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Crime Fiction Trains Us for Crisis

Writer Sulari Gentill says that, since crime fiction “essentially tells the story of a crisis,” is has helped to prepare us for the world we all now find ourselves in.

This year we have already faced fire, flood and pandemic. We had fled our homes and been confined to them. And we have risen up against murder and prejudice. Each of those actions have required decisions about how to protect ourselves and those around us. They have been made in the face of real threats to personal safety.

Tie a Tourniquet on Your Heart

“revisiting Edna Buchanan, America’s greatest police reporter”

I have written (here and here) of my love for Edna Buchanan’s crime novels set in Miami featuring Cuban-American journalist Britt Montero.

Before she turned to writing crime novels, Edna Buchanan was a crime journalist in Miami.  She won a Pulitzer Prize for her newspaper work in 1986. 

In this article Diana Moskovitz addresses the issue of how television, movies, and other elements of popular culture have helped create the current problem in the U.S. of police using unnecessary force to subdue suspects. This is an argument that isn’t new. I’ve seen many stories lately of how crime dramas such as Blue Bloods and the various iterations of Law & Order have shaped the public attitude that law enforcement only uses extreme measures to subdue criminals and force information out of them when absolutely necessary. These dramas have taught us to excuse such behavior as the necessary price society pays for protection and safety, the argument goes.

And, according to Moskovitz, Edna Buchanan is one of the well-known crime reporters whose work has contributed to this public attitude. Moskovitz is talking about Buchanan’s reportorial work here, not her novels. On rereading The Corpse Had a Familiar Face, the 1987 book about her reporting that made Edna Buchanan a nationally known figure, Moskovitz realized:

. . . how police positive it was. How it is littered with calls for tougher justice, using victims as props to demand harsher sentences, and how it ignored all the ways American society sets people up to break the law in the first place. How bad behavior by officers—even the one Buchanan briefly married—is condemned, but never really traced back to any larger issue. How Buchanan’s words have reinforced institutions that a growing American conscience believes are no longer, and perhaps never were, inherently good, or even necessary at all.

After the publication of The Corpse Had a Familiar Face, Buchanan became the public model for what a good crime reporter should do: “the Buchanan model is not, primarily, about police accountability. It’s about writing a story that leaps off the page with stunning details.”

Kamala Harris is wrong about science fiction

Author Charlie Jane Anders writes in The Washington Post:

Sen. Kamala D. Harris was half right in her speech launching her 2020 presidential campaign when she said we need to address climate change based on “science fact, not science fiction.” The truth is, we need both. Science fiction has an important role to play in rescuing the future from the huge challenges we’re facing . . .

“Stories about climate change might be fiction, but they can help to sway people’s hearts and minds in a different way than a recitation of the undeniable facts,” Anders writes. “And because science fiction is the literature of problem-solving, our made-up stories about science and innovation can play an important role in helping us to regain our faith in our own ability to create change.”

How Students Built a 16th-Century Engineer’s Book-Reading Machine

Agostino Ramelli, a 16th-century military, “designed many contraptions for the changing Renaissance landscape.” One of his machines aimed at allowing users to read multiple books at one time. Although Ramelli never built the machine, its possibility has long intrigued people who study the history of the book.

This article from Atlas Obscura details how, in 2018, a group of undergraduate engineering students at the Rochester Institute of Technology set out to build the machine. It’s worth looking at the article just for the photos and illustrations, but the text is pretty intriguing as well.

20 Books to Read in Quarantine This Summer

“Our picks for immersive, escapist, or nostalgic reading—wherever you are”

If you still need more suggestions for reading to occupy yourself with during this pandemic, editors from The Atlantic have some suggestions, curated “with an eye toward stories that will resonate during a summer of continued social distancing and tentative reopenings.” They’ve “ loosely grouped them according to literary cravings you might have,” such as these:

  • IF YOU WANT TO GET LOST IN A PLACE
  • IF YOU’RE LOOKING FOR A PAGE-TURNER
  • IF YOU NEED SMART OBSERVATIONS ABOUT LIFE
  • IF YOU’RE IN THE MOOD FOR A QUEST
  • IF YOU’RE CRAVING HUMAN CONNECTION

© 2020 by Mary Daniels Brown

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Author News Fiction Last Week's Links Reading

Literary Links

Summer reading has a fraught history. But if there was ever a time to delight in escapism, it’s now

Wisdom from Ron Charles, book critic for the Washington Post:

The shame of summer reading is almost as old as summer reading itself. It took humanity 200,000 years to produce movable type, widespread literacy and enough leisure time to enjoy a book. But as soon as people discovered the pleasures of a diverting novel, some starchy scold swooped in to make them feel bad.

Charles notes that the term beach reads was still toxic in highbrow circles at the end of the 20th century and that our personal beach-reading “remains fraught with anxiety about what those choices might suggest about ourselves.” 

But I like his conclusion: “If there were ever a summer to stop apologizing, to stop pretending and to stop worrying about what we should read, it’s this summer.”

Literature Is Built on a Foundation of Horror

“Why all great writing, no matter the genre, is steeped in horror.”

I often say that I don’t like horror fiction; in particular, I don’t read fiction involving werewolves, zombies, or vampires.

But novelist Marc E. Fitch argues that all fiction is a form of horror:

Literary fiction, in its attempt to confront reality, is built on a foundation of insanity, meaninglessness, brutality and death. Authors of genre fiction are essentially writing in the basement of that haunted house. They are not the worse for it; they are engaged with the same horrors as writers included in the literary canon and sometimes transcend the genre, creating work that is both horrifying and deeply meaningful. There are no hard boundaries in classifying literature, or course, and people should read widely. But just because it isn’t labeled a horror novel, doesn’t mean it isn’t a novel of horrors.

Questioning the Very Form of the Book

Karla Kelsey discusses The Saddest Thing Is ThatI Have Had to Use Words: A Madeline Gins Reader, edited by Lucy Ives. “Madeline Gins uses the form to dislodge our notion of individual subjectivity, the narrator commonly known as ‘I.’”

Kelsey describes Gins as a writer who explored “the wherefores and why’s of experimental writing — of its capacity to say and do what other forms of writing or art-making cannot.”

Rufi Thorpe on the Narrative Role of the Bystander

“Writing Ordinary People Who Witness the Extraordinary”

Rufi Thorpe, author of the recently published novel The Knockout Queen, praises books that she calls “The Gospel of Joe Schmo”: “An ordinary person tells the story of their friend, someone extraordinary, who touched their life and changed them forever.”

Such novels, Thorpe writes, “are all told in first person from the point of view of an almost peripheral character.” Such novels include Heart of Darkness, The Great Gatsby, Breakfast at Tiffany’s, All the King’s Men, and The Brief Wondrous Life of Oscar Wao.

Genre Labels: What Makes a Book More Thriller Than Sci-Fi?

Publishers and marketing directors love genre labels, writes S.L. Huang. Here she describes how some science fiction books end up getting classified as thrillers:

So although there are certainly scifi thrillers that straddle genres and hit it out of the park on both the futuristic elements and the fast-paced thrilling tension, here are some ways that, in my observation, a book that could easily be called science fiction instead gets sucked more into the tense and mainstream maw of the thriller category.

I found this article particularly fascinating because, although Huang doesn’t mention these titles specifically, I’ve enjoyed recent novels, including Dark Matter by Blake Crouch and The 7½ Deaths of Evelyn Hardcastle by Stuart Turton, that are thrillers with science-fiction elements.

© 2020 by Mary Daniels Brown

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Audiobooks Author News Book Recommendations Last Week's Links Reading

Literary Links

‘Killing People in Fiction Was Fun’: Mysteries That Have Stood the Test of Time

Like many of us, Sarah Weinman initially thought that the coronavirus lockdown would allow her to read, read, read. And also like many of us, she soon discovered that “Focus has evaporated. The cognitive load of living through the coronavirus has gone straight for my literary jugular.”

Her antidote for this condition has been a return to “much-loved classic crime fiction.” With the help of audiobooks, Weinman has enjoyed books by Dorothy L. Sayers, Agatha Christie, Raymond Chandler, Patricia Highsmith, and Margaret Millar.

The Erosion of Deep Literacy

Here’s an article you might want to bookmark for reading after we emerge from the current coronavirus lockdown. The article deals with how modern technology is causing us to lose the ability for “deep literacy” or “deep reading”:

In her 2018 book, Reader, Come Home, [Maryanne] Wolf uses cognitive neuroscience and developmental psycholinguistics to study the reading brain and literacy development, and in doing so, helps identify what is being lost. According to Wolf, we are losing what she calls “deep literacy” or “deep reading.” This does not include decoding written symbols, writing one’s name, or making lists. Deep literacy is what happens when a reader engages with an extended piece of writing in such a way as to anticipate an author’s direction and meaning, and engages what one already knows in a dialectical process with the text. The result, with any luck, is a fusion of writer and reader, with the potential to bear original insight

The loss of this ability may be crucial for future human development because “Deep reading has in large part informed our development as humans, in ways both physiological and cultural.”

With its emphasis on brain evolution, this article goes well beyond the common laments on how technology is making us stupid.

This is a long and complex piece, the kind of thing that I’m having difficulty focusing on enough to comprehend and to, well, think deeply about. So I have put it away to look at again in the future. 

Not everyone hates being stuck at home. Some people are thriving

Molly Creeden writes in the Los Angeles Times, “the unusual circumstances of being cloistered at home have proved a welcome change of pace, if not wholly enjoyable. And while no one is happy about the reasons we find ourselves in this abbreviated style of living, those well-suited to it are thriving.”

Read some of the explanations by people who appreciate the changes the current situation has brought to their lives and who hope to carry over some of those changes when the isolation restrictions ease.

Top 10 Scottish crime novels

Craig Robertson writes, “I’m not a big fan of tartan noir as a label for Scottish crime fiction. It works as an advertising slogan but doesn’t capture what the broad church of Scottish crime fiction is all about. There are so many fine novels within the canon that are either not tartan – with the archaic and cliched connotations that word can offer – or aren’t noir.” 

Here he offers a list of novels that “fit into a tradition of Scottish crime novels driven by issues of duality, redemption, the nature of good and evil, and a dark, dark, humour” by authors including William McIlvanney, Denise Mina, Ian Rankin, and Val McDermid.

Lionel Shriver Is Looking for Trouble

Ariel Levy writes in The New Yorker about author Lionel Shriver, “Shriver has often been convinced that we are freaking out about the wrong things—focussing on climate change, for instance, instead of contemplating the population explosion that fuels it. The coronavirus, she believes, will ultimately prove less destructive than the international fiscal contraction that it has provoked.”

Shriver’s breakout novel, We Need to Talk About Kevin, featured a mother facing the fact that her son had committed mass murder at school. Levy writes, “her novels tend to explore almost perversely unappealing issues.”

7 Pieces of Reading Advice From History’s Greatest Minds

Ellen Gutoskey offers “seven pieces of reading advice to help you build an impressive to-be-read (TBR) pile.”

My own favorite is this one:

7. “You get to make the final decision on how, what, and when to read.” Theodore Roosevelt

© 2020 by Mary Daniels Brown

Categories
Quotation Reading

Reading in the Midst of COVID-19

I MISS THE LIBRARY: AND OTHER THOUGHTS ON QUARANTINE READING LIFE

When it comes to reading, read whatever you’re able to get through without finding yourself distracted or filled with an overwhelming sense of dread. If that means listening to audiobooks because you just can’t focus on reading a page, so be it! Need to order some new books online because you just aren’t in the mood for something you bought a year ago and haven’t gotten to? Do it! When we started quarantine, without even thinking about it, I immediately made it my goal to read three books that have been sitting unread in my bedroom for years. My own emotional addiction to the myth of certainty had me briefly convinced that this was, in fact, unencumbered free time to finally get to those books I haven’t gotten to. Full disclosure? I got through one of those books, and by “got through” I meant read the first few chapters before putting it down because I did not register a single word I had just read. It’s hard on a good day to force yourself through something just because it’s been two years and you should just read it already, but when the world is a constant raging dumpster fire, forget about it.

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Book Recommendations Last Week's Links Publishing Reading

Literary Links

On Friday afternoon, Governor Jay Inslee announced an extension of his stay-at-home order through May 31 for residents of Washington State, USA. I totally agree with this decision. I’d rather continue self-isolating now than have to start all over again by opening everything up too soon and letting the virus overwhelm us again.

I do hope that all of you are staying healthy and finding solace in activities that soothe and comfort you. 

fancy scroll

What Can Your Book’s Copyright Page Tell You?

If you’re like me, you probably skip right over the copyright page when you open up a book to settle down and read. But here’s what we’re missing when we do that: “there’s a lot you can learn from all that tiny text. For instance, do you love that book cover? You can find out who designed it. Want to know what font the book is using?”

Two Paths for the Comic Novel (and the Funniest Books to Read in Quarantine)

Are you finding yourself wishing for comic novels to read during self-isolation? Muse along with New Yorker’s Katy Waldman:

Comic fiction sometimes seems less like a genre than like the treatment of a question: What is our disposition toward a fickle universe? Do we claim agency through humor? Or strive for a jolly and wide-eyed surrender? From an aesthetic perspective, one vision—pessimistic or optimistic, active or passive—isn’t better, or funnier, than another. But there’s a larger truth here. Before the shelter-in-place orders, I was not seeking out the books that made me laugh as a kid. Now I am. This fact somehow seems to get at the essence of comedy—an art that becomes more real, more fully itself, within a shared, tragic frame. With that in mind, here are some honorable mentions for the funniest books to read in quarantine . . .

How Pop Culture Got It Wrong with Dissociative Identity Disorder

Psychoanalytic psychotherapist and writer Maxine Mei-Fung Chung writes here about “Searching for accurate portrayals of a complex disease in an age of exploitative media.”

Here she examines “the portrayal of mental illness and personality disorders in literature, TV shows and movies—and the conflicting forces of entertainment versus a better understanding of the human condition.”

Her focus here is on dissociative identity disorder (DID), formerly called multiple personality disorder: “Perhaps if we are to better understand the condition we need to cease portraying those living with the disorder as psychopaths or wall-crawling lunatics.”

Male Leads in Fiction Sell 10 Million More Books on Average Than Female Leads

Kelly Jensen reports: “A new study by SuperSummary, a company which provides study guides for fiction and nonfiction, explored gender bias in their latest study ‘Strong Man; Beautiful Woman.’”

Jensen takes a pretty deep dive into the procedure and results of this research and offers some informative infographics to illustrate her examination. Here’s her conclusion:

despite women “dominating” publishing, their stories sell far less than those by male peers, are told far less frequently by men, and don’t permit them the same opportunities to be rich and powerful.

© 2020 by Mary Daniels Brown

Categories
Book Recommendations Personal Reading

World Book and Copyright Day

Source: World Book and Copyright Day

For additional information, including the importance of April 23rd, free book offers, and events you can watch “from the comfort of your armchair,” see this article from Newsweek.

Categories
Literary History Reading

Medieval Reads Day

Get ready for tales of knights, battles, court intrigue and more. It’s Medieval Reads Day!

Source: Medieval Reads Day

According to Book Riot, it’s Medieval Reads Day, and they’ve got you covered with the following articles:

  • 10 of the Best Medieval Romance Stories
  • 10 Books with Our Favorite Fictional Knights
  • 8 Courtly Medieval Female Writers
  • 10 Great Medieval (and Medieval-ish) Mystery Books
  • Get Spellbound by These Magical Medieval Fantasy Books
  • 8 Great Medieval History Reads from East to West
  • 8 Fascinating Characters from Arthurian Legend
  • 9 Medieval Poets You Will Actually Enjoy Reading
  • 6 of the Best Medieval Young Adult Books
  • 3 of the Best Comics for Fans of Arthurian Legend
Categories
Big Books Book Recommendations Fiction Last Week's Links Reading

Literary Links

I hope that you are all staying healthy and finding solace in activities that comfort you.

Book sales surge as self-isolating readers stock up on ‘bucket list’ novels

cover: The Goldfinch by Donna Tartt

From the U.K. comes news that “Book sales have leapt across the country as readers find they have extra time on their hands, with bookshops reporting a significant increase in sales of longer novels and classic fiction.” Sales are also up for longer books such as Hilary Mantel’s recently released The Mirror and the Light as well as older long books, including The Goldfinch and The Secret History by Donna Tartt, Infinite Jest by David Foster Wallace, and A Little Life by Hanya Yanagihara.

When we were initially introduced to the idea of staying home, I thought this sounded like a good opportunity to tackle some of the longer works on my TBR shelf, like Middlemarch by George Eliot (794 pages, exclusive of endnotes), Anna Karenina by Leo Tolstoy (817 pages, exclusive of notes), Ulysses by James Joyce (732 pages), and The Golden Notebook by Doris Lessing (568 pages). But that plan didn’t turn out very well.

After about a week and a half of being unable to read anything other than news stories, I was finally able to read books once again. But I’ve been sticking with my backlog of mysteries and thrillers, as I still don’t have the ability to focus on something more demanding for a long time. So all of those Big Books will still be on my shelves waiting for me long after the current health emergency has passed.

However, I can also see the appeal of something long by less demanding than Ulysses. I’ve heard several people mention rereading the Harry Potter series or The Lord of the Rings, both of which sound like excellent choices for these unsettled times. But I won’t be going there until I’ve made a lot more progress on my backlog of Book of the Month goodies.

The Girl in the Title of the Crime Novel: The Great Crime Fiction Disambiguation Project

cover: Final Girls by Riley Sager

Over the past several years there’s been a lot of discussion about the number of books with the word girl in the title:

Girl is the perfect word for inspiring curiosity and fear in psychological thrillers: since the Bible, or the Greek myths, the protection of girls has been paramount to holding a society together. Girls, after all, become women, and women birth and raise the next generation, keeping civilization going. So the question here is not why did girl instantly become so popular, but how it reflects on our cultural preoccupation with keeping women—made even more impotent and infantilized by being labeled girls—under patriarchal control.

Here Lisa Levy discusses eight such books, with particular emphasis on how these books and their characters reflect the effects of patriarchy and misogyny.

Our Obsession with Beautiful Dead Girls Is Keeping Us from Addressing Domestic Violence

Here Jessica Moor addresses the same general topic but with a more focused emphasis: how the normalization of the violent man coexists with another standard trope, the beautiful dead girl.

Her conclusion:

no matter how fascinating the machinations of a random killer seem, they cannot be more chilling than the reality that, for women, the most dangerous place in the world is not a bar or a dark alleyway or a deserted forest. It’s their own home.

The Best Books for Distancing Yourself From Reality Right Now

Esquire has some suggestions of “literature for an escape from the ails of restlessness and anxiety.” The list comprises mostly fiction, but there’s a wide enough range that everyone can probably find at least one or two appealing books.

How a Chinese-American Novelist Wrote Herself Into the Wild West

“C Pam Zhang’s debut, “How Much of These Hills Is Gold,” is one of several new or forthcoming books by Asian-American writers set in a period that historically hasn’t recognized them.”

Never mind the Brits, here are five American novels perfect for ‘Masterpiece’ treatment

Why does PBS outsource almost all of its costume dramas to the Brits, in some cases simply importing and screening BBC productions as Masterpiece series? Why not look to the American canon for worthy novels in which men sport top hats, women get laced into corsets and carriages make their gravel-crunching way to glittering receptions or illicit assignations?

Dennis Drabelle has some suggestions for how PBS can provide U.S. audiences some dramas from their own literary heritage.


© 2020 by Mary Daniels Brown

Categories
Big Books Book Recommendations Fiction Last Week's Links Publishing Reading

Literary Links

Penguin Classics and Others Work to Diversify Offerings From the Canon

“Across the industry, publishers are releasing titles by authors who were previously marginalized or entirely lost to history.”

The critical and commercial success of these titles is a result of a combination of factors: initiative on the part of writers’ families or estates; changing leadership within the publishing industry; and a willingness among modern readers to engage with unknown texts.

After a Husband’s Betrayal, Turning to Mystery Novels

The whole point of a mystery is to create a plot so suspenseful that the reader can’t put it down—which is exactly what I needed, to get back into reading. A terrible crime has been committed (usually a murder) and a detective or amateur sleuth then applies logic to figure out who did it, what happened and why until the perpetrator is brought to justice.

Laura Hilgers turned to mysteries for comfort after her divorce.

I, fortunately, do not have the same reason for liking mysteries. See 5 Examples of Why I Like Mysteries.

Will the coronavirus outbreak lead to new L.A. crime fiction? The jury is out

Los Angeles has been the locus of crime fiction for nearly 100 years. Here’s a discussion of some of the novels, characters, and authors LA has produced as well as speculation about what kinds of novels the current health crisis will give rise to.

Genre Primer: Short Story Examples in (Almost) Every Genre

If you want to use your time at home to broaden your literary horizons, let Annika Barranti Klein be your guide. She offers links to free online stories, plus the names of a novel or two, in the following categories:

  • science fiction
  • steampunk
  • low fantasy
  • second world/high fantasy
  • portal fantasy
  • fairytale
  • myth
  • eldritch
  • magical realism
  • paranormal
  • mystery
  • thriller/suspense
  • noir
  • historical
  • western
  • romance
  • horror
  • gothic
  • literary

And yes, she includes definitions in case you don’t know, as I didn’t, what some of these terms mean (e.g., eldritch, low fantasy, second world/high fantasy, portal fantasy).

Ann Patchett on Why We Need Life-Changing Books Right Now

Ann Patchett on what she learned by reading the books of middle-grade novelist Kate DiCamillo. Patchett began with The Miraculous Journey of Edward Tulane, which, she says, changed her life.

9 Great Books With Lonely Protagonists

According to Hillary Kelly:

there’s a certain kind of isolation that makes for a vivid reading experience — when the protagonist is quite literally all alone, whether by circumstance or choice, either struggling to be seen or hoping to disappear even further. The novel, after all, is the perfect medium for that message, the only art form in which an interior monologue doesn’t regularly come off as hokey. If you’re into that kind of thing, and want to grapple a little harder with the bizarre swaddling effect that COVID-19 has had on our ability to simply stand close to another human, here are nine books that offer insights into the wild terrain of the isolated mind.

14 Enormous Crime Books for the Long Days Ahead

“. . . we are stuck at home, and perhaps now is the time to rediscover the lengthy novel,” writes Molly Odintz.

mug that says "I like big books and I cannot lie"

If you follow this blog, you know I love Big Books. Here’s Odintz’s list of 14 crime novels, all of which meet the Big Book definition of 500 or more pages. 


© 2020 by Mary Daniels Brown

Categories
Personal Reading Writing

Reading & Blogging in the Time of COVID-19

2020 Discussion Challenge

Thanks to these two bloggers for sponsoring the 2020 Blog Discussion Challenge:

You can join the discussion challenge at any time during 2020 by clicking on either link above.


Related Posts:

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All of my recent posts have been lists of COVID-19—related links. I just kept collecting these links, almost obsessively. Now that we’re approaching the end of our third week of self-isolation and social distancing here in Washington State, I’m finally beginning to understand why.

When we first started this virus-induced cocooning, I was excited. As an introvert who likes nothing better than to kick back with a good book, I’ve been practicing for this my whole life. Bring it on, I thought. I’m going to get a whole lot of books read.

However, I wasn’t prepared for the emotional onslaught that accompanies this medical emergency.

And so I began curating those lists of links. For about 10 days I spent most of my time reading article after article about what was happening here at home and around the world. Every time I thought that I should start reading a book, I felt completely overwhelmed. I have so many books on my TBR shelves that I got flustered wondering which one to pick up. The more I thought about which book to select, the antsier I got.

I couldn’t concentrate, couldn’t focus on any one thing, so I just kept going from one article to another about the advance of COVID-19. Reading individual news stories and articles didn’t require the extended attention necessary for reading a book.

So I thought that, if I wasn’t going to read books, I should write. How silly that thought turned out to be, since writing anything more than the occasional Facebook post requires even more focused attention than reading a novel. For about a week and a half I did nothing but make those lists and wonder what was happening to me.

woman writing in notebook

My life has been a series of research projects.

Ever since I was a child, my way of dealing with anything new and different—and therefore confusing—has been to read up on it. If I learn all about whatever it is, I can deal with it. In the past, knowing about something meant that I had some personal control over it, or at least how it affected me. 

But of course there’s no controlling this virus. No matter how much I learn about it, it is still in control. And nobody knows how all this is going to turn out. We’re experiencing anxiety at a whole new level. In fact, anxiety doesn’t seem like the right word to use here. This situation requires a much stronger term.

I came across an article byScott Berinato in the Harvard Business Review called “That Discomfort You’re Feeling Is Grief.” I found especially enlightening his concept of anticipatory grief, that is, grief in anticipation of how different our lives are going to be in the future than they were in the past because of this pandemic. There is definitely a grief component to what I’m feeling.

“There is something powerful about naming this as grief. It helps us feel what’s inside of us,” Berinato writes. But while I agree that just naming something helps us deal with it, I don’t think that grief quite tells the whole story by itself.

So for now I’m calling it generalized dread

I did finally manage to break out of my reading slump, although whether the naming process or simply the passage of time is responsible I’m not sure. Probably both contributed. The book that rescued me is Long Bright River by Liz Moore. I hope to write a review of it soon, although I fear the ability to concentrate enough to do much writing is still a little way off.

I hope you are all staying healthy and dealing with this new reality. I’d love to hear how you’re coping.

© 2020 by Mary Daniels Brown