A letter signed by Alabama author Harper Lee regarding her award-winning book “To Kill a Mocking Bird” has been sold at auction for $9,518.
via Books | Harper Lee letter sells for $9,518 at auction | Seattle Times Newspaper.
A letter signed by Alabama author Harper Lee regarding her award-winning book “To Kill a Mocking Bird” has been sold at auction for $9,518.
via Books | Harper Lee letter sells for $9,518 at auction | Seattle Times Newspaper.
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Lauren Myracle withdraws from National Book Award finalists – latimes.com.
This story is all over Twitter this morning. Here’s just one newspaper’s account of why this mess occurred. Apparently, the National Book Foundation doesn’t like the subject matter of Lauren Myracle’s novel Shine, which deals with a hate crime. In requesting the withdrawal of the book, the National Book Foundation has agreed to make a $5000 donation to the Matthew Shepard Foundation in the author’s name.
You can do the math.
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The Seattle Times spotlights 92-year-old Grace Crecelius:
For 61 years, Grace Crecelius has cracked the books. Not just any books, mind you, but the works of Plato, Descartes and Kant, Shakespeare, Marx and Freud.
At 92, Crecelius is the oldest member of what may be one of the longest-running book clubs around — the Vashon Island Great Books Foundation discussion group.
The Great Books Foundation was founded in 1947 by Mortimer Adler and Robert Maynard Hutchins. Its purpose is to help readers of all ages become more reflective and responsible thinkers by engaging with great works of literature. Since its beginning the Foundation has expanded its materials to serve students of all ages (K-12, college, and adults). While its original offerings focused on great works of thinkers such as Plato and Socrates, current materials include newer literary works such as contemporary novels and even science fiction. Its aim is to “make the reading and discussion of literature a lifelong source of enjoyment, personal growth, and social engagement.”
On the Great Books web site you can search for a group in your area. If there isn’t one, you can also find out how to start a group. The Foundation also offers instruction in how to practice civil discourse in discussion of the ideas presented in literature.
P.D. James could hold back no longer.
The 91-year-old detective novelist said Wednesday she was glad to finally complete a long-desired project – a sequel to Jane Austen’s “Pride and Prejudice.”
James’ “Death Comes to Pemberley” will be published by Faber & Faber in Britain in early November and by Alfred A. Knopf in the United states on Dec. 6.
Scholar, activist, provocateur, teacher, community-builder, inspiration: No one word can span the career of bell hooks or capture how much we love her work. According to Ms. readers’ selections of the best feminist non-fiction of all time, she’s your favorite writer, with three books in our top ten–including number one–and a total of seven books throughout the list. To judge by the final picks, issues of work, sex and intersectionality ranked highest among our reader’s feminist concerns.
And here are the top 10:
10. The Purity Myth: How America’s Obsession with Virginity is Hurting Young Women
by Jessica Valenti
Seal Press, 2009
Jessica Valenti combats a nation’s virginity complex, arguing that myths about “purity” are damaging to both girls and women. She points the way forward toward a world where women are perceived as more than vessels of chastity.
9. Feminist Theory: From Margin to Center
by bell hooks
South End Press, 1985
Cementing her place as one of the most influential feminist theorists, hooks’ Feminist Theory explores Kimberle Crenshaw’s conversation-changing idea of intersectionality: the way racism, classism and sexism work together to foster oppression.
8. Ain’t I a Woman: Black Women and Feminism
by bell hooks
South End Press, 1999
Named after the famous speech by Sojourner Truth, this must-read by bell hooks discusses black women’s struggle with U.S. racism and sexism since the time of slavery and doesn’t shirk from how white middle- and upper-class feminists have at times failed poor and non-white women.
7. Female Chauvinist Pigs: Women and the Rise of Raunch Culture
by Ariel Levy
Free Press, 2005
What do phenomena such as Girls Gone Wild say about feminism? This book looks at the ways women today make sex objects of themselves, and she’s not impressed. She chews out false “empowerment” based on self-objectification and offers feminist alternatives.
6. Backlash: The Undeclared War Against American Women
by Susan Faludi
Crown, 1991
This landmark book sounded the alarm about a pervasive backlash against feminism. She painstakingly refutes each insidious anti-feminist argument–for instance, that feminism is responsible for a supposed epidemic of unhappiness in women. What’s really wrong, she says, is that equality hasn’t been achieved; in fact, the struggle has only just begun.
5. Nickel and Dimed
by Barbara Ehrenreich
Metropolitan Books, 2001
Long-time Ms. columnist Barbara Ehrenreich posed undercover as a low-income worker to gain material for this empathetic portrait of how the bottom half lives. She reveals that simply making ends meet is a silent struggle for many Americans, especially for women with families to support.
4. A Room of One’s Own
by Virginia Woolf
Harcourt Brace, 1929
This classic from the 1920s makes a devastatingly eloquent argument with a simple takeaway: For a women artist to thrive, she must have space in which to work and some money for her efforts.
3. Sister Outsider: Essays and Speeches
by Audre Lorde
Crossing Press, 1984
This master work by Audre Lorde, a Caribbean American lesbian feminist writer, collects her prose from the late 70s and early 80s. Many of these pieces made feminist history, including her candid dialogue with Adrienne Rich about race and feminism, her oft-quoted critique of academia “The Master’s Tools Will Never Dismantle the Master’s House” and her Open Letter to Mary Daly.
2. Cunt: A Declaration of Independence
by Inga Muscio
Seal Press 2002
Inga Muscio’s 2002 feminist manifesto radicalized a new generation. She argues for the reclaiming of the tarnished word cunt, and discusses her personal experiences with self-protection, sex work, abortion and solidarity.
1. Feminism is For Everybody: Passionate Politics
by bell hooks
South End Press, 2000
Fittingly, in Ms. readers’ favorite feminist book of all time, bell hooks argues that feminism is for everybody, regardless of race, gender or creed. She urges all to live a feminism that finds commonality across differences and makes room for impassioned debate.
You know how readers almost always say that they liked a book better than its movie version? Well, in another one of those lists that they love so much, The Huffington Post presents “movies that feature totally different endings, story lines, and main characters than the original book. Here are a few of our favorite examples. Be warned, spoilers ahead!”
Luanne Bradley asks, “What came first, the depressing women’s book clubs or the morbid books?”
The inevitable prerequisite [of book group selections] is the agreed-upon selections must be meaty enough to spark evocative feedback for eloquent sharing round the coffee table. As a result, our picks are highly wrought works of historic, political or cultural significance perpetually mired in sadness. Or, as a fellow member recently commiserated, “Can’t we move on from the holocaust and women in pain?”
I do admit that my own book group has read so many holocaust books that we’ve decided on a moratorium for that subject matter. And a few years ago we read so many books about men who treated women badly that we called ourselves, for a time, the SOB book group.
But back to Bradley’s article:
“As someone who has written about ‘women in pain,’ women dealing with the death of a child, for example, I think that the premise of your question is problematic,” novelist Ayelet Waldman tells me. “All interesting stories are about someone in crisis – in ‘pain’ if you will. Who wants to read about happy people doing happy things? Story is conflict, conflict is story. The Corrections was about people in crisis. Does that fall into your category of ‘victim-literature?’ If it doesn’t, then I think you should take a good look at the question you’re asking, and consider whether it isn’t inherently sexist.”
One suggestion Bradley has for finding other types of books to read is not to “rely solely on the New York Times lists and peruse book stores for the employee recommendations. Oftentimes, you will find sparkling little stories that didn’t cut the mustard with the corporate giant, but are worthwhile nonetheless.”
And my personal assignment from my book group is to find a good mystery that we can all cozy up to this fall.
We’ve seen the discussion before about whether YA (young adult) literature is too dark for adolescents. In this article Brian McGreevy dismisses this subject:
My concern is not this debate — in fact, I consider it to be moot. The YA category is a marketing distinction, not a moral one, however much parents would like it to be a synonym for “safe.”
Instead, he argues that when adolescents reach the point when they’re interested in reading adult fiction, they should be allowed to do so. He calls this point “the V.C. Andrews Curve, after the author of ‘Flowers in the Attic.’” At this point, “not only will your kids survive an exposure to violence and sexuality in books, but it is crucial to their moral development”:
Of course adolescents have an irresistible attraction to adult themes; perverse and puritanical an instinct as there is in this culture to prolong childhood, there is a far stronger counter-instinct in children to analyze, simulate, and as soon as humanly possible participate in the challenges of adulthood.
Furthermore, he argues that books provide a kind of experience that neither films nor video games can provide:
What neither films nor video games are cut out for is developing the critical faculties that reading does. Higher-order mental processes are not even strictly required to enjoy a movie, whereas books, by nature, are undemocratic. A combination of education and innate sensitivity is required to enjoy them, and the reward is the closest possible experience to entering another human being’s consciousness and revising the parameters of your own. It’s harder because it should be.
I’ve often thought that preventing children who are growing into young adults from reading about the truths of human existence is both a disservice to and a devaluation of them. Young adults know and understand more than we give them credit for. And, while parents’ desire to protect their children from adult knowledge may have good intentions, preventing young adults from learning about adult life leaves them unprepared for a world that they will eventually grow into, whether we like it or not. We need to trust our children:
They’re equipped with a strength and ingenuity they’re not often enough credited with. Life’s genesis and termination — and every gradation of human experience in between — is their birthright. They are entitled to learn about it at exactly the rate it is appropriate to their individual moral development to do so. And as long as you love them enough, they’ll end up basically OK.
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National Book Foundation Announces This Year’s 5 Under 35 Honorees – GalleyCat
And the winners are:
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Swedish Poet Wins Nobel Prize for Literature – NYTimes.com
Tomas Transtromer, the Swedish poet whose sometimes bleak but powerful work explores themes of nature, isolation and identity, won the 2011 Nobel Prize in Literature on Thursday.
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The United States Postal Service will be issuing some new literature-related stamps in 2012. Click on the numbers to see more information about these:
Yet more evidence of the rapidly growing popularity of e-readers. This release announces the results of a Harris Poll of 2,183 adults surveyed online between July 11 and 18, 2011:
While some may lament the introduction of the e-Reader as a death knell for books, the opposite is probably true. First, those who have e-Readers do, in fact, read more. Overall, 16% of Americans read between 11 and 20 books a year with one in five reading 21 or more books in a year (20%). But, among those who have an e-Reader, one-third read 11-20 books a year (32%) and over one-quarter read 21 or more books in an average year (27%).
Overall, e-readers do not seem to be contributing to the downfall of reading, but they are a fact that publishers will have to adapt to in order to survive.
Susan K. Perry, Ph. D., writes about creativity in her “Creating in Flow” blog for Psychology Today. In this entry she discusses The Naive and the Sentimental Novelist by Turkish writer Orhan Pamuk. Here is her own paraphrased and adapted list, based on Pamuk’s book, of 9 things that happen when we read:
1. We observe the general scene and follow the narrative. Whether action-filled or more literary, we read all novels, Pamuk says, the same way: seeking out the meaning and main idea.
2. We transform words into images in our mind, completing the novel as our imaginations picture what the words are telling us.
3. Part of our mind wonders how much is real experience and how much is imagination. “A third dimension of reality slowly begins to emerge within us: the dimension of the complex world of the novel.”
4. We wonder if the novel depicts reality as we know it. Is this scene realistic, could this actually happen?
5. We enjoy the precision of analogies, the power of narrative, the way sentences build upon one another, the music of the prose.
6. We make moral judgments about the characters’ behavior, and about the novelist for his own moral judgments by way of the characters’ actions and their consequences.
7. We feel successful when we understand the text, and we come to feel as though it was written just for us.
8. Our memory works hard to keep track of all the details, and in a well-constructed novel, everything connects to everything.
9. We search for the secret center of the novel, convinced that there is one. We hunt for it like a hunter searches for meaningful signs in the forest.
Describing what happens when we read is difficult because, once we begin to think about what’s happening, whatever it is stops happening. However, these 9 points seem to describe what I later remember as going on during a period of intense, prolonged reading.
How about you?
Merritt Tierce and Apricot Irving, two winners of the Rona Jaffee awards given to female writers who display both promise and excellence early in their careers, answer questions about how women writers fare in relation to their male counterparts.
Recommendations of five videos relating to writing, reading, and publishing from YouTube’s education channel. Here’s your chance to learn for free from masters such as Ray Bradbury, Clive Cussler, Maxine Hong Kingston, Penelope Lively, and David McCullough.
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Part I (in case you missed it)
The first question people always ask an author is “Where do you get your ideas?” Coben said that anything, such as a tabloid headline, can stimulate an idea. Then he just keeps asking “What if?” For example, the idea for Promise Me came when he overheard a couple of teenagers talking about their friends drinking and driving. He pulled them aside, gave them his card with his cell phone number, and said, “Call me any time. Just promise me you won’t get into the car with someone who’s been drinking.” In real life nothing else happened. But he thought “What if a teenaged girl called the hero at 3:00 A.M. He picks her up in the city and drops her at the house she points out to him. The next morning she’s missing and no one at that house even knows who she is.”
The idea for Hold Tight came when he was having dinner with some friends who told him that their 15-year-old son was giving them some trouble, so they decided to put spyware on his computer. At first, Coben said, he was a little put off by their action, but then he thought that it’s not that simple a question. Imagine if they found something on the computer that indicated their kid was in a lot deeper trouble than they ever imagined.
The idea for Just One Look came to him one day when he was looking through family photographs. For a split second he thought there was a photo in there that he didn’t take. It turns out that the picture was just upside down. But he started thinking, “What if there was a picture here that I didn’t take? What if that picture changed my whole life? What if the picture showed that everything I thought I knew about my loved ones was a lie?” Then the next question the writer asks is “Who’s going to tell that story?” Coben said that for that book he wanted to portray a female lead for the first time because he was tired of those “bad woman in jeopardy” novels and movies, in which the heroine is naïve to the extreme and goes out of her way to put herself in danger so that the male character can rescue her.
Coben then said that these examples make coming up with the idea for a book sound like an easy process that takes about 15 minutes, but in reality it’s a messy process that represents about three months of work. The idea for Tell No One first came to him when he was watching a romance movie on television about a man whose wife dies. He asked himself, “What about the man who has truly lost his soul mate?” The second part of the idea came to him because he lost my parents at a young age. He has four kids now, and he thought, “Wouldn’t it be great if my parents could have met their grandchildren?” At the time he was sitting in front of the computer screen with a webcam, and he wondered, “What if I suddenly saw my parents right now on the computer screen?” He put those two ideas together and came up with the beginning of the book: a man whose wife has been dead for eight years receives an email; he clicks on a link in the email and goes to a video in which he sees his dead wife walk by.
The next thing he’s often asked about is where characters come from. He said this is the hardest question for him to answer, “because I really don’t know where character comes from.” He said that every once in a while a character is based on a real person, but rarely.
And then there’s the question of how much research he does in preparing to write a book. He said he’s of the “hum a few bars and fake it” school of research. The main reason is that research is an excuse not to write. The second reason is that it’s tempting to show off all one’s research when writing, but the inclusion of too many facts can clog up a story and slow it down too much.
Finally, Coben addressed the question of what he would be if he weren’t a writer. His answer was that he wouldn’t be much of anything. The fear that if he weren’t a writer he’d have to get a real job drives him. There are three things that make a writer:
He said he feels guilty when he’s doing just about anything other than writing. “The muse isn’t some angelic voice; it’s a nag. The muse isn’t hard to find; it’s hard to like,” he said. “Amateurs wait for the muse to arrive. The rest of us just get to work.”
It’s always interesting to hear an author talk about his writing, and Harlan Coben is a particularly entertaining speaker. So let me repeat: If you ever have the opportunity to hear him in person, take advantage of it.
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If you ever get a chance to see Harlan Coben in person, go for it. He was in St. Louis last weekend for Boucheron 2011. As part of the book tour promoting his new book, Shelter, the introductory volume for his YA series featuring Mickey Bolitar, Coben spoke at St. Louis County Library.
He began by saying that the first question people always ask when they see him is, “How tall are you?” Answer: 6’ 4”.
With that issue out of the way, Coben turned to discussing his writing. He calls the kind of books he writes novels of immersion: the book you take on vacation, then stay in your hotel room to read; the book that you cannot put down. He doesn’t outline, but when he begins writing a book he knows the beginning and the end. He has two favorite quotations about writing:
His writing process involves a lot of rewriting. “I don’t know any writer who gets it right the first time,” he said. When he sits down to write, he goes over everything he wrote the day before and polishes it. Then, when he has about 50 pages done, he prints out those pages and revises them. He estimates that, by the time he’s finished the first draft of the whole book, he’s probably rewritten the first chapter 10 times. During his revisions he focuses on Elmore Leonard’s notion of cutting out all the parts a reader might skip. “Every page, every paragraph, every sentence, every word, I ask myself, ‘Is this compelling? Is this gripping? Is this moving the story forward?’ And if it’s not, I have to get rid of it. I write as if there’s a knife at my throat and, if I bore you, I’m dead.”
Asked what writers he admires, he hesitated to answer for fear of leaving somebody’s name off the list. But he said that, on the Today show, he was recently asked to name four books or authors he likes that most people wouldn’t know about. He named these four:
Coben concluded his talk with his philosophy of writing. Writing is about communication. A writer without a reader is like a man who claps with one hand. “Shelter was not a book when I finished it. It’s a book when you read it. When one of you reads this book, a whole new universe comes to life—different from everybody else’s.”
I was pleased to hear him articulate reader-response theory like this. (He’s such a down-to-earth guy that he’d probably laugh off the word theory, but that’s what it is.) And this philosophy about his work isn’t just something he says. He also acted on it in the book signing session that followed his talk. He greeted each person who presented a book for signing, shook hands, and then came out from behind his table to pose for a quick photo with everyone who had a camera. You gotta love a writer who genuinely appreciates his readers like this.
Stay tuned for Part II on more of his writing process.
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Forbes contributor Avril David has put together a list of “10 women [who] can tell (and sell) a good story”:
Although there are many more women throughout history who have proven to be powerful authors, this list is limited to those who are living, with a focus on personal narrative and fiction writers.
She emphasizes that this list is a matter of personal opinion, so I guess she has the right to set whatever parameters for inclusion she wishes. But Joyce Carol Oates and Danielle Steel on the same list?
Another list from Forbes, this one based solely on profits and including both men and women. How many can you guess before looking at the list?
The Albemarle County School Board in Virgina has voted to remove Sir Arthur Conan Doyle’s Sherlock Holmes tale A Study in Scarlet from sixth-grade reading lists because it portrays Mormonism in an unfavorable way. Although the book was found not to be age-appropriate for the sixth grade, it will continue to be available to older students. According to this news story:
Not everyone was happy about the removal of the book from sixth grade reading lists. Apparently “more than 20 former Henley students turned out to oppose the book’s removal from the lists.”
U.S. schools have banned more than 20 books and faced more than 50 other challenges this year, the American Library Association reports, and many more are expected this fall.
USA Today has a round-up about censorship in schools.
NPR talks with Irish author John Banville, who publishes mysteries under the name Benjamin Black.
“If you are going to write noir fiction, Dublin in the ’50s is absolutely perfect . . . All that poverty, all that fog, all that cigarette smoke, all those drink fumes. Perfect noir territory.”
Black’s mysteries feature sleuth Quirke, a consulting pathologist in a Dublin morgue:
“He has a very dark and troubled past,” Black explains. “He was an orphan. When he looks back to his earliest years, he sees only a blank, which is I think what drives him. What drives his curiosity. His itch to know about other people’s lives, other people’s secrets.”
Black describes Quirke as the exact opposite of Sherlock Holmes:
“In these books, nothing is ever resolved,” Black says. “The baddies are not put away. Poor old Quirke is as dumb as the rest of us, you know.”
As the tenth anniversary of the event that changed the world as we knew it approaches, The Los Angeles Times offers a list of five books that memorialize it.
My own addition to this list is the novel Extremely Loud and Incredibly Close by Jonathan Safran Foer.
Posted in Author News, Book News, Book Recommendations, Censorship, Monday Miscellany, Publishing | No Comments »
“Here are some of the most bizarre ways that writers have had their story end.”
The Internet-begotten abundance of absolutely everything has given rise to a parallel universe of stars, rankings, most-recommended lists, and other valuations designed to help us sort the wheat from all the chaff we’re drowning in.
Chris Colin suggests that the ubiquity of rating systems for everything in the world is harming more than helping us:
There’s an essential freedom in being alone with one’s thoughts, oblivious to and unpolluted by anyone else’s. Diminish that aloneness and we start to doubt our own perspective.
When we’re overwhelmed by everyone else’s opinion about something, it’s hard to focus on, or even articulate, what our own opinion really is.
There’s an essential freedom in being alone with one’s thoughts, oblivious to and unpolluted by anyone else’s. Diminish that aloneness and we start to doubt our own perspective.
Oh, hey, remember how we told you AMC is eager to keep its hit series Mad Men in your consciousness even though the show has been on extended hiatus during contract negotiations? Well:
“Mad Men” has gone beyond a fashion fad. The AMC show about a 1960s ad agency — in which style is as important as the characters and plot — continues to influence runways and retailers with a new branded collection at Banana Republic. . . . The new clothing line also provides a temporary fix for “Mad Men” devotees awaiting the show’s return in 2012. No new episodes of the show aired this year.
Read how the new clothing line marries the fashion of the 1960s to the fabrics and comfort demands of today.
Writers who marry or woo other writers — it’s a bold move, considering the egos involved and the social isolation necessary to get a decent amount of good work done. And yet the authors below tried to make it work; some stayed together for months and some were even able to make it last years. Many of the following authors even acted as mentors to their younger paramours, giving their careers a boost by introducing them to editors and other important members of literary circles. If you’re interested in learning more about writers’ affairs of the heart, Katie Roiphe details some of the following relationships in her book, Uncommon Arrangements: Seven Marriages.
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