Miguel de Cervantes, Spain’s greatest writer, was a soldier of little fortune. He died broke in Madrid, his body riddled with bullets. His burial place was a tiny convent church no larger than the entrance hall of an average house.
No more was heard of the 16th century author until the rediscovery of a novel featuring an eccentric character called Don Quixote rescued him from oblivion.
By then, nobody could remember where his grave was. Four centuries later, Spain intends to do the great man justice.
Preeti Chhibber, who works in marketing for HarperCollins, writes on BookRiot that “there are inherent racial issues that exist inside publishing a book with multicultural themes written by a person who doesn’t have a historical connection to that culture or race.” For example:
A few weeks ago, the news broke that Simon & Schuster would be publishing a prequel to Gone With the Wind, called Ruth’s Journey. This book is going to be about Mammy. This book is going to be written by a 73-year-old white man named Donald McCraig.
There are, she says, really two issues here: “The first issue is diversity. The second issue is authenticity of voice.”
We want diverse characters written by everyone, and we want enough writers of color that come to mind just as easily as white authors. We have to stop defaulting to white writers, from both the publisher’s and the reader’s perspective. And we have to stop seeing multicultural characters as an anomaly. I want to see those characters in my literary fiction, in my sci-fi, in my historical fiction. And I want stories of their lives and their cultures.
The Telegraph [U.K.] presents the best books from the science fiction and fantasy genres
This is quite a varied list. Since I don’t read a lot of fantasy or science fiction, I was surprised at how many of the books on this list I’ve read.
And be sure to look at the comments, which will suggest many more titles to add to your TBR list.
No matter what the title under discussion, book lovers almost inevitably say, “The book was better than the movie.”
But visual media—film and television—are very different from books, because our brains process written and visual material differently. Therefore, changes from the book in the film or TV versions are often necessary for a successful adaptation.
Of course there are also times when the film or TV version makes wholesale changes in the book that aren’t necessary for the adaptation between formats. For example, in his film of David Baldacci’s novel Absolute Power, Clint Eastwood changed the whole story line. The reason? Eastwood starred as the lead character, who is killed about midway through the book. This plot change wrecked the whole point of the book. But it’s no surprise that Eastwood would not want the character he portrayed eliminated so early. Hence the change.
I have not read Game of Thrones nor watched the HBO series. Nevertheless, I found this discussion of differences between the books and the TV shows informative. What do you think?
Over at Lovely Literature bloggers Ashley and Anne have each compiled a fun list of despicable characters.
Are there any other literary characters you’d add?