Commentary on one of my all-time favorite Big Books:
The Blind Assassin (2000) is a multilayered and deftly plotted work of autobiographical and historical fiction set in 20th-century Canada. In just the first few pages, layers of family history and mystery unfurl by way of a trifecta of memoir flashback, newspaper clippings and novel-within-a-novel narratives. It’s around Iris — our now-octogenarian protagonist and witty narrative anchor — that these myriad elements swirl and eddy, coming together to form a sprawling family saga peppered with death, deceit and disappointment.
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whether you’re an Atwood novice or a superfan looking to revisit the prolific writer’s expansive back catalog, start with The Blind Assassin, which, nearly two decades out from publication, still speaks with a fresh voice about powerful men, politics and female victimization.Lauren Cocking, WHY MARGARET ATWOOD’S ‘THE BLIND ASSASSIN’ IS WORTH REVISITING