“Rumaan Alam’s Leave the World Behind imagines the world after a global disaster, but its real subject is white entitlement.”
[Alam] has an interior barometer exquisitely calibrated to signifiers of social class: fashion houses, just-trendy-enough restaurants, interiors detailed with the loving eye of a copywriter for a high-end furniture catalog. His interest lies in taxonomies of race and class, not in generating the reader’s empathy or evoking an emotional response. Lacking the capacity for deep reflection, his characters drift along in their bubbles, so perfectly self-absorbed that the other people in their lives are all but invisible . . .
What intrigued me most about this list is the format. Writer Neema Roshania Patel asked “Torrey Peters, author of “Detransition Baby,” which came out on Jan. 12,” to name a book she is looking forward to this year, then asked the author of that book for a recommendation, and so on.
“I spoke with 10 female authors by the end of the chain, and together, they brought me down an exciting path of novels — plus a collection of poetry, a book of essays, a memoir and even a journey to the cosmos.”
I was attracted by this article’s title because, well, it’s George Saunders, but also because I’ve always had a very tenuous relationship with comedy. Growing up, I did not find the Keystone Cops and the Three Stooges funny at all. This article didn’t really help me sort out my concept of comedy, but, hey, it’s George Saunders talking about writing.
I haven’t read it yet, but House of Leaves has been on my TBR shelf for a while now because I’m always intrigued by descriptions of books with unusual structures. Here Melissa Baron discusses what she calls “fiction’s coolest niche genre: the weird and unconventional world of ergodic literature.” She pares the definition down to “books or digital text that use unusual methods to tell their stories,” but you’ll have to read the rest of the article to even begin to understand what the term means.
And I just moved House of Leaves several places upwards on my TBR list.
When I find fiction too draining, I turn to books about books. They can be as thrilling as a whodunit.
Michael Dirda finds that reading “serious literary fiction . . . [can] be exceptionally draining.” So, when he needs a break, he turns to nonfiction: “even a dry-seeming nonfiction category like ‘books about books’ — a librarian might label them ‘studies of print culture’— can be dangerously fascinating.”
Read what books about books he has especially liked recently.
Jonathan Kellerman Wants to Know Why Crime Fiction Has Such a Hard Time with Mental Health Professionals
Jonathan Kellerman, a former practicing clinical psychologist, created the fictional psychologist Alex Delaware in the novel When the Bough Breaks, published in 1981. Now at nearly 40 novels, the Delaware books comprise “the longest-running contemporary American crime fiction series.”
Here Kellerman discusses how, in Alex Delaware, he aimed to create a portrait of an ordinary person who works in the mental health profession. Kellerman laments that most other fiction continues to present mental health professionals in terms of two clichés: “evil shrink/screwed-up shrink. Sometimes a combination of both.”
German thriller writer Sebastian Fitzek discusses why he writes psychological thrillers: “In my view, the fascination for psychological thrillers can be explained in part by the fact that they deal with one of the last unexplored universes of all, one we carry right inside us: the human mind.”
© 2021 by Mary Daniels Brown