Connelly, Michael. The Late Show
Hachette Audio, © 2017
(print book © 2017)
Michael Connelly is one of my favorite authors. His two series characters are LAPD homicide detective Harry Bosch and criminal defense lawyer Mickey Haller, known as the Lincoln lawyer because he works primarily from the back seat of a chauffeur-driven black Lincoln.
In The Late Show Connelly introduces a new character, LAPD detective Renée Ballard. Ballard holds a degree in journalism from the University of Hawaii and worked as a reporter for the Los Angeles Times. But after a few years reporting on crime, Ballard decided that she didn’t want to just write about crime, she wanted to be the one solving the crimes. She therefore joined the LAPD. (Michael Connelly himself has a journalism degree and worked as a crime reporter at the LA Times before becoming a full-time novelist.)
Detective Ballard was advancing well in her police career when she filed a sexual harassment complaint against her superior officer, Lt. Olivas. Ballard’s partner at the time, Ken Chastain, saw the writing on the wall and declined to support her claim. With no one to corroborate her story, her complaint was thrown out.
As punishment, Ballard was demoted to the night shift, known as the late show. This was not simply a demotion, but, for Ballard, a career buster because late-shift detectives don’t get to follow through with the investigation of their cases. Rather, they take the late-night calls but then turn the cases over for follow-up to the day-shift detectives.
The book opens with Ballard answering a call about a transgender woman who was brutally beaten. Ballard is at the hospital waiting to hear whether the victim will survive for questioning when EMTs arrive with a shooting victim. The young woman, a waitress at the Dancers Club, was shot when a customer at the club opened fire on three men seated at a booth with him. After killing the three men, the shooter shot a bouncer and the waitress on his way out. The bouncer was dead at the scene, and the waitress, near death, was transported to the hospital, where she died.
Sensing an opportunity, Ballard begins asking questions about the waitress. After questioning the EMTs, she goes to Dancers, where she questions the employees and takes the dead woman’s belongings as evidence. Meanwhile, the assault victim at the hospital survives her surgery but remains in a coma. Before her shift ends, Ballard also picks up a stolen credit card case that leads to a burglary suspect.
Knowing that detectives on the day shift won’t take much interest in the burglary and assault cases, Ballard manipulates and cajoles her way into investigating them on her own time. She also uses her initial work on the waitress’s death to hang around the Dancers Club investigation the next day. But that high-profile case is under the jurisdiction of Lt. Olivas, who won’t let Ballard anywhere near the investigation. But before leaving the scene Ballard notices her former partner, Chastain, retrieving a piece of evidence from the floor of the club.
Ballard continues to use her off-duty hours to investigate the assault and burglary cases. But the Dancers Club case takes a nasty turn when Chastain is killed execution style. Despite Chastain’s failure to support Ballard’s harassment claim, she feels a sense of duty toward her former partner and begins to investigate this case surreptitiously on her own time as well. Her work eventually solves the case, a fact that Lt. Olivas grudgingly must acknowledge.
I had wondered what Michael Connelly would do now that his mainstay character, Detective Harry Bosch, is nearing retirement. In The Late Show Connelly has introduced a younger character who, like Bosch—like all of us, really—deals with her own personal demons while remaining dedicated to her own notion of justice and the job she loves. I look forward to more Ballard novels in the future. In the meantime, I’m waiting for the fourth season of Amazon’s show Bosch, starring Titus Welliver, due next year.
© 2017 by Mary Daniels Brown