Literary Links

GOODREADS HACKS: GET A DNF SHELF, MARK REREADS, AND MORE

If you find it hard to keep up with all the cool kids who use Goodreads to track their reading, this article will put you in the know about some of the more esoteric aspects. The main subject here is how to create a DNF (did not finish) shelf that won’t include the books placed there in your number of books read statistics. But there are a few other nifty nuggets of knowledge here as well, along with links to several other articles explaining how to use Goodreads. An avid reader’s bonanza!

How We Need Diverse Books Changed The Literary World, According To 15 Publishing Pros

When We Need Diverse Books was founded by a team of writers, illustrators, and publishing professionals, it was meant to shake up the publishing industry from the inside. Led by the original Executive Committee — Ellen Oh, Lamar Giles, Marieke Nijkamp, Miranda Paul, Aisha Saeed, Karen Sandler, and Ilene Wong — and supported by the original PR team — Stacey Lee and SE Sinkhorn — We Need Diverse Books was created to fight for more diversity in children’s and young adult book publishing at every level, among authors, editors, marketers, agents, publishers, and more. First and foremost, they wanted authors from marginalized communities to be given opportunities to have their voices heard in the overwhelmingly white, heterosexual, cisgender industry. And the results have been clear.

Fifteen publishing professionals discuss “why they believe We Need Diverse Books has changed publishing forever, and what they hope for the future.”

Toni Morrison and Nina Simone, United in Soul

Emily Lordi discusses how much Toni Morrison was influenced by contemporary musicians:

Her work resonates with the music of those soul artists alongside whom she honed her craft: the grand ambition of Isaac Hayes, the moral clarity of Curtis Mayfield, and the erotic truth-telling of Aretha Franklin. But the soul artist who is most closely aligned with Morrison is Nina Simone. “She saved our lives,” Morrison said of the singer, after Simone’s death, in 2003. Simone meant so much to her, and to other black women, I think, in part because of how she turned social exclusion into superlative beauty and style. It was this recuperative alchemy that defined soul, as a music and an ethos. And, if Simone was soul’s “High Priestess,” Morrison was one of its literary architects.

From Baba Yaga to Hermione Granger: why we’re spellbound by ‘witcherature’

Vengeful, seductive, feminist, misogynist … witches have appeared in many forms in literature. Now a new generation of novelists are falling under their spell.

Rhiannon Lucy Cosslett, writing in the U.K. newspaper The Guardian, addresses the current literary fascination with witches:

There has been a perennial literary fascination with witches; they are, as Marion Gibson, professor of Renaissance and magical literatures at Exeter University says, “a shorthand symbol for persecution and resistance – misogyny and feminism in particular”. In a #MeToo world, where Donald Trump – a fan of the term “witch-hunt” – is US president, it is really no surprise that female writers are examining the role of the witch in new ways.

Cosslett explains that women of her generation, who came of age in the 1990s with TV programs such as Sabrina the Teenage Witch and Buffy the Vampire Slayer are now producing literature and films that grapple with perennial questions of power and agency. She also looks a bit at the history of witches in literature, from novels such as Jane Eyre to John Updike’s The Witches of Eastwick.

In Praise of Samuel R. Delany

In my effort to read more science fiction, I often come across references to Samuel R. Delany’s seminal novel Dhalgren. Here novelist Jordy Rosenberg discusses how Delany’s fiction “reflects and explores the social truths of our world.” He includes a list of works to start with for readers looking to introduce themselves to Delany’s body of work.

How Tana French Inhabits the Minds of Her Detectives

The crime-fiction writer on unreliable narrators, real-world sources, and the breakdown of genre boundaries in her work.

© 2019 by Mary Daniels Brown

Literary Links

Why we need to stop forcing ourselves to finish books we hate

When I was younger, I felt that I had to finish every book I started. But some time around my 40th birthday I realized that I had probably completed about half my life and no longer had the luxury of time to waste on books I wasn’t enjoying or learning from. I was therefore glad to come across this article by Sarah Shaffi, who writes:

It’s taken me decades to get to the point where I can start a book, realise I’m not liking it, and then just stop reading it. The first time I put DNF – Did Not Finish in book geek parlance – on my book spreadsheet (what? I read a lot for work and a spreadsheet is a good way to keep track), I felt relieved, freed, and a little rebellious.

Life is too short, and there are too many books to carry on reading one you’re not enjoying. Think of it less as quitting one book, and more as making room in your life for another that you could potentially love.

And while I completely agree with her here, I also think there’s a certain etiquette for discussing books that you DNF. First, when you discuss the book, you don’t have the right to simply declare it a “bad” or “badly written” book or a book that you simply “didn’t like.” You DO have the right to say that you didn’t finish it and then explain why it didn’t work for you or what, specifically, you didn’t like about it. The keywords here are specifically and why.

Second, if you belong to a book club and for some reason can’t finish the book by the meeting time, please resist the urge to say, “Don’t talk about the ending. I haven’t finished it yet.” Sure, life happens, and sometimes you won’t be able to finish on time. But the ending is a major aspect of any book, particularly novels, and often a meaningful discussion requires analysis of the ending.  

On, In, or Near the Sea: A Book List

There’s still a bit of summer left, and if you’re still looking for that perfect “beach read,” Alison Fields has suggestions. After pondering the various definitions of that term, she settles on this one: “Books about beaches, seas, sand, and coastal destinations to accompany the end of the summer season and the first stirrings of the fall.

woman reading on beach near ocean

What I Teach: Seven Titles From a High School Class on Trauma Literature

We learn a lot about life from literature, including how to process various kinds of traumas. But I was surprised to find this article by Kate McQuade, who has for more than 10 years taught a high school class on trauma literature. 

By now I’ve accumulated a lot of answers, particularly for those skeptical that young people should be exposed to literature about war, genocide, and violence. I tell them that learning about trauma is not the same thing as experiencing trauma; I tell them that even though the literature we cover is difficult intellectually and emotionally, my course is less about mourning traumatic events than exploring what it means to depict them in art; and I tell them that shielding teenagers from the world’s historical truths not only fails to protect them, but does them a disservice as young people about to inherit that world.

And here’s why, McQuade says, she teaches such a course:

Most people think trauma literature is about trauma. In fact, trauma literature is at least as much about the problematics of storytelling as it is about actual traumatic events. It’s about the difficulty of representing the truth of an experience so horribly extraordinary that it cannot be contained within the human mind, let alone within the borders of a page. It’s about, in the words of trauma scholar Dori Laub, the simultaneous “imperative to tell” and “impossibility of telling.”

Read about seven of the literary works she uses to demonstrate the paradox “of how to represent the unrepresentable.”

Toni Morrison on Her Last Novel and the Voices of Her Characters

A lot was written after the recent death of Toni Morrison, but this article, which addresses “how her protagonists have changed the direction of her stories,” is one of my favorites.

READING AS PROTEST: HOW I MANAGE THE GUILT OF READING IN TUMULTOUS TIMES

Last week’s links included WHY READ FICTION IN THIS AGE OF ATROCITY? So it seemed only fair to include this article when I came across it. Abby Hargreaves asks:

Why should I be reading when there are children and adults in “detention centers” with horrific conditions? Why should I be flipping through pages when people are being murdered for being themselves? How can I justify a few hours of contentment with a book when the so-called leader of my country is, at a minimum, a blatant racist?

(If you doubt the accuracy of the assertions in these questions, Harreaves provides links to supporting material in the article.)

“The thing is, resistance fatigue is a real thing,” she writes. “If reading is how you recharge, it is well within the realm of morals to read.”

© 2019 by Mary Daniels Brown

Literary Links

WHY READ FICTION IN THIS AGE OF ATROCITY?

Content Warning: This piece discusses recent sexual assault headlines.

I want to be as frank with you as is possible: it is increasingly hard for me to find joy or purpose in reading lately, specifically novels. I find myself asking, why read fiction at all when the world is falling apart around me?

D.R. Baker, “a transgender, nonbinary person,” continues to grapple with this question as the distressing headlines continue to pile up.

How to Spend a Literary Long Weekend in Hartford, Connecticut

Because I was born, and spent the first 19 years of my life, in Connecticut, here’s a literary tour of significant places in and around the state’s capital of Hartford. Featured writers include “Mark Twain, Harriet Beecher Stowe, Wallace Stevens, and more.”

Herman Melville at Home

Jill Lepore searches for a picture of the private Herman Melville in The New Yorker during the celebration of the 200th anniversary of his birth.

THE MOST POPULAR UNDER-THE-RADAR LIBRARY BOOKS ACROSS THE U.S. SO FAR THIS YEAR

Bestseller lists and book recommendations of best books to read abound, but in this piece Kelly Jensen discusses the Panorama Project, which “looks at the books most frequently requested at libraries across the U.S. and breaks down the popularity by region.” This project can produce a glimpse below all the big, popular titles for “a more micro level look at books which are popular by specific areas of the country.”

The result is lists of fiction and nonfiction for both adults and YA readers exclusive of “well known bestsellers, book club selections and other heavily promoted titles.” Look here for suggestions of books your regional neighbors are checking out from their local libraries.

THE NOVELIST WHO SCANDALIZED VICTORIAN ENGLAND

the novels of Mary Elizabeth Braddon, and the “sensation” fiction she pioneered, left an imprint on literature that remains today.

At age 17 Braddon began acting “in everything from comedies to burlesques to Shakespeare.” This background in theater gave her a sense of story and plot that allowed her to turn to writing novels for the masses, books that “earned [her] a reputation as a writer with a knack for presenting the more scandalous side of the upper classes.”

© 2019 by Mary Daniels Brown

Literary Links

SCI-FI DOESN’T HAVE TO BE DEPRESSING: WELCOME TO SOLARPUNK

Welcome to solarpunk, a new genre within science fiction that is a reaction against the perceived pessimism of present-day sci-fi and hopes to bring optimistic stories about the future with the aim of encouraging people to change the present. The first book that explicitly identified as solarpunk was Solarpunk: Histórias ecológicas e fantásticas em um mundo sustentável (Solarpunk: Ecological and Fantastic Stories in a Sustainable World), a Brazilian book published in 2012. In 2014, author Adam Flynn wrote Solarpunk: Notes Toward a Manifesto.

Tom Cassauwers reports that this new genre began to take off in 2017.

Listen up: why we can’t get enough of audiobooks

Audiobook sales are booming. This article looks at the inevitable question: “is there really a measurable difference between reading with the eyes and ‘reading’ with the ears?”

Crime writers mystified by Colm Tóibín’s criticism

Colm Tóibín recently revived the age-old, snobbish distinction between literary fiction and genre fiction by declaring “I can’t do any genre-fiction books, really, none of them. I just get bored with the prose. I don’t find any rhythm in it. It’s blank, it’s nothing.”

WHEN CRIME AUTHORS WRITE NON-CRIME BOOKS

Lisa Levy discusses eight books by “crime authors moonlighting in other forms of literature.”

Bonus: for another take on enjoying literature that crosses genres, see A Book You Didn’t Know You Needed.

Enjoying Literary Classics

I came across two pieces about enjoying works of literature that have stood the test of time. 

1. Please Take This Summer to Become Obsessed With The Group 

Mikaella Clements writes about her enjoyment of Mary McCarthy’s novel The Group, published in 1963 and set in 1933, which she describes as “alarmingly modern”:

Though its politics are deeply rooted in the 1930s—the novel addresses the idea of the New Woman, the optimism of socialism before WWII and the Eastern Bloc, and the rise of fascism—it is as much about the feminist movement of the 60s and the pitfalls of cultural movements that posit themselves as revolutionary and instead find new ways to minimize, cage, and hurt women.

2. LAURA LIPPMAN: MY 35-YEAR LOVE AFFAIR WITH MARJORIE MORNINGSTAR

Novelist Laura Lippman discusses Herman Wouk’s 1955 novel Marjorie Morningstar, “which I have re-read every year for almost 35 years.” She calls it “a unicorn of a book—a so-called women’s novel, written by a man, that takes its heroine very seriously.” 

Lippman says that she doesn’t know whether Marjorie Morningstar is a great book. “But it is a serious book that finds a big, sprawling story in what seems like a small, narrow life. More novels, even crime novels, should dare to do the same.”

The Rise of Rural Noir

When we hear the word “noir,” our minds flash to black-and-white movies driven by hard-boiled, big-city detectives. But in the 21st century, a new genre of crime fiction has risen from the swamps, mountains, and suburbs of the South. Norris Eppes interviews seven rural noir masters to make sense of a thrilling literary genre that rings true to our region.

The authors interviewed here are Brian Panowich, Ace Atkins, Karin Slaughter, Attica Locke, Tom Franklin, James Sallis, and John Hart.

© 2019 by Mary Daniels Brown

Literary Links

Richard Russo: On the Moral Power of Regret

One of the most memorable novels I’ve ever read is Richard Russo’s Empire Falls (2001). When I came across this essay by Russo, I knew I had to stop and take the time to settle in with it. I hope you learn from it as much as I did.

The Con Man Who Became a True-Crime Writer

Rachel Monroe writes in The Atlantic about Matthew Cox, a former con man who has tried to re-create himself as a true-crime writer of the stories of his fellow inmates. By doing this Cox apparently hopes to rewrite his own narrative arc as the guy who want to prison and learned how to make something of himself. Monroe’s story of Cox’s story is fascinating.

ON THE LONGEVITY OF ADRIENNE RICH

Holly Genovese wonders why Adrienne Rich “has stayed relevant when other writers of the ’70s feminist movements have not.”

But I think, if I could guess, that Rich’s continuous appeal over the last 50 years is more about her absolute certainty that politics and art were intrinsically linked, that art was meaningless without political consciousness, that nothing could exist within a vacuum, and that choosing not to take a stand was in fact choosing the side of the oppressor.

And Rich continues to be relevant because “In the last few years, since the election of Donald Trump, it has become impossible not to be political. To be apolitical is to support the growth of fascism, white nationalism, and the downfall of the republic.”

As always, the personal is political.

THE GREATEST MORAL COMPROMISES IN CRIME FICTION

Here’s the descriptive subtitle of this article: “Celebrating the literature of slippery relationships, villainous allies, and morally dubious life decisions.”

We’re told that conflict is the essential ingredient of all storytelling, and that directive applies most literally to crime fiction, in which one character wants something that another character doesn’t want to grant or allow. The thief wants to steal something that someone else possesses. The stalker wants a relationship with someone who doesn’t want to reciprocate. Sometimes the only solution is for both sides to compromise.

Or, as novelist Carl Vonderau explains:

I find the most interesting crime fiction to be stories wherein the protagonist must make a deal with a morally ambiguous and seemingly villainous character. And that villainous ally? They usually have their own strange moral code and want something in return. At least one of them usually ends up changed for the worse, and it would be apt to recall that a good compromise makes both sides unhappy.

Here he discusses nine novels, including The Godfather and The Girl with the Dragon Tattoo, that illustrate such uneasy alliances.

Revisiting Harold Robbins, the Forgotten “Dirty Old Man of American Letters”

This article reminded me of the piece about Judith Krantz that I mentioned last week.

As writers of decidedly popular fiction, both Krantz and Robbins epitomized the culture they lived in and wrote for.

He crafted racy novels — sweeping literary cinemas bursting with beautiful, arrogant characters, rags-to-riches plots laced with betrayal, murder and passion — that readers gobbled up like printed popcorn, buying more than 750 million copies. “Mad Men is a very Harold Robbins kind of story,” says his biographer, Andrew Wilson. “It’s perhaps presented in a different way, but it’s that milieu, that narrative arc of secrets, the corrupting nature of power and wealth, sex, all of the elements. One could argue that these kinds of series would not have been conceived without Harold Robbins’ influence on popular culture.”

The Sandman, Catch-22, Cloud Atlas … is there such thing as an ‘unfilmable’ book?

What exactly is an “unfilmable” book? 

And now that Netflix is throwing time and money at several potential adaptations, “So has TV ended the age of the unfilmable book?”  

© 2019 by Mary Daniels Brown

Literary Links

Lots of interesting literary-related articles this week.

Crime writers react with fury to claim their books hinder rape trials

The Staunch prize was founded in 2018 to honor a thriller ““in which no woman is beaten, stalked, sexually exploited, raped or murdered.” This article reports on the many writers, including Val McDermid and Sophie Hannah, who refute the accusation that their books influence the outcome of trials involving violence against women.

ON ‘THE GIRLS’ IN THE TITLE

The Staunch prize was founded as an antidote to what many cultural and literary critics decry as the trend of “girl books,” typified by works such as Gone Girl by Gillian Flynn and The Girl on the Train by Paula Hawkins. Such books, the criticism goes, treat women as objects and glorify acts of violence against women such as stalking, gaslighting, sexual harassment, and rape. Novelist Nina Laurin, who has used the word girl and the related words sister and wife, in her book titles asks, “why do these concepts continue to capture the imagination all these years after this titling trend began?” She argues that< while such words call up certain stereotypes:

In the “girl” books, however, the female characters are also ruthless killers, kick-ass vigilantes, and skilled manipulators. The wives spy, snoop, and poison, and the mothers don’t always know best.

A TV Critic Who Has Seen the Small Screen Become Huge

Jennifer Szalai discusses the book I Like to Watch: Arguing My Way Through the TV Revolution by TV critic Emily Nussbaum. Szalai says that Nussbaum unashamedly “treats television as art in its own right” rather than approaching it as a lesser art form.

Judith Krantz Was the Most Important Writer of the 20th Century

Kelly Faircloth praises Judith Krantz, who died last month, as someone who “wrote highly popular commercial fiction that encapsulates her era, the late 1970s to the mid-1990s.”

Krantz’s books are often dismissed as trash, but as any archeologist will tell you, there are few resources so valuable for reconstructing a historical era as a nicely overflowing dump. 

7 Books about What Happens when Your Identity Falls Apart

Abigail N. Rosewood, author of If I had Two Lives, has spent much of her life moving around, not living in any one place for longer than five years. This transitory life has given her many different layers of identity that she sometimes has trouble stitching together. Here she offers a list of “seven works of art that investigate powerful psychic ruptures.” 

They are not easy books and they shouldn’t be. Like most great works of literature, they ask difficult questions⎯How does a psychic split happen? Can a person survive it? How many masks can one wear before getting crushed beneath their weight? Is coherency an illusion?

A Universe of One’s Own

Nicole Rudick looks at the stories collected in the Library of America’s recently issued volume The Future Is Female!: 25 Classic Science Fiction Stories by Women, from Pulp Pioneers to Ursula K. Le Guin, edited by Lisa Yaszek. 

It encompasses the genre’s pulp years (1926–1940) and the so-called Golden Age (approximately 1940–1960), and ends just before the emergence of feminist SF in the 1970s. The anthology dispels the commonly held belief that women didn’t participate much in science fiction before the Seventies and argues that a category of fiction often thought to be socially retrograde, technologically fetishistic, and poorly written is in fact rich in style and humanity. 

Literary Links

I came across so many interesting articles this week that it’s hard to limit my list. Here are some of my favorites.

On the Centennial of Iris Murdoch’s Birth, Remembering a 20th-Century Giant

The intensity of Murdoch’s gaze, boring into you from the dust jackets of her many novels, seemed a promise of the books’ contents. For decades this remarkable writer delivered prickly, sophisticated and somewhat unearthly fiction about good and evil and sex and morality. She trailed a large, large muse. She deftly moved her ideas about, positioning them like the slabs used to build Stonehenge.

In this year, the centennial of Iris Murdoch’s birth and 20 years after her death at age 79, Dwight Garner laments that “her posthumous reputation is in semi-shambles.” To help restore her reputation to what he considers to be its rightful place—on “the list of the most elite writers in English of the second half of the 20th century”—he examines at length his favorite of her novels, The Sea, The Sea (1978), which won the Booker Prize. 

Adult Books for Fall 2019

This is the starting page for Publishers Weekly’s recommendations of fall releases in the following categories:

  • Art, Architecture & Photography  
  • Business & Economics  
  • Comics & Graphic Novels  
  • Cooking & Food  
  • Essays & Literary Criticism  
  • Literary Fiction  
  • History  
  • Lifestyle  
  • Memoirs & Biographies  
  • Mysteries & Thrillers  
  • Poetry  
  • Politics & Current Events  
  • Romance & Erotica  
  • SF, Fantasy & Horror  
  • Science

MAKE A DIFFERENCE: READ LOCAL AUTHORS

You shop local, you eat local—but are you reading local, too? If you’re not, you’re missing out. Local authors and the stories they tell can change your life—and your community. And all you have to do is read a book you love.

Six years ago we moved from St. Louis, Missouri, to Tacoma, Washington. During those six years, one of my reading goals has been to read books by local authors. Although I didn’t need this article to explain to me why reading local authors is a worthwhile undertaking, I did appreciate the tips on how to find their books.

Viet Thanh Nguyen: Writing to Re-member

Just yesterday, I asked my students how many of them had watched at least one American movie or read one American book about the Vietnam War, and everyone raised their hand. When I asked how many had read one book or seen one movie by a Vietnamese person, nobody, or perhaps one or two, had. The legacies of colonialism and imperialism have created privileged sectors in the West that function as feedback loops. We often only read books or watch movies that reflect our values. In systems like Hollywood, the stories of poor people from other countries are not that interesting to the rest of the world and therefore don’t get told.

Half of women over 40 say older women in fiction are clichés, survey finds

A recent survey by Gransnet, the UK’s biggest social media site for older people, and publisher HQ (HarperCollins) found that 51% of women over 40 “feel older women in fiction books tend to fall into clichéd roles.” Here are some of the most interest findings from the survey:

  • 47% of women over 40 say there are not enough books about middle-aged or older women.
  • “when older characters do appear in fiction, half of women (50%) say they’ve seen them being portrayed as baffled by smartphones, computers or the internet – and think it’s insulting.”
  • 75% buy their books online.

As a result of the survey findings, Gransnet and HQ are launching a fiction writing competition for women writers over age 40. The article contains more information on both the survey and the writing competition. 

© 2019 by Mary Daniels Brown

Literary Links

Here are some of the articles that got me thinking over the past week.

On Impact

Stephen King experienced (celebrated doesn’t seem like the appropriate word) an anniversary last week: 20 years since the automobile accident that nearly killed him. He wrote this article for The New Yorker a year after the accident.

The Weird, Twisted Science of Blake Crouch’s Sci-Fi Thrillers

Cover: Dark Matter
Cover: Dark Matter

I loved Dark Matter by Blake Crouch and have just read (though not yet reviewed) his newly released novel, Recursion, which this interview calls “another particle collider of narrative ambition.” In the interview for Goodread Crouch discusses “the new book, the nature of memory, and the cosmic implications of déjà vu.”

How Has the Internet Changed Book Culture?

On June 12 the Center for Publishing at NYU’s School of Professional Studies in conjunction with Publishers Weekly hosted a PubTechConnect event entitled  “Book Lovers on the Internet: Connecting with Readers in Digital Ways.” 

The group discussed a wide range of internet-focused book-related topics, including whether the internet has changed literary culture for the better or worse, how to effectively use social media to talk about (or promote) books online, how book criticism has changed in the digital era, and which authors were best at using social media as part of their work or brand.

“If there was one major takeaway from the evening, it was that all of the panelists believed that the internet has served to expand literary culture and its reach.”

“Never let anyone tell you there are no words”

We all process grief in different ways. For Jayson Greene, who lost his two-year-old daughter due to a freak accident, it was to take pen to paper. The result is Once More We Saw Stars, a memoir so moving and powerful, it “[restores Greta] ever-so-briefly to the world.” Here, Greene argues that there are words to express unimaginable loss, and how healing it can be to use them. 

Comfort by Ann Hood is another memoir written under similar circumstances.

A DISCUSSION ON WOMEN IN CRIME FICTION

Two veteran women crime writers, Rene Denfeld and Gilly Macmillan, “discuss the wave of new women crime writers—and if being a woman has changed how they write about violence and crime.”

Denfeld says, “Writing about violence can be a way for us to explore what it means, where violence comes from, and what we can do to prevent it.”

Both writers emphasize the need for fully developed characters on both sides of the violence equation, both the victims and the perpetrators. Since women have historically suffered the effects of violence, the current push of crime fiction written by women aims to demonstrate resilience rather than simply victimization. 

Macmillan says, “Crime fiction can delve deep into current societal issues and does it best when those issues strike a universal chord, giving us an opportunity to connect with readers in a very visceral way.”

Jennifer Weiner was right about sexism, media and women writers: “We were told we were lying”

Author Jennifer Weiner has “spent nearly a decade challenging the elitism and sexism of book publishing and criticism. Her new novel, “Mrs. Everybody” is a culmination of Weiner’s work as both a storyteller and a truth-teller, a sweeping multigenerational family saga against a backdrop of 70 years of women’s history.”

In this interview in Salon she discusses her new novel, Mrs. Everything, a multigenerational novel about women and families, and the inequality between men and women in the publishing industry.  

Here are some of Weiner’s major points:

  • “women’s stories can be big stories, even though we are not taught to think of them that way.”
  • “We read men in school and we were taught that that was Literature, with a capital L. We read books by men. Men did not grow up reading books by women in school and believing that that was literature.”
  • “I wanted readers [of Weiner’s latest novel, Mrs. Everything] to think about the importance of naming things. How once you’ve got a term for something or a word for something or a language for something, that’s when you can start to solve it. That’s when you can start to fix it.”

© 2019 by Mary Daniels Brown

Literary Links

These are some of the literature-related articles from around the web that caught my eye over the past week.

Quartzy    HALF OF ALL TRANSLATED BOOKS IN THE US COME FROM JUST NINE COUNTRIES

This one caught my eye because I’m trying to read more books translated from other languages this year. 

The good news: “In 2018, 632 never-before-translated books of fiction and poetry were published in the United States. It’s the fifth straight year the US has published more than 600 translations, quite the feat for a country that has long been accused of having an insular book culture.”

The bad news: “Of the nearly 5,800 books of fiction and poetry translated from 2008 to 2018, more than half were from just nine countries, seven of which are in Europe (the exceptions are Japan and China).”

These statistics are significant if one’s aim in reading more translated works is to learn about new cultures. European books, even though from other countries, are still western-civilization centric. Yes, they will teach us about other cultures, but not about the other cultures that are most different from out own, specifically eastern and African. This article points out that “only one book each was translated from Benin, Ethiopia, Kyrgyzstan, Madagascar, Mali, and Myanmar.”

The New York Times   A Glimpse of Virginia Woolf’s Original Manuscript for ‘Mrs. Dalloway’

A look at how “the ‘big’ book she [Virginia Woolf] thought she should write was not really the book she wanted to write. The transition for her was understanding that a book about an outwardly ordinary woman on an ordinary day in London could be every bit as ‘big’ as the books about wars and revolutions.”

The Guardian   Nell Freudenberger: ‘Like many women I believed I didn’t have the right kind of brain for science’

The author of the recently released novel Lost and Wanted laments “the way girls and women are still so often held back from studying science.”

The New York Times    When the World’s Most Famous Mystery Writer Vanished

It was like a plot from one of her own novels: On the evening of Dec. 4, Agatha Christie, carrying nothing but an attaché case, kissed her daughter good night and sped away from the home in England that she shared with her husband, Col. Archibald Christie. (He was having an affair with a younger woman; the public did not know this, but his wife definitely did.) No one knew where Christie was for almost two weeks.

Literary Hub   What the 39,933 Items on Peter Matthiessen’s Computer Mean for the Art of Biography

Lance Richardson, currently working on a biography of writer Peter Matthiessen (1927-2014) discusses the challenges of what he calls “a bifurcated archive” comprising both physical items and digital files. The differences between these two types of materials “will have inevitable effects on the shape and form of tomorrow’s histories” and biographies.

The Seattle Times   ‘No-No Boy’ went from unknown book to classic thanks to UW Press and Asian American writers. Now, it’s at the center of a controversy

This is a local story for me, but it has wider interest because of its tie to copyright law and the David-and-Goliath issue of a small academic (University of Washington) press vs.the publishing giant Penguin Random House. The book in question also keeps alive the story of the internment of Japanese U.S. citizens during World War II. The author, John Okada, was “a Seattle native and University of Washington graduate who served in the U.S. Army during the war, even as his family was forced to relocate to an internment camp.”

The New York Times   Naomi Wolf’s Publisher Delays Release of Her Book

The recent controversy over “Outrages” highlights the perils that publishers face in a competitive market where juicy nonfiction books that feature explosive claims can command the highest sales but are sometimes not vigorously fact-checked or vetted in advance of publication.

© 2019 by Mary Daniels Brown

Literary Links

Here are some of the articles about the world of literature that caught my eye recently.

The New York Review of Books  “Truth, Beauty, and Oliver Sacks”

Simon Callow reviews Everything in Its Place: First Loves and Last Tales by Oliver Sacks, the second posthumous collection of Sacks’s essays, most of which were published in The New York Review.

the editors have fashioned the book in such a way that we are left with an image of the author that is extraordinarily touching—not lacking in his habitual energy and driven curiosity, but somehow vulnerable, even fragile.

brainpickings   “The Healing Power of Gardens: Oliver Sacks on the Psychological and Physiological Consolations of Nature”

Maria Popova discuses Oliver Sacks’s book Everything in Its Place: First Loves and Last Tales.

Esquire   Anthony Bourdain Remembered Is a Stunning Tribute to the Late Chef”

A look at the book, put together by CNN, that “includes photos and messages from Barack Obama, Eric Ripert, Jill Filipovic, Ken Burns, Questlove, José Andrés and others who worked with Bourdain.”

The Guardian   “The Heartland review – fascinating study of schizophrenia”

“Award-winning writer and former mental-health nurse Nathan Filer redefines our understanding of the illness.” A review of The Heartland: Finding and Losing Schizophrenia by Nathan Filer.

The Amazon Book Review   “Talking with Neil Gaiman about ‘Good Omens’”

Neil Gaiman talks about adapting Good Omens, the novel he co-authored with Terry Pratchett, 30 years ago. (Pratchett died in 2015.) The 6-episode adaptation is currently available on Amazon Prime Video.

Esquire    “Central Park Five Prosecutor Linda Fairstein Has Responded to When They See Us Backlash”

Should now-successful-crime-novelist Linda Fairstein be held responsible for the later-reversed conviction of the Central Park Five?

CityLab    “Writers Are More Prolific When They Cluster”

Despite the stereotype of authors toiling away in lonely solitude, a new study finds that British and Irish writers clustered in 18th- and 19th-century London and were more productive as a result. 

© 2019 by Mary Daniels Brown