Emily Martin uses the categories that William Riggan explores in his book Pícaros, Madmen, Naifs, and Clowns: The Unreliable First-Person Narrator to look at ways crime writers employ them to build suspense.
Next March’s Tournament of Books, something that I only recently discovered, has posted its long list of 77 books. “In a few weeks we’ll release the shortlist of the 16 or so books that will be in play come March.”
As a result of the shrinking book coverage by newspapers and magazine over recent years, Humanities Tennessee has created Chapter 16: “a part-digital, part-print publication that covers literature and literary life in the state.” The publication offers its contents free to readers and to any publications that want to reproduce it.
Jennifer Wilson examines the history of reading for self-development as presented in Beth Blum’s book The Self-Help Compulsion: Searching for Advice in Modern Literature.
Maggie Doherty, who teaches writing at Harvard, looks at the life of Adrienne Rich through the lens of the first biography of the poet, The Power of Adrienne Rich by Hilary Holladay.
But while Holladay’s book seeks to define Rich’s identity, Doherty discusses how Rich continuously changed her identity as she sought to deal with the culture in which she lived and wrote.
If you’re planning to give books as holiday gifts this season, BookRiot has suggestions for meaningful inscriptions. After all, “that inscription means as much as the book does.”
“In his own life, the novelist failed to truly acknowledge the evils of slavery and segregation. But he did so with savage thoroughness in his fiction.”
Casey Cep writes:
A new book by Michael Gorra, “The Saddest Words: William Faulkner’s Civil War” (Liveright), traces Faulkner’s literary depictions of the military conflict in the nineteenth century and his personal engagement with the racial conflict of the twentieth. The latter struggle, within the novelist himself, is the real war of Gorra’s subtitle. In “The Saddest Words,” Faulkner emerges as a character as tragic as any he invented: a writer who brilliantly portrayed the way that the South’s refusal to accept its defeat led to cultural decay, but a Southerner whose private letters and public statements were riddled with the very racism that his books so pointedly damned.
© 2020 by Mary Daniels Brown