I think literary critics — of whom you’re one and I’m another — are much better at describing beauty on the sentence level than we are at talking about the grace of a narrative twist or wonderful pacing or the thrilling tension that a well-put-together narrative gives you. I feel like we’re not very good at praising that. We don’t have a good critical language for it. I think that’s why books with that kind of narrative flare lag behind the more non- or anti-narrative novels in critical reputation.
–Novelist Lev Grossman to interviewer Laura Miller