes:

In mid-March, in a prior age, I spent a week rafting down the Grand Canyon. When I left for the trip, the United States was still beginning to grapple with the reality of the coronavirus pandemic. Italy was suffering; the N.B.A. had just suspended its season; Tom Hanks had been reported ill. When I hiked back up, on March 19th, it was into a different world. I’ve spent my life writing science-fiction novels that try to convey some of the strangeness of the future. But I was still shocked by how much had changed, and how quickly.

“The virus is rewriting our imaginations,” he writes, because it has awakened our realization of the significance of our place in history. “We realize that what we do now, well or badly, will be remembered later on. This sense of enacting history matters.”

The Haunting of Shirley Jackson

“Since novels like [The Haunting of] Hill House and We Have Always Lived in the Castle and short stories like “The Lottery” made Jackson one of America’s most famous horror authors, critics and Hollywood have tried to get to the heart of what makes Jackson’s work so enduringly scary,” writes Emily Alford. 

Alford examines both the works themselves and film adaptations to arrive at her answer: “her work’s simplest theme: madness is born of too much time alone.”

© 2020 by Mary Daniels Brown

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On Friday afternoon, Governor Jay Inslee announced an extension of his stay-at-home order through May 31 for residents of Washington State, USA. I totally agree with this decision. I’d rather continue self-isolating now than have to start all over again by opening everything up too soon and letting the virus overwhelm us again.

I do hope that all of you are staying healthy and finding solace in activities that soothe and comfort you. 

fancy scroll

What Can Your Book’s Copyright Page Tell You?

If you’re like me, you probably skip right over the copyright page when you open up a book to settle down and read. But here’s what we’re missing when we do that: “there’s a lot you can learn from all that tiny text. For instance, do you love that book cover? You can find out who designed it. Want to know what font the book is using?”

Two Paths for the Comic Novel (and the Funniest Books to Read in Quarantine)

Are you finding yourself wishing for comic novels to read during self-isolation? Muse along with New Yorker’s Katy Waldman:

Comic fiction sometimes seems less like a genre than like the treatment of a question: What is our disposition toward a fickle universe? Do we claim agency through humor? Or strive for a jolly and wide-eyed surrender? From an aesthetic perspective, one vision—pessimistic or optimistic, active or passive—isn’t better, or funnier, than another. But there’s a larger truth here. Before the shelter-in-place orders, I was not seeking out the books that made me laugh as a kid. Now I am. This fact somehow seems to get at the essence of comedy—an art that becomes more real, more fully itself, within a shared, tragic frame. With that in mind, here are some honorable mentions for the funniest books to read in quarantine . . .

How Pop Culture Got It Wrong with Dissociative Identity Disorder

Psychoanalytic psychotherapist and writer Maxine Mei-Fung Chung writes here about “Searching for accurate portrayals of a complex disease in an age of exploitative media.”

Here she examines “the portrayal of mental illness and personality disorders in literature, TV shows and movies—and the conflicting forces of entertainment versus a better understanding of the human condition.”

Her focus here is on dissociative identity disorder (DID), formerly called multiple personality disorder: “Perhaps if we are to better understand the condition we need to cease portraying those living with the disorder as psychopaths or wall-crawling lunatics.”

Male Leads in Fiction Sell 10 Million More Books on Average Than Female Leads

Kelly Jensen reports: “A new study by SuperSummary, a company which provides study guides for fiction and nonfiction, explored gender bias in their latest study ‘Strong Man; Beautiful Woman.’”

Jensen takes a pretty deep dive into the procedure and results of this research and offers some informative infographics to illustrate her examination. Here’s her conclusion:

despite women “dominating” publishing, their stories sell far less than those by male peers, are told far less frequently by men, and don’t permit them the same opportunities to be rich and powerful.

© 2020 by Mary Daniels Brown

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Book Recommendations Personal Reading

World Book and Copyright Day

Source: World Book and Copyright Day

For additional information, including the importance of April 23rd, free book offers, and events you can watch “from the comfort of your armchair,” see this article from Newsweek.

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Book Recommendations

It’s Earth Day! Read On

Today is the 50th anniversary of Earth Day. If you’ve finally decided that it’s time to read a book about climate change, The New York Times has some suggestions in the following categories:

  • I don’t even know where to start.
  • I just want to understand how we got here.
  • I’m ready for the hard truth. Don’t sugar-coat it.
  • Who saw this coming?
  • I’m fascinated by how people behave when things get bad.
  • Did we learn anything from Hurricane Katrina?
  • I live on the coast. How scared should I be?
  • New York is the center of my universe.
  • What’s happening to the Great Lakes?
  • I know it’s all politics. So who’s to blame?
  • Someone must be profiting from climate change. Where’s the money?
  • I’d like a novel that taps into my current, IRL dread.
  • What are some future scenarios?
  • I’m a dystopian. Prepare me for the worst.
  • I need help arguing with my denialist uncle.
  • I’m just an old-fashioned tree-hugger.
  • What about the animals?
  • I only have time for one canonical read.
  • What will inspire the climate activist of the future?
  • What will our grandchildren think of us?
  • What I can do right now?

And here are some more reading suggestions: 9 Nonfiction Books About Nature and Climate Change.

If you’d like to learn about the history of Earth Day, here you go: 10 Fascinating Facts About Earth Day.

© 2020 by Mary Daniels Brown