If you find it hard to keep up with all the cool kids who use Goodreads to track their reading, this article will put you in the know about some of the more esoteric aspects. The main subject here is how to create a DNF (did not finish) shelf that won’t include the books placed there in your number of books read statistics. But there are a few other nifty nuggets of knowledge here as well, along with links to several other articles explaining how to use Goodreads. An avid reader’s bonanza!
When We Need Diverse Books was founded by a team of writers, illustrators, and publishing professionals, it was meant to shake up the publishing industry from the inside. Led by the original Executive Committee — Ellen Oh, Lamar Giles, Marieke Nijkamp, Miranda Paul, Aisha Saeed, Karen Sandler, and Ilene Wong — and supported by the original PR team — Stacey Lee and SE Sinkhorn — We Need Diverse Books was created to fight for more diversity in children’s and young adult book publishing at every level, among authors, editors, marketers, agents, publishers, and more. First and foremost, they wanted authors from marginalized communities to be given opportunities to have their voices heard in the overwhelmingly white, heterosexual, cisgender industry. And the results have been clear.
Fifteen publishing professionals discuss “why they believe We Need Diverse Books has changed publishing forever, and what they hope for the future.”
Emily Lordi discusses how much Toni Morrison was influenced by contemporary musicians:
Her work resonates with the music of those soul artists alongside whom she honed her craft: the grand ambition of Isaac Hayes, the moral clarity of Curtis Mayfield, and the erotic truth-telling of Aretha Franklin. But the soul artist who is most closely aligned with Morrison is Nina Simone. “She saved our lives,” Morrison said of the singer, after Simone’s death, in 2003. Simone meant so much to her, and to other black women, I think, in part because of how she turned social exclusion into superlative beauty and style. It was this recuperative alchemy that defined soul, as a music and an ethos. And, if Simone was soul’s “High Priestess,” Morrison was one of its literary architects.
Rhiannon Lucy Cosslett, writing in the U.K. newspaper The Guardian, addresses the current literary fascination with witches:
There has been a perennial literary fascination with witches; they are, as Marion Gibson, professor of Renaissance and magical literatures at Exeter University says, “a shorthand symbol for persecution and resistance – misogyny and feminism in particular”. In a #MeToo world, where Donald Trump – a fan of the term “witch-hunt” – is US president, it is really no surprise that female writers are examining the role of the witch in new ways.
Cosslett explains that women of her generation, who came of age in the 1990s with TV programs such as Sabrina the Teenage Witch and Buffy the Vampire Slayer are now producing literature and films that grapple with perennial questions of power and agency. She also looks a bit at the history of witches in literature, from novels such as Jane Eyre to John Updike’s The Witches of Eastwick.
In my effort to read more science fiction, I often come across references to Samuel R. Delany’s seminal novel Dhalgren. Here novelist Jordy Rosenberg discusses how Delany’s fiction “reflects and explores the social truths of our world.” He includes a list of works to start with for readers looking to introduce themselves to Delany’s body of work.
The crime-fiction writer on unreliable narrators, real-world sources, and the breakdown of genre boundaries in her work.
© 2019 by Mary Daniels Brown