book review

3 Short Reviews

The Suspect by Fiona Barton

Barton, Fiona. The Suspect   
Penguin Audio, 2019   
Narrated by Susan Duerden, Fiona Hardingham, Nicholas Guy Smith, Katharine Lee McEwan   
ISBN 9781524779962

cover: The Suspect

When two British girls spending their gap year in Thailand disappear, journalist Kate Waters senses a possible big story. Always looking for the latest big scoop, she doesn’t hesitate to insinuate herself into the investigation as much as possible. In this case she gets as close as she possibly can to the girls’ families to keep up with all the latest developments.

But Kate is dealing with a personal issue while she’s chasing this story. After a period of sporadic, noncommital phone calls, she and her husband now haven’t heard from their son Jake in quite a while. They are surprised to hear that he dropped out of college a while ago. As they novel continues, they discover that Jake may also be in Thailand. Kate’s attempts to follow up on the missing-girls story while also looking for her son raise the question of how closely a journalist can and should get personally involved in her work.

This is the third book—after The Widow (2016) and The Child (2017)—featuring Kate Waters but can be read as a standalone novel. My favorite of the three is The Child, so if you’re not familiar with the Kate Waters series, I’d suggest starting there.

© 2019 by Mary Daniels Brown


Saratoga Payback by Stephen Dobyns

Dobyns, Stephen. Saratoga Payback
Dreamscape Media, 2017   
Narrated by George Newbern   ISBN 9781520067070

cover: Saratoga Payback

Published in 2017, this book is the 11th in Dobyns’s Charlie Bradshaw series, though the first since 1998. Much has changed in Charlie’s life. The police have revoked his private investigator’s license, and he’s now trying to get used to life as a retired senior citizen. And he is now married to Janie, whose youngest child, a 14-year-old daughter, is still at home. Charlie and his stepdaughter have a good relationship. 

Still, household repairs just can’t replace investigating, so when a corpse lands on Charlie’s front sidewalk, he has to decide whether to hand the situation off to the local cops or to risk breaking the law by investigating without a license. When the cops show little interest in the case, Charlie begins to sniff around surreptitiously; he reasons that, since the dead man was obviously coming to see Charlie, he has a right to look into how and why the guy was killed in Charlie’s front yard.

Fans of the series will be gratified to learn that Charlie’s friend Victor Plotz and The Queen of Softness are still together. I doubt if anyone who has not read at least some of the previous books in the series will be interested in this one. 

© 2019 by Mary Daniels Brown


She Was the Quiet One by Michele Campbell

Campbell, Michele. She Was the Quiet One   
Macmillan Audio, 2018  
Narrated by January LaVoy  
ISBN 1250205166

cover: She Was the Quiet One

This novel might have been better if it were about 1/3 shorter. But the drawn-out story just emphasizes the book’s shortcomings. 

Two orphaned fraternal twin girls are sent by their emotionally cold grandmother to a prestigious New England boarding school for their sophomore year of high school. The twins fit a stereotype: one, Rose, is light; her sister, Bel, is dark. The girls are assigned to different rooms in the same dormitory. The heads of the dormitory, both also teachers at the school, are devastatingly handsome Heath Donovan and his wife, Sarah.

Rose, although feeling alienated among the cliquish student body, flourishes academically at the fiercely competitive school. But Bel gets pulled into the wrong crowd—the bratty, trouble-making, cruel clique of seniors—as soon as she arrives. For an entire semester Rose harps at Bel to get away from those kids, and Bel continues to defend herself and her new friends, accusing Rose of being jealous.

As the twins’ relationship sours, the Donovans have their own problems. Sarah hears rumors about her husband but refuses to believe them. A little of such behavior would be credible, but Sarah gradually becomes so emotionally needy that her thoughts and actions descend into melodrama. At the same time we see Heath become increasingly unstable and unreliable. This process drags on long enough to become quite annoying and to lose, eventually, any semblance of credibility. 

The ending brings about a sense of relief rather than any semblance of closure. In fact, the book ends with a bizarre epilogue, the only purpose of which seems to be to suggest that a sequel may be in the works. If so, I won’t be reading it.

© 2019 by Mary Daniels Brown

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