If you think narrating audiobooks is a dream job because all you have to do is sit there and read, you’d be wrong. Way wrong. Read all about the complex matters of matching specific books with appropriate readers, of preparing, and of carefully avoiding extraneous noise in the recording studio. At the end of the article is an added bonus of a short history of talking books.
Writer Alison B. Hart rediscovers the joy of reading for pleasure—“ that swoosh of momentum that carries you past the letters on the page, straight into the heart of a story”—by reading Anne of Green Gables aloud to her 8-year-old daughter.
Older adults, particularly older women, often feel invisible, ignored and completely misunderstood by the younger world moving quickly around them. This article by Peter McDermott showcases several Irish authors whose recent novels feature older adult characters. There’s much insight here. For example, McDermott asked about younger authors portraying older characters:
Asked about possible pitfalls in depicting older characters, [Caoilinn] Hughes [the 34-year-old author of Orchid & the Wasp (2018)] said they would be exactly the same as a “writer can fall into when writing any character: undermining their humanity through lazy writing by privileging assumption over observation.”
This article caught my eye because, although I’ve read quite a lot of Didion’s nonfiction, I haven’t read any of her fiction.
What no Didion heroine can entirely reconcile herself to is the split between what she wants and what a woman is supposed to do: marry, have children, and keep her marriage together, despite the inevitable philandering, despite her other hopes and dreams. Didion’s women have an image in mind of what life should look like—they’ve seen it in the fashion magazines—and they expect reality to follow suit. But it almost never does. In Didion’s fiction, the standard narratives of women’s lives are mangled, altered, and rewritten all the time.
Scholarship has generally dated the first writing by English women to about the 12th century. But here Alison Flood discusses a new book, Women, Writing and Religion in England and Beyond 650-1100, by Diane Watt that places the emergence of women’s writing much earlier, in the 8th century. “Watt, a professor at the University of Surrey, lays out in the book how some anonymous texts from the period were probably created by women, and contends that men rewrote works originally produced by women.”
© 2019 by Mary Daniels Brown